| détient les droits phonographiques (℗) de |
|---|
| 1963 | Bonjour l'amour | | | Esther & Abi Ofarim | 2:39 |
| 1963 | Freight Train | | | Esther & Abi Ofarim | 2:29 |
| 1963 | Morgen ist alles vorüber | | | Esther & Abi Ofarim | 2:29 |
| 1963 | My Fisherman, My Laddie‐O | | | Esther & Abi Ofarim | 3:10 |
| 1964 | Cha Cha Ballahoo | | | Esther & Abi Ofarim | 2:27 |
| 1964 | Quizás, quizás, quizás | Phonogram Int. | | Trio Siboney | 2:16 |
| 1964 | Wenn ich bei dir sein kann | | | Esther & Abi Ofarim | 2:29 |
| 1964 – 1967 | Viva la Feria | | | Esther & Abi Ofarim | 1:45 |
| 1966 | Sing Hallelujah | | | Esther & Abi Ofarim | 2:42 |
| 1967 | Wanderlove | | | Esther & Abi Ofarim | 2:31 |
| 1967 – 1968 | Cinderella Rockefella | | | Esther & Abi Ofarim | 2:29 |
| 1968 | Lonesome Road | | | Esther & Abi Ofarim | 1:58 |
| 1973 | "Die Walküre", Act I, scene 3 (Conclusion of love duet): "Love" leitmotif | Phonogram International BV | | James King, Leonie Rysanek, Orchestra of the Bayreuth Festival, Karl Böhm | 0:53 |
| 1973 | "Die Walküre", Act I, scene 3 (Conclusion of love duet): "Spring" leitmotif | Phonogram International BV | | James King, Leonie Rysanek, Orchestra of the Bayreuth Festival, Karl Böhm | 1:00 |
| 1973 | "Die Walküre", Act I, scene 3 (Conclusion of love duet): "Sword" leitmotif | Phonogram International BV | | James King, Leonie Rysanek, Orchestra of the Bayreuth Festival, Karl Böhm | 0:31 |
| 1973 | "Die Walküre", Act I, scene 3 (Conclusion of love duet): "Sword" leitmotif | Phonogram International BV | | James King, Leonie Rysanek, Orchestra of the Bayreuth Festival, Karl Böhm | 0:48 |
| 1973 | "Die Walküre", Act I, scene 3 (Conclusion of love duet): "Valhalla" leitmotif | Phonogram International BV | | James King, Leonie Rysanek, Orchestra of the Bayreuth Festival, Karl Böhm | 1:07 |
| 1973 | "Die Walküre", Act I, scene 3 (Conclusion of love duet): "Volsung" leitmotif together with "Sword" leitmotif | Phonogram International BV | | James King, Leonie Rysanek, Orchestra of the Bayreuth Festival, Karl Böhm | 2:54 |
| 1973 | "Die Walküre", Act I, scene 3 (Conclusion of love duet): Sieglinde, Wie die Stirn so offen steht | Phonogram International BV | | James King, Leonie Rysanek, Orchestra of the Bayreuth Festival, Karl Böhm | 0:20 |
| 1973 | "Die Walküre", Act I, scene 3 (Conclusion of love duet): Voice, downward octave leaps, "Notung" | Phonogram International BV | | James King, Leonie Rysanek, Orchestra of the Bayreuth Festival, Karl Böhm | 0:28 |
| 1973 | Francesca da Rimini, op. 32 | | | Koninklijk Concertgebouworkest, Bernard Haitink | 24:36 |
| 1974 | "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": "Dies irae" in quick rhythm | Phonogram International BV | | Concertgebouw Orchestra, Sir Colin Davis | 1:23 |
| 1974 | "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": "Dies irae" in tubas and bassoons | Phonogram International BV | | Concertgebouw Orchestra, Sir Colin Davis | 0:32 |
| 1974 | "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": "Idée fixe" as dance tune | Phonogram International BV | | Concertgebouw Orchestra, Sir Colin Davis | 1:40 |
