| 11 Bagatelles, op. 119: No. 1 in G minor: Allegretto | | | | | | | | |
| 11 Bagatelles, op. 119: No. 2 in C major: Andante con moto | | | | | | | | |
| 11 Bagatelles, op. 119: No. 3 in D major: à l’Allemande | | | | | | | | |
| 11 Bagatelles, op. 119: No. 4 in A major: Andante cantabile | | | | | | | | |
| 11 Bagatelles, op. 119: No. 5 in C minor: Risoluto | | | | | | | | |
| 11 Bagatelles, op. 119: No. 6 in G major: Andante – Allegretto | | | | | | | | |
| 11 Bagatelles, op. 119: No. 7 in C major: Allegro ma non troppo | | | | | | | | |
| 11 Bagatelles, op. 119: No. 8 in C major: Moderato | | | | | | | | |
| 11 Bagatelles, op. 119: No. 9 in A minor: Vivace moderato | | | | | | | | |
| 11 Bagatelles, op. 119: No. 10 in A major: Allegramente | | | | | | | | |
| 11 Bagatelles, op. 119: No. 11 in B‐flat major: Andante, ma non troppo | | | | | | | | |
| Fantasy in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen - Adagio - Im lebhaften Tempo - Im Legenden Ton | | | | | | | | |
| Fantasy in C major, op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter | | | | | | | | |
| Fantasy in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter | | | | | | | | |
| Les Cinq Doigts: Larghetto | | | | | | | | |
| Les Cinq Doigts: Moderato | | | | | | | | |
| Piano-Rag-Music | | | | | | | | |
| Sonata for Piano no. 6 in F major, op. 10 no. 2: I. Allegro | | | | | | | | |
| Sonata for Piano no. 6 in F major, op. 10 no. 2: II. Allegretto | | | | | | | | |
| Sonata for Piano no. 6 in F major, op. 10 no. 2: III. Presto | | | | | | | | |
| Sonata for Piano no. 10 in G major, op. 14 no. 2: I. Allegro | | | | | | | | |
| Sonata for Piano no. 10 in G major, op. 14 no. 2: II. Andante | | | | | | | | |
| Sonata for Piano no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai | | | | | | | | |
| Sonata for Piano: I. ♩ = 112 | | | | | | | | |
| Sonata for Piano: II. Adagietto | | | | | | | | |
| Sonata for Piano: III. ♩ = 112 | | | | | | | | |
| Tango | | | | | | | | |
| Trois pièces faciles: 2. Valse | | | | | | | | |
| Trois pièces faciles: 3. Polka | | | | | | | - si bemolle maggiore (Tonalità)
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| Valse pour les enfants | | | | | | | | |
| Waldszenen, op. 82: I. Eintritt. Nicht zu schnell | | | | | | | | |
| Waldszenen, op. 82: II. Jäger auf der Lauer. Höchst lebhaft | | | | | | | | |
| Waldszenen, op. 82: III. Einsame Blumen. Einfach | | | | | | | | |
| Waldszenen, op. 82: IV. Verrufene Stelle. Ziemlich langsam | | | | | | | | |
| Waldszenen, op. 82: IX. Abschied. Nicht zu schnell | | | | | | | | |
| Waldszenen, op. 82: V. Freundliche Landschaft. Schnell | | | | | | | | |
| Waldszenen, op. 82: VI. Herberge. Mäßig | | | | | | | | |
| Waldszenen, op. 82: VII. Vogel als Prophet. Langsam, sehr zart | | | | | | | | |
| Waldszenen, op. 82: VIII. Jagdlied. Rasch, kräftig | | | | | | | | |
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