| 3 Songs for Voice and Piano, op. 18: No. 3 Automne | | | | | Canzone | | | |
| 5 Mélodies “de Venise”, op. 58: No. 1 Mandoline | | | | | Canzone | | | |
| Die schöne Müllerin, D. 795: Nr. 1. Das Wandern | | | | | Canzone | | | |
| Die schöne Müllerin, D. 795: Nr. 2. Wohin? | | | | | Canzone | | | |
| Die schöne Müllerin, D. 795: Nr. 3. Halt! | | | | | Canzone | | | |
| Die schöne Müllerin, D. 795: Nr. 4. Danksagung an den Bach | | | | | Canzone | | | |
| Die schöne Müllerin, D. 795: Nr. 5. Am Feierabend | | | | | Canzone | | | |
| Die schöne Müllerin, D. 795: Nr. 6. Der Neugierige | | | | | Canzone | | | |
| Die schöne Müllerin, D. 795: Nr. 7. Ungeduld | | | | | Canzone | | | |
| Die schöne Müllerin, D. 795: Nr. 8. Morgengruß | | | | | Canzone | | | |
| Die schöne Müllerin, D. 795: Nr. 9. Des Müllers Blumen | | | | | Canzone | | | |
| Die schöne Müllerin, D. 795: Nr. 10. Tränenregen | | | | | Canzone | | | |
| Die schöne Müllerin, D. 795: Nr. 11. Mein! | | | | | Canzone | | | |
| Die schöne Müllerin, D. 795: Nr. 12. Pause | | | | | Canzone | | | |
| Die schöne Müllerin, D. 795: Nr. 13. Mit dem grünen Lautenbande | | | | | Canzone | | | |
| Die schöne Müllerin, D. 795: Nr. 14. Der Jäger | | | | | Canzone | | | |
| Die schöne Müllerin, D. 795: Nr. 15. Eifersucht und Stolz | | | | | Canzone | | | |
| Die schöne Müllerin, D. 795: Nr. 16. Die liebe Farbe | | | | | Canzone | | | |
| Die schöne Müllerin, D. 795: Nr. 17. Die böse Farbe | | | | | Canzone | | | |
| Die schöne Müllerin, D. 795: Nr. 18. Trockne Blumen | | | | | Canzone | | | |
| Die schöne Müllerin, D. 795: Nr. 19. Der Müller und der Bach | | | | | Canzone | | | |
| Die schöne Müllerin, D. 795: Nr. 20. Des Baches Wiegenlied | | | | | Canzone | | | |
| L’Horizon chimérique, op. 118: 1. La mer est infinie | | | | | Canzone | | | |
| L’Horizon chimérique, op. 118: 2. Je me suis embarqué | | | | | Canzone | | | |
| L’Horizon chimérique, op. 118: 3. Diane, Séléné | | | | | Canzone | | | |
| L’Horizon chimérique, op. 118: 4. Vaisseaux, nous vous aurons aimés | | | | | Canzone | | | |
| La Bonne Chanson, op. 61: I. Une Sainte en son auréole | | - Sarah Walker, The Nash Ensemble
- Sanford Sylvan, David Breitman, Lydian String Quartet
- Anne Sofie von Otter, Bengt Forsberg, Ulf Forsberg, Tomas Gertonsson, Matti Hirvikangas, Mats Lindström, Nils‐Erik Sparf
- Elly Ameling, Rudolf Jansen, Sweelinck Kwartet
- (mostra altri 3)
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| La Bonne Chanson, op. 61: II. Puisque l'aube grandit | | - Sarah Walker, The Nash Ensemble
- Sanford Sylvan, David Breitman, Lydian String Quartet
- Anne Sofie von Otter, Bengt Forsberg, Ulf Forsberg, Tomas Gertonsson, Matti Hirvikangas, Mats Lindström, Nils‐Erik Sparf
- Elly Ameling, Rudolf Jansen, Sweelinck Kwartet
- (mostra altri 3)
| | | | | | |
| La Bonne Chanson, op. 61: III. La Lune blanche luit dans les bois | | | | | | | | |
| La Bonne Chanson, op. 61: IV. J'allais par des chemins perfides | | - Sarah Walker, The Nash Ensemble
- Sanford Sylvan, David Breitman, Lydian String Quartet
- Anne Sofie von Otter, Bengt Forsberg, Ulf Forsberg, Tomas Gertonsson, Matti Hirvikangas, Mats Lindström, Nils‐Erik Sparf
- Elly Ameling, Rudolf Jansen, Sweelinck Kwartet
- (mostra altri 3)
| | | | | | |
| La Bonne Chanson, op. 61: IX. L'Hiver a cessé | | - Sarah Walker, The Nash Ensemble
