Music (bonus track version, Warner Records on front cover)

~ Veröffentlichung von Madonna (alle Versionen dieser Veröffentlichung ansehen, 26 vorhanden)

Anmerkung

Warner Records on artwork.
"American Pie" mastered by Howie Weinberg at Master Disk, NYC
The rest of the release was mastered at Metropolis Sudios, London by Tim Young

Anmerkung zuletzt geändert am 2021-05-23 21:55 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Music
Programmierung:
Mirwais Ahmadzaï und Sean Spuehler
assistierende(r) Techniker(in):
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando und Dan Vickers
Techniker(in):
Mark Endert, Geoff Foster (sound engineer), Branwen Munn und Sean Spuehler
Produzent(in):
Madonna (“Queen of Pop”) und Mirwais Ahmadzaï
Mix:
Mark “Spike” Stent (producer, engineer)
Editing:
Jake Davies
Keyboard [keybaords]:
Mirwais Ahmadzaï
Sologesang:
Madonna (“Queen of Pop”)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
aufgenommen bei:
Guerilla Beach in Los Angeles, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Sarm West Studios in Notting Hill und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Olympic Studios (1966–2009) in Barnes
Samples:
Never Young Again von Mirwais
Musikvideos:
Music von Madonna (“Queen of Pop”)
recording of:
Music
Verfasser(in):
Madonna (“Queen of Pop”) und Mirwais Ahmadzaï
publisher:
1000 Lights Music Ltd., Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), Webo Girl Publishing, Inc., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
3.53:46
2Impressive Instant
Programmierung:
Mirwais Ahmadzaï und Sean Spuehler
assistierende(r) Techniker(in):
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando und Dan Vickers
Techniker(in):
Mark Endert, Geoff Foster (sound engineer), Branwen Munn und Sean Spuehler
Produzent(in):
Madonna (“Queen of Pop”) und Mirwais Ahmadzaï
Mix:
Mark “Spike” Stent (producer, engineer)
Editing:
Jake Davies
Keyboard [keyboards]:
Mirwais Ahmadzaï
Sologesang:
Madonna (“Queen of Pop”)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
aufgenommen bei:
Guerilla Beach in Los Angeles, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Sarm West Studios in Notting Hill und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Olympic Studios (1966–2009) in Barnes
recording of:
Impressive Instant
Verfasser(in):
Madonna (“Queen of Pop”) und Mirwais Ahmadzaï
publisher:
1000 Lights Music Ltd., Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), Webo Girl Publishing, Inc., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
3.153:38
3Runaway Lover
Programmierung:
Sean Spuehler
assistierende(r) Techniker(in):
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando und Dan Vickers
Techniker(in):
Mark Endert, Geoff Foster (sound engineer), Branwen Munn und Sean Spuehler
Produzent(in):
Madonna (“Queen of Pop”) und William Ørbit (William Orbit, English musician, composer and record producer)
Mix:
Mark “Spike” Stent (producer, engineer)
Editing:
Jake Davies
Gitarre [guitars] und Keyboard [keyboards] und Hintergrundgesang [backing vocals]:
William Ørbit (William Orbit, English musician, composer and record producer)
Schlagzeug:
Steve Sidelnyk
Sologesang:
Madonna (“Queen of Pop”)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
aufgenommen bei:
Guerilla Beach in Los Angeles, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Sarm West Studios in Notting Hill und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Olympic Studios (1966–2009) in Barnes
recording of:
Runaway Lover
Verfasser(in):
Madonna (“Queen of Pop”) und William Ørbit (William Orbit, English musician, composer and record producer)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., WB Music Corp. (1929–2019) und Webo Girl Publishing, Inc.
3.154:47
4I Deserve It
Programmierung:
Mirwais Ahmadzaï und Sean Spuehler
assistierende(r) Techniker(in):
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando und Dan Vickers
Techniker(in):
Mark Endert, Geoff Foster (sound engineer), Branwen Munn und Sean Spuehler
Produzent(in):
Madonna (“Queen of Pop”) und Mirwais Ahmadzaï
Mix:
Mark “Spike” Stent (producer, engineer)
