pradig

Recordings pradig tagged as “classical”

2,271 recordings found

Allabreve D-Dur BWV 589 by Ton Koopman (conductor, organist and harpsichordist)
An die Musik, D 547 by Thomas Quasthoff (bass-baritone), The Chamber Orchestra of Europe, Claudio Abbado (conductor)
An Schwager Kronos, D 369 by Thomas Quasthoff (bass-baritone), The Chamber Orchestra of Europe, Claudio Abbado (conductor)
An Silvia, D 891 by Anne Sofie von Otter (mezzo-soprano), The Chamber Orchestra of Europe, Claudio Abbado (conductor)
Art of the Fugue, BWV 1080: I. Contrapunctus 1 by Glenn Gould (pianist)
Art of the Fugue, BWV 1080: II. Contrapunctus 2 by Glenn Gould (pianist)
Art of the Fugue, BWV 1080: III. Contrapunctus 3 by Glenn Gould (pianist)
Art of the Fugue, BWV 1080: IV. Contrapunctus 4 by Glenn Gould (pianist)
Art of the Fugue, BWV 1080: IX. Contrapunctus 9 by Glenn Gould (pianist)
Art of the Fugue, BWV 1080: V. Contrapunctus 5 by Glenn Gould (pianist)
Art of the Fugue, BWV 1080: VI. Contrapunctus 6 by Glenn Gould (pianist)
Art of the Fugue, BWV 1080: VII. Contrapunctus 7 by Glenn Gould (pianist)
Art of the Fugue, BWV 1080: VIII. Contrapunctus 8 by Glenn Gould (pianist)
Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro by Il giardino armonico (Italian baroque ensemble)
Brandenburg Concerto no. 5 in D, BWV 1050: 2. Affetuoso by Ian Watson (conductor and keyboardist), Marieke Blankestijn (violinist), Thierry Fischer (Swiss conductor and flutist), The Chamber Orchestra of Europe
Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: I. Allegro by The Chamber Orchestra of Europe, Douglas Boyd (oboist and conductor)
Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: II. Adagio by The Chamber Orchestra of Europe, Douglas Boyd (oboist and conductor)
Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: III. Allegro by The Chamber Orchestra of Europe, Douglas Boyd (oboist and conductor)
Brandenburgisches Konzert No. 1 in F-Dur, BWV 1046: IV. Menuet, Trio I, Polonaise, Trio II by The Chamber Orchestra of Europe, Douglas Boyd (oboist and conductor)
Brandenburgisches Konzert No. 2 in F-Dur, BWV 1047: I. Allegro by The Chamber Orchestra of Europe, Douglas Boyd (oboist and conductor)
Brandenburgisches Konzert No. 2 in F-Dur, BWV 1047: II. Andante by The Chamber Orchestra of Europe, Douglas Boyd (oboist and conductor)
Brandenburgisches Konzert No. 2 in F-Dur, BWV 1047: III. Allegro assai by The Chamber Orchestra of Europe, Douglas Boyd (oboist and conductor)
Brandenburgisches Konzert No. 3 in G-Dur, BWV 1048: I. Allegro by The Chamber Orchestra of Europe, Douglas Boyd (oboist and conductor)
Brandenburgisches Konzert No. 3 in G-Dur, BWV 1048: II. Adagio by The Chamber Orchestra of Europe, Douglas Boyd (oboist and conductor)
Brandenburgisches Konzert No. 3 in G-Dur, BWV 1048: III. Allegro by The Chamber Orchestra of Europe, Douglas Boyd (oboist and conductor)
Brandenburgisches Konzert No. 4 in G-Dur, BWV 1049: I. Allegro by The Chamber Orchestra of Europe, Douglas Boyd (oboist and conductor)
Brandenburgisches Konzert No. 4 in G-Dur, BWV 1049: II. Andante by The Chamber Orchestra of Europe, Douglas Boyd (oboist and conductor)
Brandenburgisches Konzert No. 4 in G-Dur, BWV 1049: III. Presto by The Chamber Orchestra of Europe, Douglas Boyd (oboist and conductor)
Brandenburgisches Konzert No. 5 in D-Dur, BWV 1050: I. Allegro by The Chamber Orchestra of Europe, Douglas Boyd (oboist and conductor)
Brandenburgisches Konzert No. 5 in D-Dur, BWV 1050: III. Allegro by The Chamber Orchestra of Europe, Douglas Boyd (oboist and conductor)
Brandenburgisches Konzert No. 6 in B-Dur, BWV 1051: I. Allegro by The Chamber Orchestra of Europe, Douglas Boyd (oboist and conductor)
Brandenburgisches Konzert No. 6 in B-Dur, BWV 1051: II. Adagio ma non tanto by The Chamber Orchestra of Europe, Douglas Boyd (oboist and conductor)
Brandenburgisches Konzert No. 6 in B-Dur, BWV 1051: III. Allegro by The Chamber Orchestra of Europe, Douglas Boyd (oboist and conductor)
