Pride: Music From and Inspired by the Motion Picture

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I Want to Break Free
Assistent recording engineer:
Eddie DeLena (engineer) (von 1983-08 bis 1984-01) und Stephan Wissnet (von 1983-08 bis 1984-01)
recording engineer und Programmierung:
Reinhold Mack (German rock producer/engineer Reinhold Mack) (von 1983-08 bis 1984-01)
zusätzlich recording engineer:
Mike Beiriger (von 1983-08 bis 1984-01)
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
zusätzliche(r) Techniker(in):
Mike Beiriger
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack) und Queen (UK rock group)
Akustikgitarre, Bassgitarre und Synthesizer:
John Deacon (von 1983-08 bis 1984-01)
E-Gitarre:
John Deacon (von 1983-08 bis 1984-01) und Brian May (Queen guitarist) (von 1983-08 bis 1984-01)
elektronisches Schlagzeug / E-Drums:
Roger Taylor (Queen drummer) (von 1983-08 bis 1984-01)
Gast-Solo-Synthesizer:
Fred Mandel (von 1983-08 bis 1984-01)
Sologesang:
Freddie Mercury (von 1983-08 bis 1984-01)
phonographisches Urheberrecht (℗) von:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1984, in 2011) und Raincloud Productions Ltd. (in 1984, in 2011)
aufgenommen bei:
Musicland Studios (Munich) in München (von 1983-08 bis 1984-01) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood (von 1983-08 bis 1984-01)
Musikvideos:
I Want to Break Free (music video) von Queen (UK rock group)
recording of:
I Want to Break Free (von 1983-08 bis 1984-01)
Texter und Komponist(in):
John Deacon
publisher:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen4.14:23
2Shame Shame Shame
recording of:
Shame, Shame, Shame
Texter und Komponist(in):
Sylvia Robinson
publisher:
IQ Music Ltd.
Shirley and Company3.653:47
3Why?
Produzent(in):
Mike Thorne (UK producer & keyboardist)
recording of:
Why?
Komponist(in):
Steve Bronski, Jimmy Somerville und Larry Steinbachek
Bronski Beat3.254:05
4Love & Pride
Produzent(in):
Richard James Burgess
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
recording of:
Love & Pride
Verfasser(in):
Paul King (British-Irish singer/musician/VJ) und Mick Roberts
publisher:
EMI Songs Ltd. und King Songs
King43:22
5Relax
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:58
6Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:38
7West End Girls
Techniker(in):
David Jacob
Produzent(in):
Stephen Hague
Hintergrundgesang, Sologesang und Sprecher:
Neil Tennant
zusätzlich vocals:
Helena Springs
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985, in 1991)
Musikvideos:
West End Girls von Pet Shop Boys
recording of:
West End Girls (in 1985)
Verfasser(in):
Chris Lowe (1/2 of Pet Shop Boys) und Neil Tennant
publisher:
10 Music Ltd., Edition Meridian, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), Cage Music Ltd. (vom 1984 bis heute) und CBS, Inc. (US broadcasting company; file no releases here!) (vom 1984 bis heute)
Pet Shop Boys3.84:02
8Karma Chameleon
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
Mundharmonika:
Judd Lander (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Hintergrundgesang:
Helen Terry (UK singer) (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London) (in 1983) und Red Bus Studios in London (Greater London) (in 1983)
Musikvideos:
Karma Chameleon von Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Culture Club3.754:02
9Pull Up to the Bumper
recording engineer:
Alex Sadkin
assistierende(r) Techniker(in):
Benji Armbrister
Produzent(in) und Mix:
Chris Blackwell (Island Records) und Alex Sadkin
Sologesang:
Grace Jones
aufgenommen bei und mixed at:
Compass Point Studios in Nassau
Musikvideos:
Pull Up to the Bumper (music video) von Grace Jones
recording of:
Pull Up to the Bumper
Verfasser(in):
Lowell “Sly” Dunbar, Grace Jones, Dana Manno und Robert “Robbie” Shakespeare
publisher:
Ackee Music Inc., Chenana Music Publishing, Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG) und Ixat Music
Grace Jones3.654:42
10You Spin Me Round (Like a Record)
Produzent(in):
Pete Waterman
Interpret(in):
Dead or Alive (UK new wave band) (in 1984)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
Musikvideos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) von Dead or Alive (UK new wave band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 52)
recording of:
You Spin Me Round (Like a Record)
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Westbury Music Ltd.
Teil von:
American Psycho
Dead or Alive4.153:20
11Freedom
Produzent(in):
George Michael
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
Musikvideos:
Freedom von Wham! (British pop-duo)
recording of:
Freedom (Wham!)
