Salzburg Festival 1954 (1954-07-25 – 1954-08-30)

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recording location for:Ariadne auf Naxos: Oper. “Ach, so versuchet doch ein kleines, Lied” (Zerbinetta, Harlekin, Echo) by Hilde Güden (soprano), Lisa Otto (German operatic soprano, 1919–2013), Alfred Poell (baritone), Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Ariadne auf Naxos: Oper. “Circe, kannst du mich hören?” (Bacchus, Ariadne, Najade, Echo, Dryade) by Lisa Otto (German operatic soprano, 1919–2013), Hilde Rössel-Majdan (Austrian contralto), Rudolf Schock (tenor), Rita Streich (soprano), Lisa della Casa (soprano), Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Ariadne auf Naxos: Oper. “Die Dame gibt mit trübem Sinn” ... “Wie sie sich schwingen” (Brighella, Scaramuccio, Harlekin, Truffaldin, Zerbinetta) by Oskar Czerwenka (operatic bass), Murray Dickie (tenor), Hilde Güden (soprano), August Jaresch (tenor), Alfred Poell (baritone), Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Ariadne auf Naxos: Oper. “Ein Schönes war: hieß Theseus - Ariadne” (Ariadne, Najade, Dryade, Echo, Harlekin, Zerbinetta, Scaramuccio, Truffaldin) by Oskar Czerwenka (operatic bass), Hilde Güden (soprano), August Jaresch (tenor), Lisa Otto (German operatic soprano, 1919–2013), Alfred Poell (baritone), Hilde Rössel-Majdan (Austrian contralto), Rita Streich (soprano), Lisa della Casa (soprano), Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Ariadne auf Naxos: Oper. “Ein schönes Wunder!” - “Ein reizender Knabe!” (Dryade, Najade, Echo) by Lisa Otto (German operatic soprano, 1919–2013), Hilde Rössel-Majdan (Austrian contralto), Rita Streich (soprano), Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Ariadne auf Naxos: Oper. “Es gibt ein Reich, wo alles rein ist” (Ariadne) by Lisa della Casa (soprano), Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Ariadne auf Naxos: Oper. “Gibt es kein Hinüber?” (Ariadne, Bacchus, Najade, Echo, Dryade, Zerbinetta) by Hilde Güden (soprano), Lisa Otto (German operatic soprano, 1919–2013), Hilde Rössel-Majdan (Austrian contralto), Rudolf Schock (tenor), Rita Streich (soprano), Lisa della Casa (soprano), Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Ariadne auf Naxos: Oper. “Großmächtige Prinzessin” (Zerbinetta) by Hilde Güden (soprano), Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Ariadne auf Naxos: Oper. “Hübsch gepredigt! Aber tauben Ohren!” (Harlekin, Zerbinetta, Brighella, Scaramuccio, Truffaldin) by Oskar Czerwenka (operatic bass), Murray Dickie (tenor), Hilde Güden (soprano), August Jaresch (tenor), Alfred Poell (baritone), Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Ariadne auf Naxos: Oper. “Schläft sie?” (Najade, Dryade, Echo) by Lisa Otto (German operatic soprano, 1919–2013), Hilde Rössel-Majdan (Austrian contralto), Rita Streich (soprano), Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Ariadne auf Naxos: Oper. “Theseus! Nein, nein! Es ist der schöne stille Gott” (Ariadne, Bacchus) by Rudolf Schock (tenor), Lisa della Casa (soprano), Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Ariadne auf Naxos: Oper. “Wo war ich? Tot?” (Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin) by Oskar Czerwenka (operatic bass), Hilde Güden (soprano), Alfred Poell (baritone), Lisa della Casa (soprano), Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Ariadne auf Naxos: Oper. Ouvertüre by Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Ariadne auf Naxos: Vorspiel. “An Ihre Plätze, meine Damen und Herren!” (Musiklehrer, Primadonna) by Lisa della Casa (soprano), Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Ariadne auf Naxos: Vorspiel. “Hast ein Stücker! Notenpapier?” (Komponist, Zerbinetta, Musiklehrer, Primadonna, Tanzmeister, Lakai) by Franz Bierbach (operatic bass), Hilde Güden (soprano), Peter Klein (tenor), Irmgard Seefried (soprano), Lisa della Casa (soprano), Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Ariadne auf Naxos: Vorspiel. “Hier finden Euer Gnaden die Mamsell Zerbinetta” (Lakai, Offizier, Komponist, Tenor, Perückenmacher, Zerbinetta, Primadonna, Tanzmeister) by Walter Berry (bass‐baritone), Franz Bierbach (operatic bass), Hilde Güden (soprano), Peter Klein (tenor), Georges Müller (aka Schöre Müller), Rudolf Schock (tenor), Irmgard Seefried (soprano), Lisa della Casa (soprano), Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Ariadne auf Naxos: Vorspiel. “Ist