| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 1. Scene 1 (Introduction). "Teresa, Teresa" (Balducci, Teresa) | Gimi Beni, Patricia Wells, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 2:05 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 1. Scene 1 (Introduction). "Tra la la la" (Cellini, Francesco, Bernardino, Chorus, Balducci) | Gimi Beni, Joey Evans, Ralph Griffin, Jon Vickers, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 3:50 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 1. Scene 2. "What lovely flowers" (Teresa) | Patricia Wells, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 0:53 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 1. Scene 2. "Would that I know" (Teresa) | Patricia Wells, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 7:40 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 1. Scene 3. "Ah! My love" (Cellini, Teresa, Fieramosca) | John Reardon, Jon Vickers, Patricia Wells, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 6:44 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 1. Scene 3. "Cellini!" (Teresa, Cellini) | Jon Vickers, Patricia Wells, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 1:03 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 1. Scene 3. "O Teresa, I adore you" (Cellini) | Jon Vickers, Patricia Wells, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 4:48 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 1. Scene 4. "It's my father!" (Teresa, Cellini, Fieramosca, Balducci) | Gimi Beni, John Reardon, Jon Vickers, Patricia Wells, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 0:43 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 1. Scene 5. "Come here, servants, neighbors" (Balducci, Teresa, Fieramosca) | Gimi Beni, John Reardon, Patricia Wells, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 1:12 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 1. Scene 6. "You rogue! You libertine!" (Chorus) | Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 2:15 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 2. Scene 7. "In one more hour" (Cellini) | Jon Vickers, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 7:05 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 2. Scene 8. "Some wine! Some wine!" (Chorus) | Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 1:37 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 2. Scene 8. Song of the metal-workers (Chorus) | Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 4:46 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 2. Scene 9. "My friends, in order to continue" (Bernardino, Chorus) | Ralph Griffin, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 2:59 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 2. Scene 10. "Welcome, my boy, come here" (Cellini) | Jon Vickers, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 0:37 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 2. Scene 10. "With your gold long awaited" (Ascanio) | Nancy Williams, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 2:59 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 2. Scene 11. "Very shortly, the treasure of Balducci" (Cellini) | Gimi Beni, Jon Vickers, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 1:44 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 2. Scene 12. "Ah! You who dare to cross my path!" (Fieramosca) | John Reardon, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 3:40 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 2. Scene 12. "Innkeeper! Innkeeper!" (Fieramosca, Pompeo) | Ralph Griffin, John Reardon, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 2:36 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 2. Scene 13. Finale (Beginning). "Come out! Come out! Ye Roman People!" (Chorus) | Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 3:20 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 2. Scene 13. Finale (Beginning). "Though I act severely" (Balducci) | Gimi Beni, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 3:33 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 2. Scene 13. Finale (Conclusion). "Accursed Cannon!" (Balducci, Fieramosca, Chorus, Teresa, Ascanio, Francesco, Bernardino) / Act 2. Tableau 3. Entr'acte | Gimi Beni, Joey Evans, Ralph Griffin, John Reardon, Patricia Wells, Nancy Williams, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 2:51 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 2. Scene 13. Finale (Conclusion). "Be Silent!" (Chorus) | Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 3:14 