| Aria (Sopran) Aus Liebe will mein Heiland sterben | Sunhae Im, René Jacobs & Akademie für Alte Musik Berlin | | | ?:?? |
| Aria (Sopran) Ich will dir mein Herze schenken | Sunhae Im, René Jacobs & Akademie für Alte Musik Berlin | | | ?:?? |
| Die junge Nonne, S. 375/1 (after Schubert) | Sunhae Im, Wiener Akademie, Martin Haselböck | | | 4:07 |
| Die Schopfung (The Creation), Hob. XXI:2: Part I: Die Himmel erzahlen die Ehre Gottes (The heavens are telling the glory of God) (Gabriel, Uriel, Raphael, Chorus) | Sunhae Im, Jan Kobow, Hanno Müller‐Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | | | 3:44 |
| Die Schopfung (The Creation), Hob. XXI:2: Part I: Die Vorstellung des Chaos (The Representation of Chaos) | Sunhae Im, Jan Kobow, Hanno Müller‐Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | | | 6:33 |
| Die Schopfung (The Creation), Hob. XXI:2: Part I: Nun beut dir Flur das frische Grun (With verdure clad the fields appear) (Gabriel) | Sunhae Im, Jan Kobow, Hanno Müller‐Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | | | 5:05 |
| Die Schopfung (The Creation), Hob. XXI:2: Part I: Nun schwanden vor dem heiligen Strahle (Now vanish before the holy beams) (Uriel, Chorus) | Sunhae Im, Jan Kobow, Hanno Müller‐Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | | | 3:39 |
| Die Schopfung (The Creation), Hob. XXI:2: Part I: Rollend in schaumenden Wellen (Rolling in foaming billows) (Raphael) | Sunhae Im, Jan Kobow, Hanno Müller‐Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | | | 1:58 |
| Die Schopfung (The Creation), Hob. XXI:2: Part I: Und Gott sprach: Es bringe die Erde Gras hervor (And God said: Let all the earth bring forth grass) (Gabriel) | Sunhae Im, Jan Kobow, Hanno Müller‐Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | | | 0:33 |
| Die Schopfung (The Creation), Hob. XXI:2: Part I: Und Gott sprach: Es sammle sich das Wasser (And God said: Let the waters under the heaven) (Raphael) | Sunhae Im, Jan Kobow, Hanno Müller‐Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | | | 0:43 |
| Die Schopfung (The Creation), Hob. XXI:2: Part II: Auf starkem Fittiche schwinget sich der Adler stolz (On mighty pens uplifted soars the eagle aloft) (Gabriel) | Sunhae Im, Jan Kobow, Hanno Müller‐Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | | | 7:27 |
| Die Schopfung (The Creation), Hob. XXI:2: Part II: In holder Anmut stehn (Most beautiful appear) (Trio) | Sunhae Im, Jan Kobow, Hanno Müller‐Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | | | 4:29 |
| Die Schopfung (The Creation), Hob. XXI:2: Part II: Mit Wurd' und Hoheit angetan (In native worth and honour clad) (Uriel) | Sunhae Im, Jan Kobow, Hanno Müller‐Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | | | 3:28 |
| Die Schopfung (The Creation), Hob. XXI:2: Part II: Nun scheint in vollem Glanze der Himmel (Now heav'n in fullest glory shone) (Raphael) | Sunhae Im, Jan Kobow, Hanno Müller‐Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | | | 3:21 |
| Die Schopfung (The Creation), Hob. XXI:2: Part II: Und die Engel ruhrten ihre unsterblichen Harfen (And the angels struck their immortal harps) (Raphael) | Sunhae Im, Jan Kobow, Hanno Müller‐Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | | | 0:25 |
| Die Schopfung (The Creation), Hob. XXI:2: Part II: Und Gott sah jedes Ding, was er gemacht hatte (And God saw ev'rything that he had made) (Raphael) | Sunhae Im, Jan Kobow, Hanno Müller‐Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | | | 0:25 |