BWV 4 BC A54b: "Christ lag in Todes Banden": IV [Aria] (Tenore) Versus III »Jesus Christus, Gottes Sohn« by Kurt Equiluz (tenor), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
BWV 4 BC A54b: "Christ lag in Todes Banden": V [Coro] Versus IV »Es war ein wunderlicher Krieg« by Hans Gillesberger, Chorus Viennensis, Wiener Sängerknaben (The Vienna Boys Choir), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
BWV 4 BC A54b: "Christ lag in Todes Banden": VI [Aria] (Basso) Versus V »Hier ist das rechte Osterlamm« by Max van Egmond (bass-baritone), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
BWV 4 BC A54b: "Christ lag in Todes Banden": VIII Choral (Coro) Versus VII »Wir essen und leben wohl« by Hans Gillesberger, Chorus Viennensis, Wiener Sängerknaben (The Vienna Boys Choir), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
Cantata "Erfreuet euch, ihr Herzen", BWV 66: Aria: "Lasset dem Höchsten ein Danklied erschallen" by Klaus Mertens (classical singer, bass‐baritone), Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata "Erfreuet euch, ihr Herzen", BWV 66: Chorale: "Alleluja!" by Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata "Erfreuet euch, ihr Herzen", BWV 66: Chorus: "Erfreut euch, ihr Herzen" by Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata "Erfreuet euch, ihr Herzen", BWV 66: Duetto: "Ich fürchte zwar des Grabes Finsternissen" by Bernhard Landauer (countertenor), Christoph Prégardien (tenor), Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata "Erfreuet euch, ihr Herzen", BWV 66: Recitative and Arioso: "Bei Jesu Leben freudig sein" by Bernhard Landauer (countertenor), Christoph Prégardien (tenor), Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata "Erfreuet euch, ihr Herzen", BWV 66: Recitative: "Es bricht das Grab" by Klaus Mertens (classical singer, bass‐baritone), Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata "Ich elender Mensch, wer wird mich erlösen", BWV 48: Aria: "Ach lege das Sodom der sündlichen Glieder" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata "Ich elender Mensch, wer wird mich erlösen", BWV 48: Chorale: "Solls ja so sein" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata "Ich elender Mensch, wer wird mich erlösen", BWV 48: Chorus: "Ich elender Mensch" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata "Ich elender Mensch, wer wird mich erlösen", BWV 48: Recitative: "O Schmerz, o Elend" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata "Ich habe genug", BWV 82: I. Aria "Ich habe genug" by Matthias Goerne (baritone), Camerata Academica of Salzburg (Austrian chamber orchestra), Sir Roger Norrington (conductor)
Cantata "Ich habe genug", BWV 82: II. Recitativo "Ich habe genug!" by Matthias Goerne (baritone), Camerata Academica of Salzburg (Austrian chamber orchestra), Sir Roger Norrington (conductor)
Cantata "Ich habe genug", BWV 82: III. Aria "Schlummert ein, ihr matten Augen" by Matthias Goerne (baritone), Camerata Academica of Salzburg (Austrian chamber orchestra), Sir Roger Norrington (conductor)
Cantata "Ich habe genug", BWV 82: IV. Recitativo "Mein Gott! wann kommt das schöne Nun!" by Matthias Goerne (baritone), Camerata Academica of Salzburg (Austrian chamber orchestra), Sir Roger Norrington (conductor)
Cantata "Ich habe genug", BWV 82: V. Aria "Ich freue mich auf meinen Tod" by Matthias Goerne (baritone), Camerata Academica of Salzburg (Austrian chamber orchestra), Sir Roger Norrington (conductor)
Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: I. Aria "Ich will den Kreuzstab gerne tragen" by Matthias Goerne (baritone), Camerata Academica of Salzburg (Austrian chamber orchestra), Sir Roger Norrington (conductor)
Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: II. Recitativo "Mein Wandel auf der Welt ist einer Schiffahrt gleich" by Matthias Goerne (baritone), Camerata Academica of Salzburg (Austrian chamber orchestra), Sir Roger Norrington (conductor)
Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: III. Aria "Endlich, endlich wird mein Joch wieder von mir weichen müssen" by Matthias Goerne (baritone), Camerata Academica of Salzburg (Austrian chamber orchestra), Sir Roger Norrington (conductor)
Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: IV. Recitativo "Ich stehe fertig und bereit" by Matthias Goerne (baritone), Camerata Academica of Salzburg (Austrian chamber orchestra), Sir Roger Norrington (conductor)
Cantata "Ich will den Kreuzstab gerne tragen", BWV 56: V. Choral "Komm, o Tod, du Schlafes Bruder" by Matthias Goerne (baritone), Camerata Academica of Salzburg (Austrian chamber orchestra), Sir Roger Norrington (conductor)
Cantata "Wer da gläubet und getauft wird", BWV 37: Aria: "Der Glaube ist das Pfand der Liebe" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata "Wer da gläubet und getauft wird", BWV 37: Aria: "Der Glaube schafft der Seele Flügel" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata "Wer da gläubet und getauft wird", BWV 37: Chor: "Herr Gott Vater, mein starker Held" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata "Wer da gläubet und getauft wird", BWV 37: Chor: "Wer da glaubet und getauft wird" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata "Wer da gläubet und getauft wird", BWV 37: Chorale: "Den Glauben mir verleihe" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata "Wer da gläubet und getauft wird", BWV 37: Recitative: "Ihr Sterblichen" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata No 65 Sie werden aus Saba alle kommen BWV65 : I Chorus - "Sie werden aus Saba alle kommen" by Tölzer Knabenchor (Tölz Boys’ Choir), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
Cantata No 65 Sie werden aus Saba alle kommen BWV65 : II Chorale - "Die Kön'ge aus Saba kamen dar" by Tölzer Knabenchor (Tölz Boys’ Choir), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
Cantata No 65 Sie werden aus Saba alle kommen BWV65 : III Recitative - "Was dort Jesaias vorhergesehn" by Ruud van der Meer (operatic bass), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
Cantata No 65 Sie werden aus Saba alle kommen BWV65 : IV Aria - "Gold aus Ophir ist zu schlecht" by Ruud van der Meer (operatic bass), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
Cantata No 65 Sie werden aus Saba alle kommen BWV65 : V Recitative - "Verschmähe nicht, du, meiner Seelen Licht" by Kurt Equiluz (tenor), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
Cantata No 65 Sie werden aus Saba alle kommen BWV65 : VI Aria - "Nimm mich dir zu eigen hin" by Kurt Equiluz (tenor), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
Cantata No 65 Sie werden aus Saba alle kommen BWV65 : VII Chorale - "Ei nun, mein Gott, so fall ich dir" by Tölzer Knabenchor (Tölz Boys’ Choir), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
Cantata No 66 Erfreut euch, ihr Herzen BWV66 : I Chorus - "Erfreut euch, ihr Herzen" by Collegium Vocale Gent, Knabenchor Hannover (Hanover Boys' Choir, German boys choir), Gustav Leonhardt (conductor, harpsichordist)
Cantata No 66 Erfreut euch, ihr Herzen BWV66 : II Recitative - "Es bricht das Grab und damit unsre Not" by Max van Egmond (bass-baritone), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
Cantata No 66 Erfreut euch, ihr Herzen BWV66 : III Aria - "Lasset dem Höchsten ein Danklied erschallen" by Max van Egmond (bass-baritone), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
Cantata No 66 Erfreut euch, ihr Herzen BWV66 : IV Recitative - "Bei Jesu Leben freudig sein" by Kurt Equiluz (tenor), Paul Esswood (countertenor), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
Cantata No 66 Erfreut euch, ihr Herzen BWV66 : V Duet - "Ich furchte zwar des Grabes Finsternissen" by Kurt Equiluz (tenor), Paul Esswood (countertenor), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
Cantata No 66 Erfreut euch, ihr Herzen BWV66 : VI Chorale - "Alleluja! Alleluja! Alleluja!" by Collegium Vocale Gent, Knabenchor Hannover (Hanover Boys' Choir, German boys choir), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