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 2. Scene 13. Finale (Conclusion). "Good, good, good" (Chorus) | Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 4:16 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Tableau 2. Scene 13. Finale (Conclusion). "Press through the crowd" (Fieramosca, Cellini, Teresa, Chorus, Pompeo, Francesco, Colombine) | Joey Evans, Ralph Griffin, John Reardon, Jon Vickers, Patricia Wells, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 4:12 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Tableau 3. Scene 1. "Rosa purpurea" (Chorus, Teresa, Ascanio) | Patricia Wells, Nancy Williams, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 3:27 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Tableau 3. Scene 1. "Why has he not returned?" (Teresa, Ascanio, Chorus) | Patricia Wells, Nancy Williams, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 3:17 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Tableau 3. Scene 2. "Sword in hand" (Cellini, Teresa, Ascanio) | Jon Vickers, Patricia Wells, Nancy Williams, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 2:53 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Tableau 3. Scene 3. "Ah! Heaven, dearest husband" (Teresa, Cellini) | Jon Vickers, Patricia Wells, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 2:53 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Tableau 3. Scene 4-5 (abridged). "Balducci! Fieramosca!" (Ascanio, Cellini, Teresa, Balducci, Fieramosca) | Gimi Beni, John Reardon, Jon Vickers, Patricia Wells, Nancy Williams, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 1:42 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Tableau 3. Scene 6. "And so, you devil!" (The Pope, Cellini, Teresa, Ascanio, Balducci, Fieramosca) | Gimi Beni, Donald Gramm, John Reardon, Jon Vickers, Patricia Wells, Nancy Williams, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 3:22 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Tableau 3. Scene 6. "His Holiness, The Pope" (Teresa, Ascanio, Cellini, Balducci, Fieramosca, The Pope) | Gimi Beni, Donald Gramm, John Reardon, Jon Vickers, Patricia Wells, Nancy Williams, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 4:12 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Tableau 3. Scene 6. "My Lord we kneel" (Balducci, Fieramosca, The Pope, Teresa, Ascanio, Cellini) | Gimi Beni, Donald Gramm, John Reardon, Jon Vickers, Patricia Wells, Nancy Williams, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 6:01 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Tableau 3. Scene 6. "Now he will pay!" (The Pope, Cellini, Teresa, Ascanio, Fieramosca, Balducci, Chorus) | Gimi Beni, Donald Gramm, John Reardon, Jon Vickers, Patricia Wells, Nancy Williams, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 3:17 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Tableau 3. Scene 6. Prélude | Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 1:31 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Tableau 4. Scene 7. "Tra la, la, la, la" (Ascanio) / Scene 8 (omitted) | Nancy Williams, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 6:17 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Tableau 4. Scene 9. "Mariners sailing the seas" (Cellini, Ascanio, Chorus of foundrymen) | Jon Vickers, Nancy Williams, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 2:47 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Tableau 4. Scene 10-14 (abridged). "What's that noise?" (Cellini, Fieramosca, Teresa, Ascanio, Chorus) | John Reardon, Jon Vickers, Patricia Wells, Nancy Williams, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 1:47 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Tableau 4. Scene 15-16 (abridged). "Why should we work?" (Chorus) | Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 1:09 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Tableau 4. Scene 17. "What the devil are you doing here?" (Cellini) | Jon Vickers, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 0:37 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Tableau 4. Scene 18. "Well, Cellini, have you finished?" (Balducci, The Pope, Cellini) | Gimi Beni, Donald Gramm, Jon Vickers, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 1:20 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Tableau 4. Scene 19 (Finale). "Give us more metal!" (Fieramosca, Cellini, Balducci, Teresa, Ascanio, The Pope, Francesco, Bernardino, Chorus) | Gimi Beni, Joey Evans, Donald Gramm, Ralph Griffin, John Reardon, Jon Vickers, Patricia Wells, Nancy Williams, Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 9:13 |