| Die Schopfung (The Creation), Hob. XXI:2: Part II: Und Gott sprach: Es bringe das Wasser in der Fulle hervor (And God said: Let the waters bring forth abundantly) (Gabriel) | Sunhae Im, Jan Kobow, Hanno Müller‐Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | | | 0:25 |
| Die Schopfung (The Creation), Hob. XXI:2: Part II: Und Gott sprach: Es bringe die Erde hervor lebende Geschopfe (And God said: Let the earth bring forth the living creature) (Raphael) | Sunhae Im, Jan Kobow, Hanno Müller‐Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | | | 0:26 |
| Die Schopfung (The Creation), Hob. XXI:2: Part II: Vollendet ist das grosse Werk (Chorus) | Sunhae Im, Jan Kobow, Hanno Müller‐Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | | | 2:40 |
| Die Schopfung (The Creation), Hob. XXI:2: Part III: Holde Gattin! (Graceful consort!) (Adam and Eve) | Sunhae Im, Jan Kobow, Hanno Müller‐Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | | | 7:39 |
| Die Schopfung (The Creation), Hob. XXI:2: Part III: Nun ist die erste Pflicht erfullt (Our duty we performed now) (Adam and Eve) | Sunhae Im, Jan Kobow, Hanno Müller‐Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | | | 2:47 |
| Die Schopfung (The Creation), Hob. XXI:2: Part III: O glucklich Paar (O happy pair) (Uriel) | Sunhae Im, Jan Kobow, Hanno Müller‐Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | | | 0:26 |
| Die Schopfung (The Creation), Hob. XXI:2: Part III: Singt dem Herren alle Stimmen (Sing the Lord, ye voices all!) (Chorus) | Sunhae Im, Jan Kobow, Hanno Müller‐Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | | | 3:27 |
| Die Schopfung (The Creation), Hob. XXI:2: Part III: Von deiner Gut', o Herr und Gott (By thee with bliss, O bounteous Lord) (Eve and Adam, Chorus) | Sunhae Im, Jan Kobow, Hanno Müller‐Brachmann, VokalEnsemble Köln, Capella Augustina, Andreas Spering | | | 9:41 |
| Die Zauberflöte: I. Akt, 15. Auftritt (Tamino, Priester). Tamino: “Die Weisheitslehre dieser Knaben” | Konstantin Wolff, Sunhae Im, Joachim Buhrmann, Daniel Behle, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | | | 7:16 |
| Die Zauberflöte: II. Akt, 24. Auftritt (Weib, Papageno) - 25. Auftritt (Weib, Papageno, Sprecher) - 26. Auftritt (Die drei Knaben). Nr. 21 Finale: “Bald Pragnt, den Morgen zu verkünden” | Christoph Schlögl, Daniel Schmutzhard, Alois Mühlbacher, Konstantin Wolff, Sunhae Im,Philipp Pötzlberger, Akademie für Alte Musik Berlin & René Jacobs | | | 2:38 |
| Die Zauberflöte: II. Akt, 29. Auftritt. Duette Papageno, Weib: “Pa - Pa - Pa” | Daniel Schmutzhard, Sunhae Im, Akademie für Alte Musik Berlin & René Jacobs | | | 2:57 |
| Don Giovanni, Prague version: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto) | Nikolay Borchev, Sunhae Im, Alexandrina Pendatchanska, Kenneth Tarver, Freiburger Barockorchester, René Jacobs | | | 0:28 |
| Don Giovanni, Prague version: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio) | Nikolay Borchev, Sunhae Im, Alexandrina Pendatchanska, Kenneth Tarver, Freiburger Barockorchester, René Jacobs | | | 0:39 |
| Don Giovanni: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina) | Sunhae Im, Johannes Weisser, Freiburger Barockorchester, René Jacobs | | | 2:59 |
| Don Giovanni: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina) | Sunhae Im, Johannes Weisser, Freiburger Barockorchester, René Jacobs | | | 1:50 |
| Don Giovanni: Act I, Scene VII. No. 5 Coro "Giovinette, che fate all'amore" (Zerlina, Coro) | Sunhae Im, RIAS Kammerchor, Freiburger Barockorchester, René Jacobs | | | 1:32 |