schon geschehn. Wir sind bereit” (Musiklehrer, Haushofmeister, Primadonna, Tanzmeister, Tenor, Zerbinetta, Komponist) by Hilde Güden (soprano), Peter Klein (tenor), Alfred Neugebauer, Rudolf Schock (tenor), Irmgard Seefried (soprano), Lisa della Casa (soprano), Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Ariadne auf Naxos: Vorspiel. “Mein Herr Haushofmeister!” (Musiklehrer, Haushofmeister) by Alfred Neugebauer, Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Ariadne auf Naxos: Vorspiel. “Nein, Herr, so kommt es nicht” (Komponist, Zerbinetta, Musiklehrer) by Hilde Güden (soprano), Irmgard Seefried (soprano), Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Ariadne auf Naxos: Vorspiel. “Sein wir wieder gut” ... “Musik ist eine heilige Kunst” (Komponist, Musiklehrer) by Irmgard Seefried (soprano), Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Don Giovanni: Atto primo, prima scena. Duetto: “Fuggi, crudele, fuggi” (Donna Anna / Don Ottavio) by Anton Dermota (tenor), Elisabeth Grümmer (soprano), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, prima scena. Introduzione: “Lasciala, indegno!” (Commendatore / Don Giovanni / Leporello) / Recitativo: “Leporello, ove sei?” (Don Giovanni / Leporello / Donna Anna) by Otto Edelmann (austrian bass-baritone), Deszö Ernster (operatic bass), Elisabeth Grümmer (soprano), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, prima scena. Introduzione: “Non sperar, se non m’uccidi” (Donna Anna / Don Giovanni / Leporello) by Otto Edelmann (austrian bass-baritone), Elisabeth Grümmer (soprano), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, prima scena. Introduzione: “Notte e giorno faticar” (Leporello) by Otto Edelmann (austrian bass-baritone), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, prima scena. Recitativo: “Ma qual mai s’offre” (Donna Anna / Don Ottavio) by Anton Dermota (tenor), Elisabeth Grümmer (soprano), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, quarta scena. Aria: “Batti, batti, o bel Masetto” (Zerlina) / Recitativo: “Guarda un po’” (Masetto / Don Giovanni / Zerlina) by Erna Berger (German lyric soprano), Walter Berry (bass‐baritone), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, quarta scena. Finale: “Bisogna aver coraggio” (Donna Elvira / Don Ottavio / Donna Anna / Leporello / Don Giovanni) by Anton Dermota (tenor), Otto Edelmann (austrian bass-baritone), Elisabeth Grümmer (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, quarta scena. Finale: “Presto, presto, pria ch’ei venga” (Masetto / Zerlina / Don Giovanni / Coro) by Erna Berger (German lyric soprano), Walter Berry (bass‐baritone), Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, quarta scena. Finale: “Protegga il giusto cielo” (Donna Anna / Don Ottavio / Donna Elvira) by Anton Dermota (tenor), Elisabeth Grümmer (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, quarta scena. Finale: “Tra quest’arbori celata” (Zerlina / Don Giovanni / Masetto) by Erna Berger (German lyric soprano), Walter Berry (bass‐baritone), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, quarta scena. Recitativo: “Masetto, senti un po’” (Zerlina / Masetto) by Erna Berger (German lyric soprano), Walter Berry (bass‐baritone), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, quinta scena. Finale: “Ecco il birbo che t’ha offesa!” (Don Giovanni / Leporello / Donna Anna / Donna Elvira / Don Ottavio) by Anton Dermota (tenor), Otto Edelmann (austrian bass-baritone), Elisabeth Grümmer (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, quinta scena. Finale: “Riposate, vezzose ragazze” (Don Giovanni / Leporello / Masetto / Zerlina) by Erna Berger (German lyric soprano), Walter Berry (bass‐baritone), Otto Edelmann (austrian bass-baritone), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, quinta scena. Finale: “Trema, trema, scellerato” (Donna Anna / Zerlina / Donna Elvira / Don Ottavio / Masetto / Don Giovanni / Leporello) by Erna Berger (German lyric soprano), Walter Berry (bass‐baritone), Anton Dermota (tenor), Otto Edelmann (austrian bass-baritone), Elisabeth Grümmer (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, quinta scena. Finale: “Venite pur avanti” (Leporello / Don Giovanni / Donna Anna / Donna Elvira / Don Ottavio / Masetto / Zerlina) by Erna Berger (German lyric soprano), Walter Berry (bass‐baritone), Anton Dermota (tenor), Otto Edelmann (austrian bass-baritone), Elisabeth