| 12 Variations for Piano and Cello in F major on Mozart’s The Magic Flute: “Ein Mädchen oder Weibchen”, op. 66 | | | | | | | | |
| 12 Variations in G major on “See the Conqu’ring Hero Comes" from Handel’s “Judas Maccabaeus”, WoO 45 | | | | | | | | |
| Allegro de concierto, op. 46 | | | | | | | | |
| Estampes, L. 100: I. Pagodes. Modérément animé | | | | | | | | |
| Estampes, L. 100: II. La Soirée dans Grenade. Mouvement de Habanera | | | | | | | | |
| Estampes, L. 100: III. Jardins sous la pluie. Net et vif | | | | | | | | |
| Fantasy in C major, D. 760 “Wanderer” | | | | | | | | |
| Flight of the Bumblebee | | | | | | | | |
| Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto | | | | | | | | |
| Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 2 in D minor: Allegro non assai – Vivace | | | | | | | | |
| Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 4 in F minor: Poco sostenuto – Vivace | | | | | | | | |
| Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace | | - [unknown]
- Berliner Symphoniker, Orchestre Symphonique de Dresde, Festivalový orchestr Praha, London Festival Orchestra, Philharmonia Slavonica, Julian Armstrong, Cesare Cantieri, Edvard Kronau, Alfred Scholz, Pavel Urbanek
- Michel Béroff, Jean‐Philippe Collard
- Katia & Marielle Labèque
- (show 37 more)
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| Le Carnaval des animaux : I. Introduction et marche royale du lion | | | | | | | | |
| Le Carnaval des animaux : II. Poules et coqs | | | | | | | | |
| Le Carnaval des animaux : III. Hémiones (Animaux véloces) | | | | | | | | |
| Le Carnaval des animaux : IV. Tortues | | | | | | | | |
| Le Carnaval des animaux : IX. Le Coucou au fond des bois | | | | | | | | |
| Le Carnaval des animaux : V. L’Éléphant | | | | | | | | |
| Le Carnaval des animaux : VI. Kangourous | | | | | | | | |
| Le Carnaval des animaux : VII. Aquarium | | | | | | | | |
| Le Carnaval des animaux : VIII. Personnages à longues oreilles | | | | | | | | |
| Le Carnaval des animaux : X. Volière | | | | | | | | |
| Le Carnaval des animaux : XI. Pianistes | | | | | | | | |
| Le Carnaval des animaux : XII. Fossiles | | | | | | | | |
| Le Carnaval des animaux : XIII. Le Cygne | | | | | | | | |
| Le Carnaval des animaux : XIV. Finale | | | | | | | | |
| Moto perpetuo, op. 11, MS 72 | | | | | | | | |
| Scaramouche, op. 165c: I. Vif | | | | | | | | |
| Scaramouche, op. 165c: II. Modéré | | | | | | | | |
| Scaramouche, op. 165c: III. Brazileira | | | | | | | | |
| Seven Variations in E-flat major on Mozart’s “Bei Männern, welche Liebe fühlen”, WoO 46 | | | | | | | | |
| Six Études pour la main gauche seule, op. 135: No. 4. Bourrée: Molto allegro | | | | | | | | |
| Six Études pour la main gauche seule, op. 135: No. 5. Élégie: Poco adagio | | | | | | | | |
| Six Études, op. 52: No. 6. En forme de valse: Mouvement de valse | | | | | Étude | | | |
| Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto / II. Allegro – Adagio – Presto – Tempo primo | | | | | | | | |
| Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: III. Rondo. Allegro vivace | | | | | | | | |
| Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto e espressivo – Allegro molto più tosto presto | | | | | | | | |
| Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | | | | | | | | |
| Sonata for Cello and Piano no. 3 in A major, op. 69: I. Allegro ma non tanto | | | | | | | | |
| Sonata for Cello and Piano no. 3 in A major, op. 69: II. Scherzo. Allegro molto | | | | | | | | |
| Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile – Allegro vivace | | | | | | | | |
| Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: I. Andante – Allegro vivace | | | | | | | | |
| Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: II. Adagio – Tempo d’andante – Allegro vivace | | | | | | | | |
| Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: I. Allegro con brio | | | | | | | | |
| Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d’affetto | | | | | | | | |
| Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: III. Allegro – Allegro fugato | | | | | | | | |
| Sonata for Piano and Cello no. 1 in E minor, op. 38: I. Allegro non troppo | | | | | | | | |
| Sonata for Piano and Cello no. 1 in E minor, op. 38: II. Allegretto quasi menuetto | | | | | | | | |
| Sonata for Piano and Cello no. 1 in E minor, op. 38: III. Allegro | | | | | | | | |
| Sonata for Piano and Violin no. 3 in D minor, op. 108: II. Adagio | | | | | | | | |
| Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: I. Tema con variazioni. Andante grazioso | | | | | | | | |
| Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: II. Minuetto | | | | | | | | |
| Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto | | | | | | | - 0O5-6807-6 (JASRAC ID)
- A major (Key)
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| Sonata no. 2 for Cello and Piano in F major, op. 99: I. Allegro vivace | | | | | | | | |
| Sonata no. 2 for Cello and Piano in F major, op. 99: II. Adagio affettuoso | | | | | | | | |
| Sonata no. 2 for Cello and Piano in F major, op. 99: III. Allegro passionato | | | | | | | | |
| Sonata no. 2 for Cello and Piano in F major, op. 99: IV. Allegro molto | | | | | | | | |
| Sonata no. 31 in A-flat major, Hob. XVI:46: III. Finale - Presto | | | | | | | | |
| Vocalise, op. 34 no. 14 | | | | | | | | |