| A Midsummer Night's Dream: Act I. "Is all our company here?" | Norman Lumsden, Kenneth MacDonald, Owen Brannigan, Keith Raggett, Robert Tear, David Kelly, London Symphony Orchestra, Benjamin Britten | | | 7:37 |
| A Midsummer Night's Dream: Act II. "Are we all met?" | Owen Brannigan, Norman Lumsden, Kenneth MacDonald, David Kelly, Robert Tear, Keith Raggett, Stephen Terry, London Symphony Orchestra, Benjamin Britten | | | 7:36 |
| A Midsummer Night's Dream: Act II. "Hail, mortal, hail!" | Richard Dakin, John Pryor, Ian Wodehouse, Gordon Clark, Owen Brannigan, Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | | | 5:14 |
| A Midsummer Night's Dream: Act II. "I have a reas'nable good ear in music" | Owen Brannigan, Elizabeth Harwood, London Symphony Orchestra, Benjamin Britten | | | 3:39 |
| A Midsummer Night's Dream: Act II. "I see their knavery" | Owen Brannigan, Elizabeth Harwood, John Pryor, Richard Dakin, Ian Wodehouse, Gordon Clark, London Symphony Orchestra, Benjamin Britten | | | 3:05 |
| A Midsummer Night's Dream: Act III, Scene 1. "Have you sent to Bottom's house?" | Norman Lumsden, Keith Raggett, Robert Tear, Kenneth MacDonald, Owen Brannigan, David Kelly, London Symphony Orchestra, Benjamin Britten | | | 3:09 |
| A Midsummer Night's Dream: Act III, Scene 1. "When my cue comes, call me" | Owen Brannigan, London Symphony Orchestra, Benjamin Britten | | | 3:37 |
| A Midsummer Night's Dream: Act III, Scene 2. "Asleep, my Love? What, dead my dove?" | Kenneth MacDonald, John Shirley‐Quirk, Peter Pears, Owen Brannigan, London Symphony Orchestra, Benjamin Britten | | | 2:32 |
| A Midsummer Night's Dream: Act III, Scene 2. "If we offend, it is with our good will" | Owen Brannigan, Kenneth MacDonald, Norman Lumsden, David Kelly, Robert Tear, Keith Raggett, John Shirley‐Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | | | 1:20 |
| A Midsummer Night's Dream: Act III, Scene 2. "O grim-look'd night" | Owen Brannigan, John Shirley‐Quirk, London Symphony Orchestra, Benjamin Britten | | | 1:51 |
| A Midsummer Night's Dream: Act III, Scene 2. "O Wall, full often hast thou heard my moans" | Kenneth MacDonald, Owen Brannigan, Robert Tear, Helen Watts, John Shirley‐Quirk, London Symphony Orchestra, Benjamin Britten | | | 2:30 |
| A Midsummer Night's Dream: Act III, Scene 2. "Sweet moon, I thank thee for thy sunny beams..." | Owen Brannigan, Helen Watts, Thomas Hemsley, John Shirley‐Quirk, London Symphony Orchestra, Benjamin Britten | | | 1:52 |
| Acis & Galatea: Air: Cease to beauty to be suing | Owen Brannigan, Philomusica of London & Sir Adrian Boult | | | 3:37 |
| Acis & Galatea: Air: O ruddier than the cherry | Owen Brannigan, Philomusica of London & Sir Adrian Boult | | | 3:22 |
| Acis & Galatea: Air: O ruddier than the cherry (alternative version) | Owen Brannigan, Philomusica of London & Sir Adrian Boult | | | 3:25 |
| Acis & Galatea: Recit: I rage, I melt, I burn | Owen Brannigan, Philomusica of London & Sir Adrian Boult | | | 1:38 |
| Acis & Galatea: Recit: Whither, fairest, art thou running | Owen Brannigan, Joan Sutherland, Philomusica of London & Sir Adrian Boult | | | 1:28 |
| Acis & Galatea: Trio: The flocks shall leave the mountains | Joan Sutherland, Peter Pears, Owen Brannigan, Philomusica of London & Sir Adrian Boult | | | 2:33 |
| Albert Herring, op. 39, Act 3: Albert! | Peter Pears, Sylvia Fisher, Johanna Peters, John Noble, Owen Brannigan, Edgar Evans, April Cantelo, Joseph Ward, Catherine Wilson, Sheila Rex, Sheila Amit, Anne Pashley, Stephen Terry, English Chamber Orchestra, Benjamin Britten | | | 0:40 |
| Albert Herring, op. 39, Act 3: In the midst of life is death | Sylvia Fisher, Johanna Peters, John Noble, Owen Brannigan, Edgar Evans, April Cantelo, Joseph Ward, Catherine Wilson, Sheila Rex, Sheila Amit, Anne Pashley, Stephen Terry, English Chamber Orchestra, Benjamin Britten | | | 4:22 |
