| "Schweigt stille, plaudert nicht", BWV 211: 1. Recitative: "Schweigt stille, plaudert nicht" | Barbara Bonney, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 0:33 |
| "Schweigt stille, plaudert nicht", BWV 211: 2. Aria: "Hat man nicht mit seinen Kindern" | Barbara Bonney, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 2:58 |
| "Schweigt stille, plaudert nicht", BWV 211: 3. Recitative: "Du böses Kind, du loses Mädchen" | Barbara Bonney, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 0:40 |
| "Schweigt stille, plaudert nicht", BWV 211: 4. Aria: "Ei! wie schmeckt der Coffee süße" | Barbara Bonney, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 4:32 |
| "Schweigt stille, plaudert nicht", BWV 211: 5. Recitative: "Wenn du mir nicht den Coffee lässt" | Barbara Bonney, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 1:02 |
| "Schweigt stille, plaudert nicht", BWV 211: 6. Aria: "Mädchen, die von harten Sinnen" | Barbara Bonney, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 2:52 |
| "Schweigt stille, plaudert nicht", BWV 211: 7. Recitative: "Nun folge, was dein Vater spricht" | Barbara Bonney, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 0:49 |
| "Schweigt stille, plaudert nicht", BWV 211: 8. Aria: "Heute noch, lieber Vater, tut es doch" | Barbara Bonney, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 6:43 |
| "Schweigt stille, plaudert nicht", BWV 211: 9. Recitative: "Nun geht und sucht der alte Schlendrian" | Barbara Bonney, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 0:46 |
| "Schweigt stille, plaudert nicht", BWV 211: 10. Chorus: "Die Katze lässt das Mausen nicht" | Barbara Bonney, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 5:02 |
| "Was mir behagt, ist nur die muntre Jagd", BWV 208: 9. Aria: "Schafe können sicher weiden" | Choir of the Age of Enlightenment, Lynne Dawson, John Elwes, Monika Frimmer, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 4:01 |
| A Survivor from Warsaw for Narrator, Men's Chorus and Orchestra, op. 46 | Philharmonia Orchestra, Simon Joly Chorale, Robert Craft, David Wilson-Johnson | | | 7:17 |
| Accompagnato: Behold, I Tell You A Mystery (Bass) | David Wilson-Johnson, BBC Philharmonic, Harry Christophers | | | 0:33 |
| Aria: The Trumpet Shall Sound (Bass) | David Wilson-Johnson, BBC Philharmonic, Harry Christophers | | | 2:13 |
| Aria: Why Do The Nations (Bass) | David Wilson-Johnson, BBC Philharmonic, Harry Christophers | | | 4:48 |
| Belshazzar’s Feast: And in that same hour, as they feasted | London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox | | | 2:27 |
| Belshazzar’s Feast: Babylon was a great city | London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox | | | 4:45 |
| Belshazzar’s Feast: By the waters of Babylon | London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox | | | 3:24 |
| Belshazzar’s Feast: If I forget thee, O Jerusalem | London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox | | | 2:21 |
| Belshazzar’s Feast: Praise ye the God of Gold | London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox | | | 5:17 |
| Belshazzar’s Feast: The trumpeters and pipers are silent | London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox | | | 1:22 |
| Belshazzar’s Feast: Then sing aloud to God our strength | London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox | | | 4:17 |
| Belshazzar’s Feast: Then sing aloud to God our strength (reprise) | London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox | | | 3:40 |
| Belshazzar’s Feast: Thus in Babylon the mighty city | London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox | | | 3:16 |
| Belshazzar’s Feast: Thus spake Isiah | London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox | | | 6:01 |
| Caractacus, op. 35: Scene 2. The Sacred Oak Grove by the Tomb of the Kings: Leap to Light, My Brand of Fight (Caractacus with Soldiers, Orbin, Druids, Arch-Druid) | Stephen Westrop, Arthur Davies, London Symphony Chorus, Stephen Roberts, David Wilson‐Johnson, London Symphony Orchestra, Richard Hickox | | | 5:20 |
| Caractacus, op. 35: Scene 4. The Malvern Hills: O My Warriors, Tell Me Truly (Caractacus, Chorus) | Stephen Westrop, London Symphony Chorus, David Wilson‐Johnson, London Symphony Orchestra, Richard Hickox | | | 4:25 |