| Benvenuto Cellini, opera, H. 76a, Op. 23: Overture | Orchestra of The Opera Company of Boston, Sarah Caldwell | | | 11:24 |
| Cello Concerto no. 1 In E-flat, op. 107: 1. Allegro | William De Rosa, Ekaterinburg Philharmonic Orchestra, Sarah Caldwell | | | 6:39 |
| Cello Concerto no. 1 In E-flat, op. 107: 2a. Andante | William De Rosa, Ekaterinburg Philharmonic Orchestra, Sarah Caldwell | | | 11:53 |
| Cello Concerto no. 1 In E-flat, op. 107: 2b. Cadenza | William De Rosa, Ekaterinburg Philharmonic Orchestra, Sarah Caldwell | | | 6:51 |
| Cello Concerto no. 1 In E-flat, op. 107: 3. Allegro | William De Rosa, Ekaterinburg Philharmonic Orchestra, Sarah Caldwell | | | 5:03 |
| Don Pasquale: Atto I. "Ah! un foco insolito" (Pasquale, Malatesta) | Donald Gramm, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 1:51 |
| Don Pasquale: Atto I. "Bella siccome un angelo" (Malatesta, Pasquale) | Donald Gramm, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 4:02 |
| Don Pasquale: Atto I. "Due parole ancor di volo" (Ernesto, Pasquale) | Donald Gramm, Alfredo Kraus, London Symphony Orchestra, Sarah Caldwell | | | 1:16 |
| Don Pasquale: Atto I. "Dunque?...zitto, con prudenza" (Pasquale, Malatesta) | Donald Gramm, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 1:00 |
| Don Pasquale: Atto I. "E il Dottor non si vede!" (Norina, Malatesta) | Beverly Sills, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 2:46 |
| Don Pasquale: Atto I. "Mi fa il destin mendico" (Ernesto, Pasquale) | Donald Gramm, Alfredo Kraus, London Symphony Orchestra, Sarah Caldwell | | | 2:37 |
| Don Pasquale: Atto I. "Prender moglie?...Si, signore" (Pasquale, Ernesto) | Donald Gramm, Alfredo Kraus, London Symphony Orchestra, Sarah Caldwell | | | 1:38 |
| Don Pasquale: Atto I. “Pronto io son, purch’io non manchi” (Norina, Malatesta) | Beverly Sills, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 4:41 |
| Don Pasquale: Atto I. “Pronto io son, purch’io non manchi” / “Vado, corro!” (Norina, Malatesta) | Beverly Sills, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 8:08 |
| Don Pasquale: Atto I. "Quel guardo il cavaliere" (Norina) | Beverly Sills, London Symphony Orchestra, Sarah Caldwell | | | 2:16 |
| Don Pasquale: Atto I. "Quel guardo il cavaliere" / "So anch'io la virtu magica" (Norina) | Beverly Sills, London Symphony Orchestra, Sarah Caldwell | | | 6:22 |
| Don Pasquale: Atto I. "Quel guardo, il Cavaliere" / "So anch'lo la virtù magica" (Norina) | Beverly Sills, London Symphony Orchestra, Sarah Caldwell | | | 6:33 |
| Don Pasquale: Atto I. "So anch'lo la virtù magica" (Norina) | Beverly Sills, London Symphony Orchestra, Sarah Caldwell | | | 4:04 |
| Don Pasquale: Atto I. "Sogno, soave e casto" (Ernesto, Pasquale) | Donald Gramm, Alfredo Kraus, London Symphony Orchestra, Sarah Caldwell | | | 2:19 |
| Don Pasquale: Atto I. “Son nov'ore” (Pasquale, Malatesta) | Donald Gramm, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 1:50 |
| Don Pasquale: Atto I. "Son Rinato. Or si parli al nipotino" (Pasquale, Ernesto) | Donald Gramm, Alfredo Kraus, London Symphony Orchestra, Sarah Caldwell | | | 2:23 |
| Don Pasquale: Atto I. “Vado, corro!” (Norina, Malatesta) | Beverly Sills, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 3:33 |
| Don Pasquale: Atto II. "Chercherò lontana terra" (Ernesto) | Alfredo Kraus, London Symphony Orchestra, Sarah Caldwell | | | 2:38 |
| Don Pasquale: Atto II. "È rimasto là impietrato" (Malatesta, Pasquale, Norina, Ernesto) | Donald Gramm, Alfredo Kraus, Beverly Sills, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 2:36 |
| Don Pasquale: Atto II. "E se fia che ad altro oggetto" (Ernesto) | Alfredo Kraus, London Symphony Orchestra, Sarah Caldwell | | | 3:25 |
| Don Pasquale: Atto II. “Fra da una parte etcetera” (Malatesta, Notaro, Pasquale) | Donald Gramm, Henry Newman, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 2:53 |
| Don Pasquale: Atto II. “Indietro, mascalzoni, indietro” (Ernesto, Norina, Malatesta) | Alfredo Kraus, Beverly Sills, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 0:31 |
| Don Pasquale: Atto II. "Misericordia!" (Pasquale, Malatesta, Norina) | Donald Gramm, Beverly Sills, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 1:46 |
| Don Pasquale: Atto II. "Non abbiate paura, è Don Pasquale" (Malatesta, Norina, Pasquale) | Donald Gramm, Beverly Sills, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 2:56 |
| Don Pasquale: Atto II. "Povero Ernesto!" (Ernesto) | Alfredo Kraus, London Symphony Orchestra, Sarah Caldwell | | | 1:13 |