| I rage, I melt, I burn ... O ruddier than the cherry (Acis and Galatea) | Owen Brannigan, Philomusica of London, Sir Adrian Boult | | | 5:12 |
| Messiah: Behold, I Tell You a Mystery | Owen Brannigan, London Philharmonic Orchestra, Sir Adrian Boult | | | 0:42 |
| Messiah: But Who May Abide | Owen Brannigan, London Philharmonic Orchestra, Sir Adrian Boult | | | 4:42 |
| Messiah: For Behold, Darkness Shall Cover the Earth | Owen Brannigan, London Philharmonic Orchestra, Sir Adrian Boult | | | 2:37 |
| Messiah: The People That Walked in Darkness | Owen Brannigan, London Philharmonic Orchestra, Sir Adrian Boult | | | 3:36 |
| Messiah: The Trumpet Shall Sound | Owen Brannigan, London Philharmonic Orchestra, Sir Adrian Boult | | | 8:54 |
| Messiah: The Trumpet Shall Sound | Owen Brannigan, London Philharmonic Orchestra, Sir Adrian Boult | | | 4:40 |
| Messiah: Thou art gone up on high | Owen Brannigan, London Philharmonic Orchestra, Sir Adrian Boult | | | 3:37 |
| Messiah: Thus Saith the Lord | Owen Brannigan, London Philharmonic Orchestra, Sir Adrian Boult | | | 1:46 |
| Messiah: Why do the Nations | Owen Brannigan, London Philharmonic Orchestra, Sir Adrian Boult | | | 2:44 |
| Noye's Fludde, Op. 59: III. Have done, you men and wemen all | Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Sheila Rex, English Opera Group, Merlin Channon, Norman Del Mar | | | 2:39 |
| Noye's Fludde, Op. 59: IV. Now in the name of God I will begyne | Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Sheila Rex, English Opera Group, Merlin Channon, Norman Del Mar | | | 4:18 |
| Noye's Fludde, Op. 59: VI. Wiffe, come in! why standes thou their? | Owen Brannigan, Sheila Rex, David Pinto, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, Stephen Alexander, Darian Angadi, English Opera Group, Merlin Channon, Norman Del Mar | | | 5:09 |
| Noye's Fludde, Op. 59: VII. Ha! Children, me thinkes my botte removes | Owen Brannigan, Sheila Rex, David Pinto, Darian Angadi, Stephen Alexander, Chorus of Animals, The Congregation, English Opera Group, Merlin Channon, Norman Del Mar | | | 8:18 |
| Noye's Fludde, Op. 59: XI. The spacious firmament on high | David Pinto, Darian Angadi, Stephen Alexander, Owen Brannigan, Sheila Rex, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, William Trevor Anthony, Chorus of Animals, English Opera Group Chamber Orchestra, Merlin Channon, Norman Del Mar | | | 7:23 |
| The Barber of Darmstadt | John Amis, Owen Brannigan, Hoffnung Festival Choral Society, Hoffnung Symphony Orchestra, Humphrey Searle | | | 3:00 |
| The Pirates of Penzance: “When the foeman bares his steel” - “Though to us it's evident” | George Baker, Owen Brannigan, Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent | | | 4:58 |
| The Pirates of Penzance: Act II. “When a felon’s not engaged in his employment” | Owen Brannigan, Royal Philharmonic Orchestra, Isidore Godfrey | | | 2:31 |
| The Pirates of Penzance: Act II. “When a felon’s not engaged in his employment” (Sergeant, Policemen) | Owen Brannigan, Pro Arte Orchestra, Sir Malcolm Sargent | | | 2:18 |
| The Pirates of Penzance: Act II. “When a felon’s not engaged” | Owen Brannigan, Pro Arte Orchestra, Sir Malcolm Sargent | | | 2:20 |
| The Pirates of Penzance: Act II. “When the foeman bares his steel” | Valerie Masterson, Jean Allister, Owen Brannigan, Royal Philharmonic Orchestra, Isidore Godfrey | | | 4:50 |
| The Pirates of Penzance: When a felon’s not engaged in his employment | Owen Brannigan, D’Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | | | 2:22 |
| The Pirates of Penzance: When the foreman bares his steel | Jean Allister, Owen Brannigan, Valerie Masterson, D’Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | | | 4:51 |
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