Grümmer (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, seconda scena. Aria: “Ah, chi mi dice mai” (Donna Elvira / Don Giovanni / Leporello) by Otto Edelmann (austrian bass-baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, seconda scena. Aria: “Madamina, il catalogo è questo” (Leporello) by Otto Edelmann (austrian bass-baritone), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, seconda scena. Recitativo: “Chi è la?” (Donna Elvira / Don Giovanni / Leporello) by Otto Edelmann (austrian bass-baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, seconda scena. Recitativo: “Orsù, spicciati presto” (Don Giovanni / Leporello) by Otto Edelmann (austrian bass-baritone), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, terza scena. Aria: “Finch’han dal vino” (Don Giovanni) by Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, terza scena. Aria: “Ho capito, signor sì” (Masetto) by Walter Berry (bass‐baritone), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, terza scena. Aria: “Or sai chi l’onore” (Donna Anna / Don Ottavio) by Anton Dermota (tenor), Elisabeth Grümmer (soprano), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, terza scena. Coro: “Giovinete che fate all’amore” (Zerlina / Coro / Masetto) by Erna Berger (German lyric soprano), Walter Berry (bass‐baritone), Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, terza scena. Duetto: “La ci darem la mano” (Don Giovanni / Zerlina) by Erna Berger (German lyric soprano), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, terza scena. Recitativo: “Alfin siam liberati” (Don Giovanni / Zerlina) by Erna Berger (German lyric soprano), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, terza scena. Recitativo: “Come mai creder deggio” (Don Ottavio) / Aria: “Della sua pace” (Don Ottavio) by Anton Dermota (tenor), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, terza scena. Recitativo: “Don Ottavio, son morta!” (Donna Anna / Don Ottavio) by Anton Dermota (tenor), Elisabeth Grümmer (soprano), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, terza scena. Recitativo: “Fermati scellerato!” (Donna Elvira / Zerlina / Don Giovanni) / Aria: Ah, fuggi il traditor!” (Donna Elvira) by Erna Berger (German lyric soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, terza scena. Recitativo: “Io deggio ad ogni patto” (Leporello / Don Giovanni) by Otto Edelmann (austrian bass-baritone), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, terza scena. Recitativo: “Manco male, e partita” (Don Giovanni / Leporello / Zerlina / Masetto) by Erna Berger (German lyric soprano), Walter Berry (bass‐baritone), Otto Edelmann (austrian bass-baritone), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto primo, terza scena. Recitativo: “Mi par ch’oggi il demonio” (Don Giovanni / Don Ottavio / Donna Anna) / Quartetto: “Non ti fidar, o misera” (Don Giovanni / Don Ottavio / Donna Anna / Donna Elvira) / Recitativo: “Povera sventurata!” (Don Giovanni) by Anton Dermota (tenor), Elisabeth Grümmer (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, prima scena. Aria: “Metà di voi qua vadano” (Don Giovanni) by Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, prima scena. Aria: “Vedrai, carino, se sei buonino” (Zerlina) by Erna Berger (German lyric soprano), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, prima scena. Duetto: “Eh via, buffone, non mi seccar!” (Don Giovanni / Leporello) / Recitativo: “Leporello! / Signore?” (Don Giovanni / Leporello) by Otto Edelmann (austrian bass-baritone), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, prima scena. Recitativo: “Amico, che ti par?” (Don Giovanni / Leporello / Donna Elvira) by Otto Edelmann (austrian bass-baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, prima scena. Recitativo: “Zitto, lascia ch’io senta!” (Don Giovanni / Masetto / Zerlina) by Erna Berger (German lyric soprano), Walter Berry (bass‐baritone), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, prima scena. Serenato: “Deh vieni alla finestra” (Don Giovanni) / Recitativo: “V’è gentle anna finestra” (Don Giovanni / Masetto) by Walter Berry (bass‐baritone), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, prima scena. Trio: “Ah taci, ingiusto core!” (Donna Elvira / Leporello / Don Giovanni) by Otto Edelmann (austrian bass-baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, quarta scena. Aria: “Non mi dir, bell’idol mio” (Donna Anna) by