| Don Pasquale: Atto II. "Pria di partir, signore" (Ernesto, Pasquale, Malatesta, Norina) | Donald Gramm, Alfredo Kraus, Beverly Sills, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 1:45 |
| Don Pasquale: Atto II. "Quando avrete introdotto" (Pasquale) | Donald Gramm, London Symphony Orchestra, Sarah Caldwell | | | 1:40 |
| Don Pasquale: Atto II. "Questo contratto, adunque" (Malatesta, Notaro, Norina, Pasquale, Ernesto) | Donald Gramm, Alfredo Kraus, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 3:30 |
| Don Pasquale: Atto II. "Riunita immantinete" (Norina, Pasquale, Malatesta) | Donald Gramm, Beverly Sills, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 2:59 |
| Don Pasquale: Atto II. "Son tradito calpastato" (Pasquale, Ernesto, Malatesta, Norina) | Donald Gramm, Alfredo Kraus, Beverly Sills, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 2:35 |
| Don Pasquale: Atto II. "Via, da brava...Reggo appena" (Malatesta, Norina, Pasquale) | Donald Gramm, Beverly Sills, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 4:30 |
| Don Pasquale: Atto II. Introduzione | London Symphony Orchestra, Sarah Caldwell | | | 2:30 |
| Don Pasquale: Atto III. “Ah, vediamo! Alla modista cento scudi” (Pasquale) | Donald Gramm, London Symphony Orchestra, Sarah Caldwell | | | 1:27 |
| Don Pasquale: Atto III. "Aspetta, aspetta, cara sposina" (Pasquale, Malatesta) | Donald Gramm, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 2:50 |
| Don Pasquale: Atto III. "Bravo, bravo, va benone" (Malatesta, Norina, Ernesto, Pasquale, Coro) | John McCarthy, Ambrosian Singers, Donald Gramm, Alfredo Kraus, Beverly Sills, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 3:10 |
| Don Pasquale: Atto III. “Che interminabile andirivieni” (Coro di Servi) | John McCarthy, Ambrosian Singers, London Symphony Orchestra, Sarah Caldwell | | | 3:41 |
| Don Pasquale: Atto III. "Cheti, cheti immantinente" (Malatesta, Pasquale) | Donald Gramm, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 3:32 |
| Don Pasquale: Atto III. "Com' è gentil - la notte a mezzo april" (Ernesto, Coro) | John McCarthy, Ambrosian Singers, Alfredo Kraus, London Symphony Orchestra, Sarah Caldwell | | | 3:49 |
| Don Pasquale: Atto III. “Dove core in tanta fretta, Signorina” (Pasquale, Norina) | Donald Gramm, Beverly Sills, London Symphony Orchestra, Sarah Caldwell | | | 2:41 |
| Don Pasquale: Atto III. "È finita, Don Pasquale" (Pasquale, Norina) | Donald Gramm, Beverly Sills, London Symphony Orchestra, Sarah Caldwell | | | 3:11 |
| Don Pasquale: Atto III. "Eccoli: attenti bene..." (Pasquale, Malatesta, Norina) | Donald Gramm, Beverly Sills, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 3:11 |
| Don Pasquale: Atto III. "Eccomi..avoi accorda Don Pasquale" (Ernesto, Malatesta, Norina, Pasquale) | Donald Gramm, Alfredo Kraus, Beverly Sills, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 1:24 |
| Don Pasquale: Atto III. "Qualche nota di cuffie e di merletti" (Pasquale) | Donald Gramm, London Symphony Orchestra, Sarah Caldwell | | | 1:18 |
| Don Pasquale: Atto III. "Questa, repentina chiamata" (Malatesta, Pasquale) | Donald Gramm, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 3:45 |
| Don Pasquale: Atto III. "Siamo intesi … sta bene" (Malatesta, Ernesto) | Alfredo Kraus, Alan Titus, London Symphony Orchestra, Sarah Caldwell | | | 0:30 |
| Don Pasquale: Atto III. “Tornami a dir, che m'ami” (Norina, Ernsesto) | Alfredo Kraus, Beverly Sills, London Symphony Orchestra, Sarah Caldwell | | | 3:15 |
| Don Pasquale: Atto III. "Via, caro sposina" (Norina, Pasquale) | Donald Gramm, Beverly Sills, London Symphony Orchestra, Sarah Caldwell | | | 2:39 |
| Don Pasquale: Atto III. Coro d'introduzione "I diamanti, presto, presto" (Coro, Pasquale) | John McCarthy, Ambrosian Singers, Donald Gramm, London Symphony Orchestra, Sarah Caldwell | | | 1:17 |
| Don Pasquale: Com'è gentil | Alfredo Kraus, Ambrosian Opera Chorus, London Symphony Orchestra, Sarah Caldwell | | | 3:51 |
| Don Pasquale: Overture | London Symphony Orchestra, Sarah Caldwell | | | 6:26 |
| Don Pasquale: Sinfonia | London Symphony Orchestra, Sarah Caldwell | | | 6:26 |
| Piano Concerto no. 1 In C minor, op. 35: 1. Allegretto | Valentina Lisitsa, Viatcheslav Chtchennikov, Ekaterinburg Philharmonic Orchestra, Sarah Caldwell | | | 5:36 |
| Piano Concerto no. 1 In C minor, op. 35: 2. Lento | Valentina Lisitsa, Viatcheslav Chtchennikov, Ekaterinburg Philharmonic Orchestra, Sarah Caldwell | | | 8:29 |
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