100 Best Romantic Classics (EMI Classics 6CD Release)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: From Russia With Romance
2▶CD: An Austro-German Romance
3▶CD: A French Romance
4▶CD: Romance in a Cold Climate
5▼CD: England & America in Love
Nr.TitelKünstlerBewertungLänge
1Salut d'amour, Op. 12
Orchester:
Northern Sinfonia of England (Royal Northern Sinfonia)
conductor:
Richard Hickox (conductor)
recording of:
Salut d’amour, op. 12 (for orchestra)
Komponist(in) und arranger:
Edward Elgar (composer) (in 1888)
Premiere bei:
The Crystal Palace in London (Greater London) (am 1889-11-11)
Arrangement von:
Salut d’amour, op. 12 (for violin and piano)
Edward Elgar3:55
2Sir John In Love: "Fantasia on Greensleeves"
Produzent(in):
Victor Olof
Orchester:
Sinfonia of London (original Gordon Walker formed orchestra) und Sinfonia of London (John Wilson’s session orchestra) (von 1962-05-10 bis 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-05-10 bis 1962-05-11)
arranger:
Ralph Greaves (in 1934)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
aufgenommen bei:
Kingsway Hall in London (Greater London) (von 1962-05-10 bis 1962-05-11)
recording of:
Fantasia on “Greensleeves” (von 1962-05-10 bis 1962-05-11)
Komponist(in):
Ralph Vaughan Williams (English composer) (von 1924 bis 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
basiert auf:
Greensleeves (generic entry for traditional and unknown arrangements)
basiert auf:
Lovely Joan (traditional English folk song)
basiert auf:
Sir John in Love
Ralph Vaughan Williams4:41
3Cello Concerto in E minor, Op. 85: I. Adagio — Moderato (Opening)
Cello:
Jacqueline du Pré (cellist)
Orchester:
London Symphony Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
teilweise recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato
Komponist(in):
Edward Elgar (composer) (von 1918 bis 1919)
Teil von:
Cello Concerto in E minor, op. 85
Edward Elgar3:26
4The Lark Ascending (Opening)
Geige / Violine:
Hugh Bean (violinist)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Adrian Boult (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
teilweise recording of:
The Lark Ascending (for violin and orchestra)
Komponist(in):
Ralph Vaughan Williams (English composer) (in 1914)
Premiere bei:
[concert] (1921-06-14)
Premiere bei:
Queen’s Hall in London (Greater London) (am 1921-06-14)
Arrangement von:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams6:25
5Chanson de nuit and chanson de matin, Op. 15: "Chanson de matin"
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1967-04-17 bis 1967-04-18, am 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (von 1967-04-17 bis 1967-04-18, am 1967-04-18)
Tonmeister(in):
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 1968, in 1985)
aufgenommen bei:
Abbey Road Studios in St John's Wood (von 1967-04-17 bis 1967-04-18) und Abbey Road Studios: Studio 1 in St John's Wood (am 1967-04-18)
recording of:
Chanson de matin, op. 15 no. 2 (for orchestra) (am 1967-04-18)
Orchestrator(in) und Komponist(in):
Edward Elgar (composer)
publisher:
Public Domain (refers to works that are in the public domain)
Premiere bei:
Queen’s Hall in London (Greater London) (am 1901-09-14)
Arrangement von:
Chanson de matin, op. 15 no. 2 (for violin and piano)
Edward Elgar3:06
6Fantasia on a Theme by Thomas Tallis (Opening)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
teilweise recording of:
Fantasia on a Theme by Thomas Tallis
Komponist(in):
Ralph Vaughan Williams (English composer) (in 1910)
basiert auf:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams6:13
7Michelle
recording of:
Michelle
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Northern Songs Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
John Lennon & Paul McCartney3:22
8The Planets, Op. 32: "Venus" (Conclusion)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
teilweise recording of:
The Planets, op. 32: II. Venus, the Bringer of Peace
Komponist(in):
Gustav Holst (composer) (von 1914 bis 1916)
Orchestrierung von:
The Planets, op. 32: II. Venus, the Bringer of Peace (for two pianos)
Teil von:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst6:16
9Standing Stone: "Celebration"
Techniker(in):
Eddie Klein (engineer, Hog Hill Mill) und Keith Smith (UK engineer, Hog Hill Mill)
leitende(r) Produzent(in):
Paul McCartney (The Beatles)
Produzent(in):
John Fraser (UK producer)
Editing:
Simon Kiln
Chorgesang:
London Symphony Chorus (von 1997-03-03 bis 1997-05-02)
Orchester:
London Symphony Orchestra (von 1997-03-03 bis 1997-05-02)
conductor:
Lawrence Foster (conductor) (von 1997-03-03 bis 1997-05-02)
chorus master:
Stephen Westrop (chorus master)
Tonmeister(in):
John Kurlander (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood (von 1997-03-03 bis 1997-03-04, von 1997-04-30 bis 1997-05-02)
recording of:
Standing Stone: IVe. Strings Pluck, Horns Blow, Drums Beat: Celebration (Andante) (von 1997-03-03 bis 1997-05-02)
Komponist(in):
Paul McCartney (The Beatles)
Teil von:
Standing Stone (Paul McCartney classical composition)
Paul McCartney6:17
10The Piano: The Heart Asks Pleasure First / The Promise
Techniker(in):
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
zusätzliche(r) Techniker(in):
Jamie Luker
Produzent(in) und künstlerische Leitung:
Michael Nyman (composer)
Klavier:
Michael Nyman (composer)
conductor:
Michael Nyman (composer)
arranger:
Michael Nyman (composer)
phonographisches Urheberrecht (℗) von:
Michael Nyman Ltd. (independent UK record, publishing and holding company) (in 1993)
aufgenommen bei:
Arco Studios in München
mixed at:
Kitsch Recording Studio in Ixelles / Elsene
medley including a recording of:
The Heart Asks Pleasure First (The Piano)
Komponist(in):
Michael Nyman (composer)
publisher:
Chester Music Ltd., G. Schirmer Inc., J&W Chester/Ed Wilhelm, Michael Nyman Ltd. (independent UK record, publishing and holding company) und Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
Teil von:
The Piano (1993 film score)
medley including a recording of:
The Promise (The Piano)
Komponist(in):
Michael Nyman (composer)
publisher:
J&W Chester/Ed Wilhelm
Teil von:
The Piano (1993 film score)
Michael Nyman3:13
11The Deer Hunter: "Cavatina"
Gitarre:
Manuel Barrueco (guitarist) und Steve Morse (American guitarist)
recording of:
Cavatina (theme from The Deer Hunter, for guitar)
Komponist(in):
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. und Robbins Music Corp. Ltd.