| Don Giovanni: Act I, Scene VIII. Recitativo "Manco male e partita" (Don Giovanni, Leporello, Zerlina) | Sunhae Im, Lorenzo Regazzo, Johannes Weisser, Freiburger Barockorchester, René Jacobs | | | 2:15 |
| Don Giovanni: Act I, Scene X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni) | Sunhae Im, Alexandrina Pendatchanska, Johannes Weisser, Freiburger Barockorchester, René Jacobs | | | 0:43 |
| Don Giovanni: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina) | Nikolay Borchev, Sunhae Im, Freiburger Barockorchester, René Jacobs | | | 3:26 |
| Don Giovanni: Act I, Scene XVI. No. 13 Finale "Presto presto" (Zerlina, Masetto) / Act I, Scene XVII. "Su svegliatevi, da bravi" (Don Giovanni, Servi) | Nikolay Borchev, Sunhae Im, Olga Pasichnyk, Alexandrina Pendatchanska, RIAS Kammerchor, Lorenzo Regazzo, Kenneth Tarver, Johannes Weisser, Freiburger Barockorchester, René Jacobs | | | 1:37 |
| Don Giovanni: Act I, Scene XVI. Recitativo "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina) | Nikolay Borchev, Sunhae Im, Johannes Weisser, Freiburger Barockorchester, René Jacobs | | | 0:36 |
| Don Giovanni: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto) | Nikolay Borchev, Sunhae Im, Freiburger Barockorchester, René Jacobs | | | 1:20 |
| Don Giovanni: Act I, Scene XVIII. No. 13 Finale "Tra quest' arbori celata" (Zerlina, Don Giovanni, Masetto, Coro) | Nikolay Borchev, Sunhae Im, RIAS Kammerchor, Johannes Weisser, Freiburger Barockorchester, René Jacobs | | | 2:16 |
| Don Giovanni: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) | Nikolay Borchev, Sunhae Im, Olga Pasichnyk, Alexandrina Pendatchanska, RIAS Kammerchor, Lorenzo Regazzo, Kenneth Tarver, Johannes Weisser, Freiburger Barockorchester, René Jacobs | | | 8:24 |
| Don Giovanni: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto) / Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio) | Nikolay Borchev, Sunhae Im, Alexandrina Pendatchanska, Kenneth Tarver, Freiburger Barockorchester, René Jacobs | | | 2:01 |
| Don Giovanni: Act II, Scene V. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni) | Nikolay Borchev, Sunhae Im, Johannes Weisser, Freiburger Barockorchester, René Jacobs | | | 2:07 |
| Don Giovanni: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina) | Sunhae Im, Freiburger Barockorchester, René Jacobs | | | 2:49 |
| Don Giovanni: Act II, Scene Xa. Anhang. No. 21 Duetto "Per queste tue manine" (Zerlina, Leporello) [K. 540b] | Sunhae Im, Lorenzo Regazzo, Freiburger Barockorchester, René Jacobs | | | 3:13 |
| Don Giovanni: Act II, Scene Xa. Anhang. No. 21a Recitativo "Restati qua" (Zerlina, Leporello) | Sunhae Im, Lorenzo Regazzo, Freiburger Barockorchester, René Jacobs | | | 1:46 |
| Don Giovanni: Act II, Scene Xc. Anhang. Recitativo "Andiam, andiam, signora" (Zerlina, Donna Elvira, Masetto) | Nikolay Borchev, Sunhae Im, Alexandrina Pendatchanska, Freiburger Barockorchester, René Jacobs | | | 1:02 |
| Don Giovanni: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) | Nikolay Borchev, Sunhae Im, Olga Pasichnyk, Alexandrina Pendatchanska, RIAS Kammerchor, Lorenzo Regazzo, Kenneth Tarver, Freiburger Barockorchester, René Jacobs | | | 5:51 |
| L'Orfeo, cantata a voce sola con violini: Recitativo “Ah, voi m'abbandonate” / Aria “Il vanto del canto” | Sunhae Im, Akademie für Alte Musik Berlin | | | 2:17 |
| L'Orfeo, cantata a voce sola con violini: Recitativo “Così dicendo il gran cantor” / Aria “Sì, pietà de' miei martiri” | Sunhae Im, Akademie für Alte Musik Berlin | | | 3:25 |
