| Octet in E-flat, op. 20: I. Allegro moderato ma con fuoco | James Ehnes, Erin Keefe, Andrew Wan, Augustin Hadelich, Cynthia Phelps, Richard O'Neill, Robert deMaine, Edward Arron | | | 13:50 |
| Octet in E-flat, op. 20: II. Andante | James Ehnes, Erin Keefe, Andrew Wan, Augustin Hadelich, Cynthia Phelps, Richard O'Neill, Robert deMaine, Edward Arron | | | 6:32 |
| Octet in E-flat, op. 20: III. Scherzo | James Ehnes, Erin Keefe, Andrew Wan, Augustin Hadelich, Cynthia Phelps, Richard O'Neill, Robert deMaine, Edward Arron | | | 4:29 |
| Octet in E-flat, op. 20: IV. Presto | James Ehnes, Erin Keefe, Andrew Wan, Augustin Hadelich, Cynthia Phelps, Richard O'Neill, Robert deMaine, Edward Arron | | | 5:53 |
| Sayuri’s Theme from “Memoirs of a Geisha” | Robert deMaine, Los Angeles Philharmonic, Gustavo Dudamel | | | 4:17 |
| Seven Variations in E-flat major on “Bei Männern, welche Liebe fühlen” from Mozart’s The Magic Flute, WoO 46 | Robert deMaine, Peter Takács | | | 9:18 |
| Sonata for Piano and Cello in A major, op. 69: I. Allegro ma non tanto | Robert deMaine, Peter Takács | | | 12:30 |
| Sonata for Piano and Cello in A major, op. 69: II. Scherzo. Allegro molto | Robert deMaine, Peter Takács | | | 5:28 |
| Sonata for Piano and Cello in A major, op. 69: III. Adagio cantabile – Allegro vivace | Robert deMaine, Peter Takács | | | 8:36 |
| Sonata for Piano and Cello in C major, op. 102 no. 1: I. Andante – Allegro vivace | Robert deMaine, Peter Takács | | | 7:29 |
| Sonata for Piano and Cello in C major, op. 102 no. 1: II. Adagio – Tempo d’andante – Allegro vivace | Robert deMaine, Peter Takács | | | 7:17 |
| Sonata for Piano and Cello in D major, op. 102 no. 2: I. Allegro con brio | Robert deMaine, Peter Takács | | | 6:24 |
| Sonata for Piano and Cello in D major, op. 102 no. 2: II. Adagio con molto sentimento d’affetto | Robert deMaine, Peter Takács | | | 8:43 |
| Sonata for Piano and Cello in D major, op. 102 no. 2: III. Allegro – Allegro fugato | Robert deMaine, Peter Takács | | | 4:19 |
| Sonata for Piano and Cello in F major, op. 5 no. 1: I. Adagio sostenuto – Allegro | Robert deMaine, Peter Takács | | | 16:58 |
| Sonata for Piano and Cello in F major, op. 5 no. 1: II. Rondo. Allegro vivace | Robert deMaine, Peter Takács | | | 6:59 |
| Sonata for Piano and Cello in G minor, op. 5 no. 2: I. Adagio sostenuto e espressivo – Allegro molto più tosto presto | Robert deMaine, Peter Takács | | | 15:25 |
| Sonata for Piano and Cello in G minor, op. 5 no. 2: II. Rondo. Allegro | Robert deMaine, Peter Takács | | | 8:31 |
| Twelve Variations in F major on “Ein Mädchen oder Weibchen” from Mozart’s The Magic Flute, op. 66 | Robert deMaine, Peter Takács | | | 9:38 |
| Twelve Variations in G major on “See the conqu’ring hero comes!” from Handel’s Judas Maccabaeus, WoO 45 | Robert deMaine, Peter Takács | | | 12:16 |