Stanley Myers3:17
12American Beauty: "Any Other Name"
recording engineer:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Tom Hardisty (film score engineer) und David Marquette
Produzent(in):
Bill Bernstein, Nikolaj Bloch, Sally Herbert (violinist, composer, and conductor) und Thomas Newman (American score composer)
Mix:
Tom Hardisty (film score engineer) und Dennis Sands (American sound engineer)
assistierendes Editing:
Jordan Corngold
Editing:
Bill Bernstein
Interpret(in):
Nikolaj Bloch und Sally Herbert (violinist, composer, and conductor)
phonographisches Urheberrecht (℗) von:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (, in 1999, in 2000)
mixed at:
Signet Sound Studios in Los Angeles
recording of:
Any Other Name
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
publisher:
Cherry Lane Music und Cherry Lane Music Publishing Company Inc.
Teil von:
American Beauty (1999)
Thomas Newman34:07
13Titanic: "My Heart Will Go On"
Geige / Violine:
David Abel (violinist/violist)
Orchester:
Shearman Orchestra
conductor:
David Abel (conductor)
arranger:
James Shearman (conductor, orchestrator, composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
instrumental recording of:
My Heart Will Go On
Texter:
Will Jennings
Komponist(in):
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1997 winner)
Teil von:
Titanic
James Horner4:22
14Floresta do Amazones, A. 556: "Melodia sentimental"
Gitarre und klassiche Gitarre:
Sharon Isbin (classical guitarist)
recording of:
Floresta do Amazonas: Melodia sentimental
Texter:
Dora Vasconcellos
Komponist(in):
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1958)
Teil von:
Floresta do Amazonas, W551
Heitor Villa‐Lobos3:59
15Porgy and Bess: "Summertime"
Produzent(in):
John Fraser (UK producer)
Chorgesang:
The New York Choral Artists (in 1986-06)
Soprangesang:
Dame Kiri Te Kanawa (soprano) (in 1986-06)
Orchester:
New Princess Theater Orchestra (in 1986-06)
conductor:
John McGlinn (American conductor) (in 1986-06)
Orchestrator(in):
George Gershwin (composer)
Tonmeister(in):
John Kurlander (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (in 1986-06)
recording of:
Porgy and Bess: Act III, Scene I. “Summertime” (Bess) (in 1986-06)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
Teil von:
Porgy and Bess: Act III, Scene I
George Gershwin2:43
16Symphonic Dances from "West Side Story": II. Somewhere
Orchester:
City of Birmingham Symphony Orchestra (von 1997-06-08 bis 1997-06-10)
conductor:
Paavo Järvi (conductor) (von 1997-06-08 bis 1997-06-10)
Tonmeister(in):
Mike Hatch (engineer/editor) (von 1997-06-08 bis 1997-06-10)
aufgenommen bei:
Symphony Hall (Birmingham) in Birmingham (von 1997-06-08 bis 1997-06-10)
Bearbeitung von:
Symphonic Dances From “West Side Story”: II. Somewhere von City of Birmingham Symphony Orchestra, Paavo Järvi (conductor)
teilweise recording of:
Symphonic Dances from West Side Story: II. “Somewhere”. Adagio (von 1997-06-08 bis 1997-06-10)
Orchestrator(in) und Komponist(in):
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
zusätzliche(r) Orchestrator(in):
Irwin Kostal und Sid Ramin (in 1960)
Teil von:
Symphonic Dances from West Side Story
Leonard Bernstein4:02
17Rhapsody in Blue (Conclusion)
Klavier:
André Previn (pianist, conductor, composer, arranger)
Orchester:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Rhapsody in Blue (standard 1942 orchestration)
Orchestrator(in):
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
Classic 100: Feel Good (2024) (Nummer: 5)
Revision von:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin5:35
6▶CD: Mediterranean Romance

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Veröffentlichungsgruppe

Teil von:100 Best (EMI Classics) (Reihenfolge: 15)