Editing:
Jake Davies
Akustikgitarre und Keyboard [keyboards]:
Mirwais Ahmadzaï
Sologesang:
Madonna (“Queen of Pop”)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
aufgenommen bei:
Guerilla Beach in Los Angeles, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Sarm West Studios in Notting Hill und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Olympic Studios (1966–2009) in Barnes
recording of:
I Deserve It
Verfasser(in):
Madonna (“Queen of Pop”) und Mirwais Ahmadzaï
publisher:
1000 Lights Music Ltd., Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019) und Webo Girl Publishing, Inc.
2.854:24
5Amazing
Programmierung:
Sean Spuehler
assistierende(r) Techniker(in):
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando und Dan Vickers
Techniker(in):
Mark Endert, Geoff Foster (sound engineer), Branwen Munn und Sean Spuehler
Produzent(in):
Madonna (“Queen of Pop”) und William Ørbit (William Orbit, English musician, composer and record producer)
Mix:
Mark “Spike” Stent (producer, engineer)
Editing:
Jake Davies
Gitarre [guitars] und Keyboard [keybaords] und Hintergrundgesang [backing vocals]:
William Ørbit (William Orbit, English musician, composer and record producer)
Schlagzeug:
Steve Sidelnyk
Sologesang:
Madonna (“Queen of Pop”)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
aufgenommen bei:
Guerilla Beach in Los Angeles, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Sarm West Studios in Notting Hill und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Olympic Studios (1966–2009) in Barnes
recording of:
Amazing
Verfasser(in):
Madonna (“Queen of Pop”) und William Ørbit (William Orbit, English musician, composer and record producer)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., WB Music Corp. (1929–2019) und Webo Girl Publishing, Inc.
2.83:43
6Nobody’s Perfect
Programmierung:
Mirwais Ahmadzaï und Sean Spuehler
assistierende(r) Techniker(in):
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando und Dan Vickers
Techniker(in):
Mark Endert, Geoff Foster (sound engineer), Branwen Munn und Sean Spuehler
Produzent(in):
Madonna (“Queen of Pop”) und Mirwais Ahmadzaï
Mix:
Mark “Spike” Stent (producer, engineer)
Editing:
Jake Davies
Keyboard [keyboards]:
Mirwais Ahmadzaï
Sologesang:
Madonna (“Queen of Pop”)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
aufgenommen bei:
Guerilla Beach in Los Angeles, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Sarm West Studios in Notting Hill und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Olympic Studios (1966–2009) in Barnes
recording of:
Nobody's Perfect
Verfasser(in):
Madonna (“Queen of Pop”) und Mirwais Ahmadzaï
publisher:
1000 Lights Music Ltd., Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019) und Webo Girl Publishing, Inc.
3.24:59
7Don’t Tell Me
Programmierung:
Mirwais Ahmadzaï und Sean Spuehler
assistierende(r) Techniker(in):
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando und Dan Vickers
Techniker(in):
Mark Endert, Geoff Foster (sound engineer), Geoff Foster (sound engineer) (Saiteninstrumente), Branwen Munn und Sean Spuehler
Produzent(in):
Madonna (“Queen of Pop”) und Mirwais Ahmadzaï
Mix:
Mark “Spike” Stent (producer, engineer)
Editing:
Jake Davies
Akustikgitarre [acoustic guitars] und Keyboard [keyboards]:
Mirwais Ahmadzaï
Sologesang:
Madonna (“Queen of Pop”)
Saiteninstrumente arranger:
Michel Colombier (French score composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
aufgenommen bei:
Air Lindhurst Sudios in Vereinigtes Königreich (Saiteninstrumente), Guerilla Beach in Los Angeles, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Sarm West Studios in Notting Hill und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Olympic Studios (1966–2009) in Barnes
recording of:
Don't Tell Me
Verfasser(in):
Joe Henry (US singer-songwriter, guitarist & producer), Madonna (“Queen of Pop”) und Mirwais Ahmadzaï
publisher:
1000 Lights Music Ltd., Lemz Music, True North Music, Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), Webo Girl Publishing, Inc., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
3.64:41