| Dixit Dominus (Psalm 109), HWV 232: VI. Dominus a dextris tuis | Margaret Marshall, Monteverdi Choir, Richard Morton, Felicity Palmer, Alastair Thompson, David Wilson‐Johnson, Monteverdi Orchestra, Sir John Eliot Gardiner | | | 7:21 |
| Ein deutsches Requiem, op. 45: Denn wir haben hie keine bleibende Stadt | Stephen Westrop, London Symphony Chorus, David Wilson‐Johnson, London Symphony Orchestra, André Previn | | | 11:25 |
| Ein deutsches Requiem, op. 45: Herr, lehre doch mich | Stephen Westrop, London Symphony Chorus, David Wilson‐Johnson, London Symphony Orchestra, André Previn | | | 9:37 |
| Ein deutsches Requiem: III. Herr, lehre doch mich | Stephen Westrop, London Symphony Chorus, David Wilson‐Johnson, London Symphony Orchestra, André Previn | | | 9:34 |
| Ein deutsches Requiem: VI. Denn wir haben hier keine bleibende Statt | Stephen Westrop, London Symphony Chorus, David Wilson‐Johnson, London Symphony Orchestra, André Previn | | | 11:23 |
| Himmelfahrts-Oratorium, BWV 11: 3. Rezitativ (Baß) «Ach, Jesu, ist dein Abschied schon so nah?» | David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 1:05 |
| Himmelfahrts-Oratorium, BWV 11: 7a. Rezitativ (Tenor, Baß) «Und sa sie ihm nachshen gen Himmel fahren» | Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 1:01 |
| Jungle Book: XI. Mowgli's Song Against People | David Wilson-Johnson, James Gilchrist, Polyphony, Polyphony Orchestra, Stephen Layton | | | 3:53 |
| Kol Nidre, op. 39 | Philharmonia Orchestra, Robert Craft, Simon Joly Chorale, David Wilson-Johnson | | | 13:10 |
| La traviata: Atto II, Scena II. “Alfredo! Voi!” – “Or tutti a me” – “Ogni suo aver” (Tutti, Alfredo, Violetta) | Della Jones, Marjon Lambriks, Matteo Manuguerra, Alexander Oliver, Luciano Pavarotti, Jonathan Summers, Joan Sutherland, Giorgio Tadeo, John Tomlinson, David Wilson‐Johnson, National Philharmonic Orchestra, Richard Bonynge | | | 8:50 |
| Messiah: Accompagnato: For behold, darkness shall cover the earth (bass) | David Wilson-Johnson, BBC Philharmonic, Harry Christophers | | | 2:06 |
| Messiah: Accompagnato: Thus saith the Lord (bass) | David Wilson-Johnson, BBC Philharmonic, Harry Christophers | | | 1:19 |
| Messiah: Aria: But who may abide (bass) | David Wilson-Johnson, BBC Philharmonic, Harry Christophers | | | 4:29 |
| Messiah: Aria: The people that walked (bass) | David Wilson-Johnson, BBC Philharmonic, Harry Christophers | | | 3:28 |
| Missa in C major “Missa solemnis”, K337: Agnus Dei | Lina Markeby, James Oxley, Lynda Russell, St Paul’s Cathedral Choir, David Wilson‐Johnson, St Paul’s Mozart Orchestra, Andrew Carwood | | | 5:47 |
| Missa in C major “Missa solemnis”, K337: Credo | Lina Markeby, James Oxley, Lynda Russell, St Paul’s Cathedral Choir, David Wilson‐Johnson, St Paul’s Mozart Orchestra, Andrew Carwood | | | 5:16 |
| Missa in C major “Missa solemnis”, K337: Gloria | Lina Markeby, James Oxley, Lynda Russell, St Paul’s Cathedral Choir, David Wilson‐Johnson, St Paul’s Mozart Orchestra, Andrew Carwood | | | 3:44 |
| Missa in C major, K. 317 “Krönungsmesse”: 2. Gloria | Margaret Marshall, Ann Murray, Rogers Covey‐Crump, David Wilson-Johnson, Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury | | | 4:54 |
| Missa in C major, K. 317 “Krönungsmesse”: 3. Credo | Margaret Marshall, Ann Murray, Rogers Covey‐Crump, David Wilson-Johnson, Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury | | | 7:27 |
| Missa in C major, K. 317 “Krönungsmesse”: 5. Benedictus | Margaret Marshall, Ann Murray, Rogers Covey‐Crump, David Wilson-Johnson, Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury | | | 3:13 |
| Missa in C major, K. 317 “Krönungsmesse”: 6. Agnus Dei | Margaret Marshall, Ann Murray, Rogers Covey‐Crump, David Wilson-Johnson, Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury | | | 6:31 |
| Missa solemnis, Op. 123: I. Kyrie | Collegium Vocale Gent, Benjamin Hulett, Marlis Petersen, Gerhild Romberger, David Wilson-Johnson, Orchestre des Champs‐Élysées, Philippe Herreweghe | | | 11:30 |