| 1974 | "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": Fugue subject (witches' dance) | Phonogram International BV | | Concertgebouw Orchestra, Sir Colin Davis | 2:45 |
| 1974 | "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": Introduction | Phonogram International BV | | Concertgebouw Orchestra, Sir Colin Davis | 1:47 |
| 1974 | "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": Witches' dance set against "Dies irae" | Phonogram International BV | | Concertgebouw Orchestra, Sir Colin Davis | 1:49 |
| 1980 | Close Encounters of the Third Kind: Suite | | | Boston Pops Orchestra, John Williams | 10:08 |
| 1980 | March from Midway | | | Boston Pops Orchestra, John Williams | 4:13 |
| 1980 | Star Wars: Main Theme | | | Boston Pops Orchestra, John Williams | 5:38 |
| 1980 | Superman: March | | | Boston Pops Orchestra, John Williams | 4:27 |
| 1980 | The Empire Strikes Back: The Imperial March | | | Boston Pops Orchestra, John Williams | 3:08 |
| 1980 | The Empire Strikes Back: Yoda's Theme | | | Boston Pops Orchestra, John Williams | 3:22 |
| 1981 | Fantasia Suite | Phonogram Int. B.V. | | Paco de Lucía, Al Di Meola & John McLaughlin | 8:42 |
| 1981 | Frevo Rasgado | Phonogram Int. B.V. | | Paco de Lucía, Al Di Meola & John McLaughlin | 7:52 |
| 1981 | Guardian Angel | Phonogram Int. B.V. | | Paco de Lucía, Al Di Meola & John McLaughlin | 4:00 |
| 1981 | Mediterranean Sundance / Río Ancho | Phonogram Int. B.V. | | Al Di Meola, Paco de Lucía | 11:27 |
| 1981 | Short Tales of the Black Forest | Phonogram Int. B.V. | | Paco de Lucía, Al Di Meola & John McLaughlin | 8:41 |
| 1981 | Something ’Bout You Baby I Like | | | Status Quo | 2:58 |
| 1982 | Creatures of the Night | | | KISS | 4:02 |
| 1982 | Danger | | | KISS | 3:56 |
| 1982 | Down on Your Knees | Phonogram International | | KISS | 3:30 |
| 1982 | E.T.: Flying Theme | | | Boston Pops Orchestra, John Williams | 3:45 |
| 1982 | I Have the Touch | Phonogram Int. | | Peter Gabriel | 4:36 |
| 1982 | I Love It Loud | | | KISS | 4:15 |
| 1982 | I Still Love You | | | KISS | 6:06 |
| 1982 | Keep Me Comin’ | | | KISS | 3:56 |
| 1982 | Killer | | | KISS | 3:19 |
| 1982 | Kiss of Life | Phonogram Int. | | Peter Gabriel | 4:18 |
| 1982 | Lay Your Hands on Me | Phonogram Int. | | Peter Gabriel | 6:10 |
| 1982 | Raiders of the Lost Ark March | | | Boston Pops Orchestra, John Williams | 5:30 |
| 1982 | Rock and Roll Hell | | | KISS | 4:13 |
| 1982 | Saint and Sinner | | | KISS | 4:50 |
| 1982 | San Jacinto | Phonogram Int. | | Peter Gabriel | 6:32 |
| 1982 | Serenade for Strings in C, op. 48: I. Pezzo in forma di sonatina: Andante non troppo | | | Academy of St Martin in the Fields, Sir Neville Marriner | 8:59 |
| 1982 | Serenade for Strings in C, op. 48: II. Waltz | | | Academy of St Martin in the Fields, Sir Neville Marriner | 3:40 |
| 1982 | Serenade for Strings in C, op. 48: III. Elegie: Larghetto elegiaco | | | Academy of St Martin in the Fields, Sir Neville Marriner | 8:54 |
| 1982 | Serenade for Strings in C, op. 48: IV. Finale (Tema russo): Andante - Allegro con spirito | | | Academy of St Martin in the Fields, Sir Neville Marriner | 7:07 |