8What It Feels Like for a Girl
Programmierung:
Guy Sigsworth und Sean Spuehler
assistierende(r) Techniker(in):
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando und Dan Vickers
Techniker(in):
Mark Endert, Geoff Foster (sound engineer), Branwen Munn und Sean Spuehler
Produzent(in):
Madonna (“Queen of Pop”), Guy Sigsworth und Mark “Spike” Stent (producer, engineer)
Mix:
Mark “Spike” Stent (producer, engineer)
Editing:
Jake Davies
Gitarre [guitars] und Keyboard [keyboards]:
Guy Sigsworth
Sologesang:
Madonna (“Queen of Pop”)
sonstiger Gesang:
Charlotte Gainsbourg
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
aufgenommen bei:
Guerilla Beach in Los Angeles, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Sarm West Studios in Notting Hill und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Olympic Studios (1966–2009) in Barnes
Musikvideos:
What It Feels Like for a Girl von Madonna (“Queen of Pop”)
recording of:
What It Feels Like for a Girl
Verfasser(in):
Madonna (“Queen of Pop”), Guy Sigsworth und David Torn (guitarist/composer aka SPLaTTeRCeLL)
publisher:
Universal Music Publishing Limited (UK subsidiary of Universal Music Publishing Group), Webo Girl Publishing, Inc., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
3.24:44
9Paradise (Not for Me)
Programmierung:
Sean Spuehler
assistierende(r) Techniker(in):
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando und Dan Vickers
Techniker(in):
Mark Endert, Geoff Foster (sound engineer), Branwen Munn und Sean Spuehler
Produzent(in):
Madonna (“Queen of Pop”) und Mirwais Ahmadzaï
Mix:
Mark “Spike” Stent (producer, engineer)
Editing:
Jake Davies
Sologesang:
Madonna (“Queen of Pop”)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
aufgenommen bei:
Guerilla Beach in Los Angeles, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Sarm West Studios in Notting Hill und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Olympic Studios (1966–2009) in Barnes
recording of:
Paradise (Not for Me)
Texter:
Madonna (“Queen of Pop”)
Komponist(in):
Madonna (“Queen of Pop”) und Mirwais Ahmadzaï
publisher:
1000 Lights Music Ltd., Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019) und Webo Girl Publishing, Inc.
3.46:34
10Gone
Programmierung:
Sean Spuehler
assistierende(r) Techniker(in):
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando und Dan Vickers
Techniker(in):
Mark Endert, Geoff Foster (sound engineer), Branwen Munn und Sean Spuehler
Produzent(in):
Madonna (“Queen of Pop”), Mark “Spike” Stent (producer, engineer) und William Ørbit (William Orbit, English musician, composer and record producer)
Mix:
Mark “Spike” Stent (producer, engineer)
Editing:
Jake Davies
Akustikgitarre:
Paul Stacey (UK producer, engineer & guitarist)
E-Gitarre [FX guitars] und Keyboard [keyboards]:
William Ørbit (William Orbit, English musician, composer and record producer)
Schlagzeug:
Steve Sidelnyk
Sologesang:
Madonna (“Queen of Pop”)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
aufgenommen bei:
Guerilla Beach in Los Angeles, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Sarm West Studios in Notting Hill und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Olympic Studios (1966–2009) in Barnes
recording of:
Gone
publisher:
Damian LeGassick und Nik Young
Verfasser(in):
Damian LeGassick, Madonna (“Queen of Pop”) und Nik Young
publisher:
WB Music Corp. (1929–2019) und Webo Girl Publishing, Inc.
33:25
11American Pie
Programmierung:
Rico Conning und Sean Spuehler
Techniker(in):
Jake Davies, Mark Endert und Sean Spuehler
Produzent(in):
Madonna (“Queen of Pop”) und William Orbit (English musician, composer and record producer)
Mix:
Mark “Spike” Stent (producer, engineer)
Keyboard:
Damian LeGassick
Hintergrundgesang [backup vocals]:
Rupert Everett
Sologesang:
Madonna (“Queen of Pop”)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2000)
mixed at:
Olympic Studios (1966–2009) in Barnes
cover recording of:
American Pie
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.24:34

Nennungen

Veröffentlichung

mastered at:Master Disk in New York, New York, Vereinigte Staaten