| L'Orfeo, cantata a voce sola con violini: Recitativo “Dall'oscura magion” / Aria “Chi m'invola la cara Euridice” | Sunhae Im, Akademie für Alte Musik Berlin | | | 5:11 |
| L'Orfeo, cantata a voce sola con violini: Recitativo “Ma di chi mi querelo” / Aria “Se mirando, occhi perversi” | Sunhae Im, Akademie für Alte Musik Berlin | | | 2:33 |
| L'Orfeo, cantata a voce sola con violini: Recitativo “Or poiché mi tradir” / Aria “Sordo il tronco” | Sunhae Im, Akademie für Alte Musik Berlin | | | 6:00 |
| Mass in B minor, BWV 232: Agnus Dei: Agnus Dei (Alto) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller‐Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 6:01 |
| Mass in B minor, BWV 232: Agnus Dei: Dona nobis pacem (Chorus) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller‐Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 2:39 |
| Mass in B minor, BWV 232: Benedictus: Benedictus qui venit (Tenor) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller‐Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 4:30 |
| Mass in B minor, BWV 232: Benedictus: Osanna in excelsis (Chorus) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller‐Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 2:45 |
| Mass in B minor, BWV 232: Credo: Crucifixus etiam pro nobis (Chorus) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller‐Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 3:33 |
| Mass in B minor, BWV 232: Credo: Et exspecto resurrectionem mortuorum (Chorus) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller‐Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 2:11 |
| Mass in B minor, BWV 232: Credo: Et in Spiritum Sanctum (Bass) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller‐Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 4:47 |
| Mass in B minor, BWV 232: Credo: Et in unum Dominum Jesum Christum (Soprano and Alto) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller‐Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 5:07 |
| Mass in B minor, BWV 232: Credo: Et resurrexit tertia die (Chorus) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller‐Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 3:58 |
| Mass in B minor, BWV 232: Gloria: Cum Sancto Spiritu (Chorus) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller‐Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 4:00 |
| Mass in B minor, BWV 232: Gloria: Domine Deus, Rex coelestis (Soprano and Tenor) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller‐Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 5:48 |
| Mass in B minor, BWV 232: Gloria: Et in terra pax (Chorus) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller‐Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 3:50 |
| Mass in B minor, BWV 232: Gloria: Gloria in excelsis Deo (Chorus) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller‐Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 1:32 |
| Mass in B minor, BWV 232: Gloria: Qui sedes ad dextram Patris (Alto) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller‐Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 4:43 |
| Mass in B minor, BWV 232: Kyrie: Christe eleison (Soprano I and II) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller‐Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 5:18 |
| Mass in B minor, BWV 232: Kyrie: Kyrie eleison (Chorus) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller‐Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 9:54 |
