| Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | | | | | | | | |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | | | | | | | | |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | | | | | | | | |
| Serenade no. 2 in A major, op. 16: I. Allegro moderato | | | | | | | | |
| Serenade no. 2 in A major, op. 16: II. Scherzo. Vivace – Trio | | | | | | | | |
| Serenade no. 2 in A major, op. 16: III. Adagio non troppo | | | | | | | | |
| Serenade no. 2 in A major, op. 16: IV. Quasi Menuetto – Trio | | | | | | | | |
| Serenade no. 2 in A major, op. 16: V. Rondo. Allegro | | | | | | | | |
| Symphonie fantastique, op. 14: I. Rêveries, passions | | | | | | | | |
| Symphonie fantastique, op. 14: II. Un bal | | | | | | | | |
| Symphonie fantastique, op. 14: III. Scène aux champs | | | | | | | | |
| Symphonie fantastique, op. 14: IV. Marche au supplice | | | | | | | | |
| Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat | | | | | | | | 5 |
| Tableaux d’une exposition: X. La grande porte de Kiev | | | | | | | | |