| Missa solemnis, Op. 123: II. Gloria | Collegium Vocale Gent, Benjamin Hulett, Marlis Petersen, Gerhild Romberger, David Wilson-Johnson, Orchestre des Champs‐Élysées, Philippe Herreweghe | | | 16:35 |
| Missa solemnis, Op. 123: III. Credo | Collegium Vocale Gent, Benjamin Hulett, Marlis Petersen, Gerhild Romberger, David Wilson-Johnson, Orchestre des Champs‐Élysées, Philippe Herreweghe | | | 17:58 |
| Missa solemnis, Op. 123: IV. Sanctus | Collegium Vocale Gent, Benjamin Hulett, Marlis Petersen, Gerhild Romberger, David Wilson-Johnson, Orchestre des Champs‐Élysées, Philippe Herreweghe | | | 14:02 |
| Missa solemnis, Op. 123: V. Agnus Dei | Collegium Vocale Gent, Benjamin Hulett, Marlis Petersen, Gerhild Romberger, David Wilson-Johnson, Orchestre des Champs‐Élysées, Philippe Herreweghe | | | 15:14 |
| Missa solemnis: Agnus Dei | Carolyn Sampson, Marianne Beate Kielland, Thomas Walker, David Wilson-Johnson, Cappella Amsterdam, Orchestra of the Eighteenth Century, Daniel Reuss | | | 15:06 |
| Missa solemnis: Credo | Carolyn Sampson, Marianne Beate Kielland, Thomas Walker, David Wilson-Johnson, Cappella Amsterdam, Orchestra of the Eighteenth Century, Daniel Reuss | | | 18:57 |
| Missa solemnis: Gloria | Carolyn Sampson, Marianne Beate Kielland, Thomas Walker, David Wilson-Johnson, Cappella Amsterdam, Orchestra of the Eighteenth Century, Daniel Reuss | | | 16:49 |
| Missa solemnis: Kyrie | Carolyn Sampson, Marianne Beate Kielland, Thomas Walker, David Wilson-Johnson, Cappella Amsterdam, Orchestra of the Eighteenth Century, Daniel Reuss | | | 9:09 |
| Missa solemnis: Sanctus | Carolyn Sampson, Marianne Beate Kielland, Thomas Walker, David Wilson-Johnson, Cappella Amsterdam, Orchestra of the Eighteenth Century, Daniel Reuss | | | 14:56 |
| Moby Dick: It was a clear steel-blue day (Ishmael) - Oh, Starbuck! It is a mild, mild wind - Aye, toil how we may - Starbuck! (Ahab) | Danish National Symphony Orchestra, Michael Schønwandt, Richard Edgar‐Wilson, David Wilson-Johnson | | | 8:57 |
| Moby Dick: Thus, I give up the spear! (Ahab) - And I only am escaped alone to tell thee (Ishmael) | Danish National Symphony Orchestra, Danish National Radio Choir, Michael Schønwandt, Richard Edgar‐Wilson, David Wilson-Johnson | | | 1:19 |
| Ode to Napoleon Buonaparte for String Quartet, Piano and Reciter, op. 41 | David Wilson-Johnson, Fred Sherry String Quartet, Jeremy Denk | | | 15:03 |
| Oster-Oratorium, BWV 249: 1. Sinfonia | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 4:11 |
| Oster-Oratorium, BWV 249: 2. Adagio | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 4:13 |
| Oster-Oratorium, BWV 249: 3. Chor und Duett (Tenor, Baß) «Kommt, eilet und laufet» | Choir of the Age of Enlightenment, Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 5:37 |
| Oster-Oratorium, BWV 249: 4. Rezitativ (Altus, Sopran, Tenor, Baß) «O kalter Männer Sinn» | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 0:55 |
| Oster-Oratorium, BWV 249: 5. Arie (Sopran) «Seele, deine Spezereien» | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 10:51 |
| Oster-Oratorium, BWV 249: 6. Rezitativ (Tenor, Baß, Altus) «Hier ist die Gruft» | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 0:42 |
| Oster-Oratorium, BWV 249: 7. Arie (Tenor) «Sanfte soll mein Todeskummer» | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 7:28 |
| Oster-Oratorium, BWV 249: 8. Rezitativ und Arioso (Sopran, Altus) «Indessen seufzen wir mit brennender Begier» | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 0:53 |
| Oster-Oratorium, BWV 249: 9. Arie (Altus) «Saget, saget mir geschwinde» | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 5:52 |
| Oster-Oratorium, BWV 249: 10. Rezitativ (Baß) «Wir sind erfreut» | Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 0:38 |
| Oster-Oratorium, BWV 249: 11. Chor und Allegro «Preis und Dank» | Choir of the Age of Enlightenment, Monika Frimmer, Ralf Popken, Christoph Prégardien, David Wilson‐Johnson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | | | 2:35 |
| Part I- Recitative- Auf dass das Wort erfullet wurde (Evangelist, Jesus) | Ian Partridge, David Wilson‐Johnson, Orchestra of The Sixteen, Harry Christophers | | | 1:06 |