Texter und Komponist(in):
George Michael
publisher:
Chappell Music (UK) und Morrison Leahy Music Ltd. (in 1984)
Wham!4.155:21
12I Second That Emotion
recording of:
I Second That Emotion (am 1967-09-22)
Verfasser(in):
Al Cleveland (songwriter 1930-1996) und Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Smokey Robinson & The Miracles2:42
13Walls Come Tumbling Down
Produzent(in):
Paul Weller (English singer‐songwriter and musician) und Peter Wilson (UK Producer)
Bassgitarre, Gitarre, Synthesizer [synth], zwölfsaitige Gitarre und Sologesang:
Paul Weller (English singer‐songwriter and musician) (von 1984-12 bis 1985-03)
Hammerklavier [piano forte], Hammond-Orgel und Keyboard [electronic keyboards]:
Mick Talbot (von 1984-12 bis 1985-03)
Klavier:
Helen Turner (von 1984-12 bis 1985-03)
Perkussion und Schlagzeug [drums]:
Steve White (Style Council drummer) (von 1984-12 bis 1985-03)
Posaune:
Chris Lawrence (von 1984-12 bis 1985-03)
Saxophon:
Mike Mower (von 1984-12 bis 1985-03)
Trompete:
David DeFries (von 1984-12 bis 1985-03) und Stewart Prosser (von 1984-12 bis 1985-03)
vocals:
D.C. Lee (von 1984-12 bis 1985-03)
Saiteninstrumente arranger:
John Mealing (British keyboards player, composer and arranger.)
aufgenommen bei:
Solid Bond Studio in London (Greater London) (von 1984-12 bis 1985-03)
recording of:
Walls Come Tumbling Down (von 1984-12 bis 1985-03)
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Co. Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated)
The Style Council33:24
14Temptation
recording of:
Temptation
Verfasser(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 174.53:27
15Love Will Tear Us Apart
Produzent(in):
Joy Division und Martin Hannett
Bass:
Peter Hook
Gitarre:
Bernard Albrecht
Schlagzeug:
Stephen Morris (New Order)
vocals:
Bernard Albrecht und Ian Curtis
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
aufgenommen bei:
Strawberry Studios in Stockport
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (Nummer: 5), Q50 – December 2005 (Nummer: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 14), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 179)
recording of:
Love Will Tear Us Apart
Texter:
Ian Curtis
Komponist(in):
Ian Curtis, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:22
16Pale Shelter
Produzent(in):
Ross Cullum und Chris Hughes (producer, aka “Merrick”)
recording of:
Pale Shelter
Texter:
Roland Orzabal (UK musician, songwriter and producer) und Curt Smith
Komponist(in):
Roland Orzabal (UK musician, songwriter and producer)
Tears for Fears4:27
17Making Plans for Nigel
Techniker(in):
Hugh Padgham
Produzent(in):
Steve Lillywhite
Bassgitarre und Sologesang:
Colin Moulding
E-Gitarre:
Dave Gregory (XTC) und Andy Partridge
Schlagzeug:
Terry Chambers
Hintergrundgesang:
Andy Partridge
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 477)
recording of:
Making Plans for Nigel
Texter und Komponist(in):
Colin Moulding
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) und Virgin Music (Publishers) Ltd.
XTC4.54:13
18Our Lips Are Sealed
Produzent(in):
David Byrne (Talking Heads)
remixer:
Fun Boy Three und Jeremy Green
cover recording of:
Our Lips Are Sealed
Verfasser(in):
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall und Jane Wiedlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music und Plangent Visions Music
Fun Boy Three3.22:54
19Power in a Union
Produzent(in):
Kenny Jones (UK engineer) und John Porter (producer and musician US and UK)
E-Gitarre:
Billy Bragg (in 1986)
Perkussion:
Kenny Jones (UK engineer) (in 1986) und George Shilling (in 1986)
vocals:
Billy Bragg (in 1986)
aufgenommen bei:
Livingston Studios in Wood Green (in 1986)
recording of:
There Is Power in a Union (with lyrics by Billy Bragg) (in 1986)
Texter und arranger:
Billy Bragg
basiert auf:
Battle Cry of Freedom
cover recording of:
There is Power in a Union (Joe Hill)
Texter:
Joe Hill (early 1900s US songwriter) (in 1913)
Komponist(in):
Lewis E. Jones (hymnist)
Parodieversion von:
There Is Power in the Blood (Power In The Blood)
Billy Bragg42:50
20Solidarity Forever
Pete Seeger2:52
21Great Divide
Frank Solivan3:54
2▶CD

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:Universal Music TV (UK, a division of Universal Music Operations Limited) (in 2014)
lizenziert an:Universal Music TV (UK, a division of Universal Music Operations Limited)