Cantata No 67 "Halt im Gedächtnis Jesum Christ" BWV67: I. Coro "Halt im Gedächtnis Jesum Christ" by Collegium Vocale Gent, Knabenchor Hannover (Hanover Boys' Choir, German boys choir), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
Cantata No 67 "Halt im Gedächtnis Jesum Christ" BWV67: II. Aria "Mein Jesus ist erstanden" by Kurt Equiluz (tenor), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
Cantata No 67 "Halt im Gedächtnis Jesum Christ" BWV67: III. Recitative "Mein Jesu, heissest du des Todes Gift" by Paul Esswood (countertenor), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
Cantata No 67 "Halt im Gedächtnis Jesum Christ" BWV67: IV. Choral "Erschienen ist der herrlich Tag" by Collegium Vocale Gent, Knabenchor Hannover (Hanover Boys' Choir, German boys choir), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
Cantata No 67 "Halt im Gedächtnis Jesum Christ" BWV67: V. Recitative "Doch scheinet fast, dass mich der Feinde Rest" by Paul Esswood (countertenor), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
Cantata No 68 "Also hat Gott die Welt geliebt" BWV68 : II. Aria "Mein gläubiges Herze" by Peter Jelosits (tenor), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
Cantata, BWV 18 "Gleich wie Regen und Schnee vom Himmel fällt": I. Sinfonia by Europa Galante (Italian Baroque orchestra), Fabio Biondi (conductor/violinist)
Cantata, BWV 43 "Gott fähret auf mit Jauchzen": II. Recitativo "Es will der Höchste sich ein Siegsgespräng bereiten" by Ian Bostridge (tenor), Europa Galante (Italian Baroque orchestra), Fabio Biondi (conductor/violinist)
Cantata, BWV 43 "Gott fähret auf mit Jauchzen": III. Aria "Ja tausend mal tausend begleiten den Wagen" by Ian Bostridge (tenor), Europa Galante (Italian Baroque orchestra), Fabio Biondi (conductor/violinist)
Cantata, BWV 82a "Ich habe genug": Aria "Schlummert ein, ihr matten Augen" by Ian Bostridge (tenor), Europa Galante (Italian Baroque orchestra), Fabio Biondi (conductor/violinist)
Cantata, BWV 82a "Ich habe genug": Recitativo "Ich habe genug" by Ian Bostridge (tenor), Europa Galante (Italian Baroque orchestra), Fabio Biondi (conductor/violinist)
Cantata, BWV 139 "Wohl dem, der sich auf seinen Gott": II. Aria "Gott ist mein Freund" by Ian Bostridge (tenor), Europa Galante (Italian Baroque orchestra), Fabio Biondi (conductor/violinist)
Cantata, BWV 198 "Laß, Fürstin, laß noch einen Strahl": Part II, VIII. Aria "Der Ewigkeit saphirnes Haus" by Ian Bostridge (tenor), Europa Galante (Italian Baroque orchestra), Fabio Biondi (conductor/violinist)
Cantata, BWV 212 "Mer hahn en neue Oberkeet": I. Sinfonia by Europa Galante (Italian Baroque orchestra), Fabio Biondi (conductor/violinist)
Cantata: "Wachet! betet! betet! wachet!, BWV 70: Aria: "Hebt euer Haupt empor" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata: "Wachet! betet! betet! wachet!, BWV 70: Aria: "Laßt der Spötter Zungen schmähen" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata: "Wachet! betet! betet! wachet!, BWV 70: Aria: "Seligster Erquickungstag" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata: "Wachet! betet! betet! wachet!, BWV 70: Aria: "Wenn kommt der Tag, an dem wir ziehen" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata: "Wachet! betet! betet! wachet!, BWV 70: Chor: "Wachet! betet! betet! wachet!" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata: "Wachet! betet! betet! wachet!, BWV 70: Chorale: "Freu dich sehr, o meine Seele" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata: "Wachet! betet! betet! wachet!, BWV 70: Chorale: "Nicht nach Welt, nach Himmel nicht" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata: "Wachet! betet! betet! wachet!, BWV 70: Recitative "Erschrecket, ihr verstockten Sünder!" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata: "Wachet! betet! betet! wachet!, BWV 70: Recitative and Chorale: "Ach, soll nicht dieser große Tag" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
Cantata: "Wachet! betet! betet! wachet!, BWV 70: Recitative: "Auch bei dem himmlischen Verlangen" by Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)