- Sanford Sylvan, David Breitman, Lydian String Quartet
- Anne Sofie von Otter, Bengt Forsberg, Ulf Forsberg, Tomas Gertonsson, Matti Hirvikangas, Mats Lindström, Nils‐Erik Sparf
- Elly Ameling, Rudolf Jansen, Sweelinck Kwartet
- (mostra altri 3)
| | | | | | |
| La Bonne Chanson, op. 61: V. J'ai presque peur, en vérité | | - Sarah Walker, The Nash Ensemble
- Sanford Sylvan, David Breitman, Lydian String Quartet
- Anne Sofie von Otter, Bengt Forsberg, Ulf Forsberg, Tomas Gertonsson, Matti Hirvikangas, Mats Lindström, Nils‐Erik Sparf
- Elly Ameling, Rudolf Jansen, Sweelinck Kwartet
- (mostra altri 3)
| | | | | | |
| La Bonne Chanson, op. 61: VI. Avant que tu ne t'en ailles | | - Sarah Walker, The Nash Ensemble
- Sanford Sylvan, David Breitman, Lydian String Quartet
- Anne Sofie von Otter, Bengt Forsberg, Ulf Forsberg, Tomas Gertonsson, Matti Hirvikangas, Mats Lindström, Nils‐Erik Sparf
- Elly Ameling, Rudolf Jansen, Sweelinck Kwartet
- (mostra altri 3)
| | | | | | |
| La Bonne Chanson, op. 61: VII. Donc, ce sera par un clair jour d'été | | - Sarah Walker, The Nash Ensemble
- Sanford Sylvan, David Breitman, Lydian String Quartet
- Anne Sofie von Otter, Bengt Forsberg, Ulf Forsberg, Tomas Gertonsson, Matti Hirvikangas, Mats Lindström, Nils‐Erik Sparf
- Elly Ameling, Rudolf Jansen, Sweelinck Kwartet
- (mostra altri 3)
| | | | | | |
| La Bonne Chanson, op. 61: VIII. N'est-ce pas ? | | - Sarah Walker, The Nash Ensemble
- Sanford Sylvan, David Breitman, Lydian String Quartet
- Anne Sofie von Otter, Bengt Forsberg, Ulf Forsberg, Tomas Gertonsson, Matti Hirvikangas, Mats Lindström, Nils‐Erik Sparf
- Elly Ameling, Rudolf Jansen, Sweelinck Kwartet
- (mostra altri 3)
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| Le Secret, op. 23 no. 3 | | | | | Canzone | | | |
| Sonata for Piano in F minor, WoO 47 no. 2 “Kurfürsten”: I. Larghetto maestoso | | | | | | | | |
| Sonata for Piano in F minor, WoO 47 no. 2 “Kurfürsten”: II. Andante | | | | | | | | |
| Sonata for Piano in F minor, WoO 47 no. 2 “Kurfürsten”: III. Presto | | | | | | | | |
| Sonata for Piano no. 3 in C major, op. 2 no. 3: I. Allegro con brio | | | | | | | | |
| Sonata for Piano no. 3 in C major, op. 2 no. 3: II. Adagio | | | | | | | | |
| Sonata for Piano no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro | | | | | | | | |
| Sonata for Piano no. 3 in C major, op. 2 no. 3: IV. Allegro assai | | | | | | | | |
| Sonata for Piano no. 15 in D major, op. 28 "Pastorale": I. Allegro | | | | | | | | |
| Sonata for Piano no. 15 in D major, op. 28 "Pastorale": II. Andante | | | | | | | | |
| Sonata for Piano no. 15 in D major, op. 28 "Pastorale": III. Scherzo. Allegro vivace | | | | | | | | |
| Sonata for Piano no. 15 in D major, op. 28 "Pastorale": IV. Rondo. Allegro ma non troppo | | | | | | | | |
| Sonata for Piano no. 24 in F-sharp major, op. 78 "A Thérèse": I. Adagio cantabile - Allegro ma non troppo | | | | | | | | |
| Sonata for Piano no. 24 in F-sharp major, op. 78 "A Thérèse": II. Allegro vivace | | | | | | | | |
| Sonata for Piano no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | | | | | | | | |
| Sonata for Piano no. 31 in A-flat major, op. 110: II. Allegro molto | | | | | | | | |
| Sonata for Piano no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo - Fuga. Allegro ma non troppo | | | | | | | | |
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