| Part I- Recitative- Derselbige Junger war dem Hohenpriester bekannt (Evangelist, Ancilla, Petrus, Jesus, Servus) | Ian Partridge, David Wilson‐Johnson, Orchestra of The Sixteen, Harry Christophers | | | 3:03 |
| Part I- Recitative- Jesus ging mit seinen Jungern (Evangelist, Jesus) -etc | Ian Partridge, The Sixteen Choir, David Wilson‐Johnson, Orchestra of The Sixteen, Harry Christophers | | | 2:26 |
| Part II- Chorale- Da sprach Pilatus zu ihm (Evangelist, Pilatus, Jesus) -etc | Michael George, Ian Partridge, The Sixteen Choir, David Wilson‐Johnson, Orchestra of The Sixteen, Harry Christophers | | | 1:56 |
| Part II- Recitative- Da fuhreten sie Jesum (Evangelist, Pilatus) -etc | Michael George, Ian Partridge, The Sixteen Choir, David Wilson‐Johnson, Orchestra of The Sixteen, Harry Christophers | | | 4:10 |
| Part II- Recitative- Die Kriegsknechte aber (Evangelist) - Lasset uns den nicht zerteilen (Chorus) – Recitative- Auf dass erfullet wurde die Schrift (Evangelist, Jesus) | Ian Partridge, The Sixteen Choir, David Wilson‐Johnson, Orchestra of The Sixteen, Harry Christophers | | | 3:40 |
| Part II- Recitative- Und die Kriegsknechte flochten eine Krone (Evangelist) -etc | Michael George, Ian Partridge, The Sixteen Choir, David Wilson‐Johnson, Orchestra of The Sixteen, Harry Christophers | | | 5:44 |
| Part II- Recitative- Und von Stund an nahm sie der Junger (Evangelist, Jesus) | Ian Partridge, David Wilson‐Johnson, Orchestra of The Sixteen, Harry Christophers | | | 1:27 |
| Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam" | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | | | 5:14 |
| Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison" | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | | | 2:40 |
| Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae" | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | | | 2:03 |
| Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum" | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | | | 3:50 |
| Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae" | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | | | 2:44 |
| Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare" | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | | | 6:29 |
| Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis" | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | | | 2:31 |
| Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | | | 3:18 |
| Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu" | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | | | 3:44 |
| Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias" | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | | | 4:23 |
| Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus" | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | | | 1:41 |
| Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus" | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | | | 5:29 |
| Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei" | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | | | 3:11 |
| Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna" | Choir of St John’s College, Cambridge, William Kendall, Yvonne Kenny, Sarah Walker, David Wilson‐Johnson, English Chamber Orchestra, George Guest | | | 6:10 |
| Requiem: Libera me | Choir of Trinity College, David Wilson-Johnson, Simon Preston, Hong Kong Philharmonic Orchestra, David Atherton | | | 5:00 |
| Requiem: Offertorium | Choir of Trinity College, David Wilson-Johnson, Simon Preston, Hong Kong Philharmonic Orchestra, David Atherton | | | 8:23 |
| Sechs Monologe aus Jedermann: 1. “Ist alls zu End das Freudenmahl” Lento | London Philharmonic Orchestra, Matthias Bamert, David Wilson-Johnson | | | 4:30 |
| Sechs Monologe aus Jedermann: 2. “Ah Gott, wie graust mir vor dem Tod” Allegro agitato | London Philharmonic Orchestra, Matthias Bamert, David Wilson-Johnson | | | 4:15 |
| Sechs Monologe aus Jedermann: 3. “Ist als wenn eins gerufen hätt” Lento | London Philharmonic Orchestra, Matthias Bamert, David Wilson-Johnson | | | 3:11 |
| Sechs Monologe aus Jedermann: 4. “So wollt ich ganz vernichtet sein” Molto lento | London Philharmonic Orchestra, Matthias Bamert, David Wilson-Johnson | | | 2:28 |
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