| Mass in B minor, BWV 232: Sanctus: Sanctus Dominus Deus Sabaoth (Chorus) | Dresdner Kammerchor, Ann Hallenberg, Sunhae Im, Marianne Beate Kielland, Hanno Müller‐Brachmann, Markus Schäfer, Kölner Kammerorchester, Helmut Müller‐Brühl | | | 4:48 |
| Matthäus-Passion, Erster Teil - 12. Recitativo (Sopran) Wiewohl mein Herz in Tränen schwimmt | Sunhae Im, Akademie für Alte Musik Berlin & René Jacobs | | | 1:22 |
| Matthäus-Passion, Erster Teil - 13. Aria (Sopran) Ich will dir mein Herze schenken | Sunhae Im, Akademie für Alte Musik Berlin & René Jacobs | | | 3:18 |
| Matthäus-Passion, Erster Teil - 27a. Aria a doi Cori (Sopran, Alt) So ist mein Jesus nun gefangen 27b. Chorus I & II Sind Blitze, sind Donner in Wolken verschwunden | Sunhae Im, Bernarda Fink, RIAS Kammerchor, Akademie für Alte Musik Berlin & René Jacobs | | | 4:04 |
| Matthäus-Passion, Zweiter Teil - 48. Recitativo (Sopran) Er hat uns allen wohlgetan | Sunhae Im, Akademie für Alte Musik Berlin & René Jacobs | | | 0:56 |
| Matthäus-Passion, Zweiter Teil - 49. Aria (Sopran) Aus Liebe will mein Heiland sterben | Sunhae Im, Akademie für Alte Musik Berlin & René Jacobs | | | 3:41 |
| Matthäus-Passion, Zweiter Teil - 67. Recitativo (Sopran, Alt, Tenor, Baß, Chorus I und II) Nun ist der Herr zur Ruh gebracht | Sunhae Im, Konstantin Wolff, Topi Lehtipuu, Bernarda Fink, RIAS Kammerchor, Akademie für Alte Musik Berlin & René Jacobs | | | 1:58 |
| Orfeo, cantata for soprano, strings and basso continuo: Recitativo “Nel chiuso centro” / Aria “Euridice, e dove sei?” | Sunhae Im, Akademie für Alte Musik Berlin | | | 8:38 |
| Orfeo, cantata for soprano, strings and basso continuo: Recitativo “Sì, che pietà non v'è” / Aria “O d'Euridice” | Sunhae Im, Akademie für Alte Musik Berlin | | | 6:16 |
| Orphée, cantata for soprano and “symphony” (flute & strings): Air “Que du bruit de tes hauts exploits” | Sunhae Im, Akademie für Alte Musik Berlin | | | 3:57 |
| Orphée, cantata for soprano and “symphony” (flute & strings): Récitatif “À ce penser flatteur” / Air “Amour, c'est toi qui fais mon crime” | Sunhae Im, Akademie für Alte Musik Berlin | | | 5:14 |
| Orphée, cantata for soprano and “symphony” (flute & strings): Récitatif “Inutiles regrets” / Air “En amour il est un moment” | Sunhae Im, Akademie für Alte Musik Berlin | | | 4:49 |
| Orphée, cantata for soprano and “symphony” (flute & strings): Récitatif “Mais son âme sensible” / Air “J'ai pour témoin de ma victoire” | Sunhae Im, Akademie für Alte Musik Berlin | | | 1:31 |
| Orphée, cantata for soprano and “symphony” (flute & strings): Récitatif “Par le charme vainqueur” | Sunhae Im, Akademie für Alte Musik Berlin | | | 1:29 |
| Orphée, cantata for soprano and chamber orchestra: Récitatif “Cependant le héros arrive” / Air fort lent et fort tendre “Monarque redouté” | Sunhae Im, Akademie für Alte Musik Berlin | | | 6:27 |
| Orphée, cantata for soprano and chamber orchestra: Récitatif “Le fameux chantre de la Thrace” / Air tendre et piqué “Fidèles échos de ces bois” | Sunhae Im, Akademie für Alte Musik Berlin | | | 2:26 |
| Orphée, cantata for soprano and chamber orchestra: Récitatif “Mais que sert à mon désespoir” / Air gai “Allez Orphée” | Sunhae Im, Akademie für Alte Musik Berlin | | | 4:11 |
| Orphée, cantata for soprano and chamber orchestra: Récitatif “Pluton surpris d'entendre” / Air gai “Chantez la victoire éclatante” | Sunhae Im, Akademie für Alte Musik Berlin | | | 3:12 |
| Recitativo (Sopran) Er hat uns allen wohlgetan | Sunhae Im, René Jacobs & Akademie für Alte Musik Berlin | | | ?:?? |
| Symphony no. 4: IV. Sehr behaglich | Sunhae Im, Pittsburgh Symphony Orchestra, Manfred Honeck | | | 8:55 |