Elisabeth Grümmer (soprano), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, quarta scena. Recitativo: “Calmatevi, idol mio!” (Don Ottavio / Donna Anna) by Anton Dermota (tenor), Elisabeth Grümmer (soprano), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, quarta scena. Recitativo: “Crudele? Ah no, mio bene!” (Donna Anna) by Elisabeth Grümmer (soprano), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, quinta scena. Epilogo: “Ah dov’è il perfido?” (Donna Elvira / Zerlina / Don Ottavio / Masetto / Donna Anna / Leporello) by Erna Berger (German lyric soprano), Walter Berry (bass‐baritone), Anton Dermota (tenor), Otto Edelmann (austrian bass-baritone), Elisabeth Grümmer (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, quinta scena. Epilogo: “Or che tutti, o mio tesoro” (Donna Elvira / Zerlina / Don Ottavio / Masetto / Donna Anna / Leporello) by Erna Berger (German lyric soprano), Walter Berry (bass‐baritone), Anton Dermota (tenor), Otto Edelmann (austrian bass-baritone), Elisabeth Grümmer (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, quinta scena. Epilogo: “Questo è il fin” (Donna Elvira / Zerlina / Don Ottavio / Masetto / Donna Anna / Leporello) by Erna Berger (German lyric soprano), Walter Berry (bass‐baritone), Anton Dermota (tenor), Otto Edelmann (austrian bass-baritone), Elisabeth Grümmer (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, quinta scena. Finale: “Che grido è questo mai?” (Don Giovanni / Leporello) by Otto Edelmann (austrian bass-baritone), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, quinta scena. Finale: “Da qual tremore insolito” (Don Giovanni / Coro di Diavoli / Leporello) by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Otto Edelmann (austrian bass-baritone), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, quinta scena. Finale: “Don Giovanni, a cenar teco” (La Statua / Don Giovanni / Leporello) by Otto Edelmann (austrian bass-baritone), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, quinta scena. Finale: “Già la mensa è preparata” (Don Giovanni / Leporello) by Otto Edelmann (austrian bass-baritone), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, quinta scena. Finale: “L’ultima prova dell’amor mio” (Donna Elvira / Don Giovanni / Leporello) by Otto Edelmann (austrian bass-baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, seconda scena. Aria: “Il mio tesoro intanto” (Don Ottavio) by Anton Dermota (tenor), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, seconda scena. Aria: “Mi tradi quell’alma ingrata” (Donna Elvira) by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, seconda scena. Recitativo: “Di molte faci il lume” (Leporello / Donna Elvira) / Sestetto: “Sola, sola in buio loco” (Donna Elvira / Leporello / Don Ottavio / Donna Anna / Zerlina / Masetto) by Erna Berger (German lyric soprano), Walter Berry (bass‐baritone), Anton Dermota (tenor), Otto Edelmann (austrian bass-baritone), Elisabeth Grümmer (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, seconda scena. Recitativo: “Dunque quello sei tu” (Zerlina / Donna Elvira / Don Ottavio / Masetto) / Aria: “Ah, pietà, signori miei!” (Leporello) / Recitativo: “Ferma, perfido, ferma!” (Donna Elvira / Masetto / Zerlina / Don Ottavio) by Erna Berger (German lyric soprano), Walter Berry (bass‐baritone), Anton Dermota (tenor), Otto Edelmann (austrian bass-baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, seconda scena. Recitativo: “In quali eccessi” (Donna Elvira) by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, seconda scena. Sestetto: “Mille torbidi pensieri” (Donna Elvira / Leporello / Don Ottavio / Donna Anna / Zerlina / Masetto) by Erna Berger (German lyric soprano), Walter Berry (bass‐baritone), Anton Dermota (tenor), Otto Edelmann (austrian bass-baritone), Elisabeth Grümmer (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, terza scena. Duetto: “O statua gentilissima” (Leporello / Don Giovanni) by Otto Edelmann (austrian bass-baritone), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Atto secundo, terza scena. Scena: “Ah, ah, ah, questa è buona” (Don Giovanni / Leporello / La Statua) by Otto Edelmann (austrian bass-baritone), Cesare Siepi (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
Don Giovanni: Sinfonia by Wiener Philharmoniker (Vienna Philharmonic), Wilhelm Furtwängler (conductor)
official homepages:https://archive.salzburgerfestspiele.at/history/1954 [info]