| 1982 | Shock the Monkey | Phonogram Int. | | Peter Gabriel | 5:28 |
| 1982 | The Cowboys | | | John Williams & Boston Pops Orchestra | 8:52 |
| 1982 | The Family and the Fishing Net | Phonogram Int. | | Peter Gabriel | 7:08 |
| 1982 | The Nutcracker Suite, op. 71a: 1. Miniature Overture | | | Academy of St Martin in the Fields, Sir Neville Marriner | 3:15 |
| 1982 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances: Arabian Dance (Coffee) | | | Academy of St Martin in the Fields, Sir Neville Marriner | 3:57 |
| 1982 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances: Chinese Dance (Tea) | | | Academy of St Martin in the Fields, Sir Neville Marriner | 1:07 |
| 1982 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances: Dance of the Reed-Pipes | | | Academy of St Martin in the Fields, Sir Neville Marriner | 2:28 |
| 1982 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances: Dance of the Sugar-Plum Fairy | | | Academy of St Martin in the Fields, Sir Neville Marriner | 1:45 |
| 1982 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances: March | | | Academy of St Martin in the Fields, Sir Neville Marriner | 2:25 |
| 1982 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances: Russian Dance | | | Academy of St Martin in the Fields, Sir Neville Marriner | 1:09 |
| 1982 | The Nutcracker Suite, op. 71a: 3. Waltz of the Flowers | | | Academy of St Martin in the Fields, Sir Neville Marriner | 6:51 |
| 1982 | The Rhythm of the Heat | Phonogram Int. | | Peter Gabriel | 5:19 |
| 1982 | Toccata and Fugue in D minor, BWV 565 | | | Daniel Chorzempa | 11:44 |
| 1982 | Wallflower | Phonogram Int. | | Peter Gabriel | 6:38 |
| 1982 | War Machine | | | KISS | 4:14 |
| 1983 | A Million to One | | | KISS | 4:11 |
| 1983 | All Hell’s Breakin’ Loose | | | KISS | 4:34 |
| 1983 | And on the 8th Day | | | KISS | 4:02 |
| 1983 | Caught in the Middle | | | Dio | 4:17 |
| 1983 | Cry for Home | | | Van Morrison | 3:46 |
| 1983 | Dance All Over Your Face | | | KISS | 4:16 |
| 1983 | Don’t Talk to Strangers | | | Dio | 4:53 |
| 1983 | Exciter | | | KISS | 4:12 |
| 1983 | Fits Like a Glove | | | KISS | 4:04 |
| 1983 | Gimme More | | | KISS | 3:45 |
| 1983 | Gypsy | | | Dio | 3:38 |
| 1983 | Holy Diver | | | Dio | 5:52 |
| 1983 | Invisible | | | Dio | 5:26 |
| 1983 | Lick It Up | | | KISS | 3:56 |
| 1983 | Not for the Innocent | | | KISS | 4:23 |
| 1983 | Rainbow in the Dark | | | Dio | 4:14 |
| 1983 | Shame on the Night | | | Dio | 5:19 |
| 1983 | Stand Up and Shout | | | Dio | 3:18 |
| 1983 | Straight Through the Heart | | | Dio | 4:34 |
| 1983 | Young and Wasted | | | KISS | 4:06 |
| 1984 | Burn Bitch Burn | | | KISS | 4:43 |
| 1984 | Egypt (The Chains Are On) | | | Dio | 6:58 |
| 1984 | Get All You Can Take | | | KISS | 3:44 |
| 1984 | Heaven’s on Fire | | | KISS | 3:20 |
| 1984 | I’ve Had Enough (Into the Fire) | | | KISS | 3:53 |
| 1984 | Lonely Is the Hunter | | | KISS | 4:28 |
| 1984 | Murder in High‐Heels | | | KISS | 3:53 |
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