Complete Recordings on Deutsche Grammophon

~ Release by Herbert von Karajan (see all versions of this release, 1 available)

Tracklist

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1Missa solemnis D-dur, op. 123: IV. Sanctus - Benedictus. Sanctus, Sanctus, Sanctus
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
editor:
Volker Martin (engineer) and Rolf Peter Schröder
organ:
Josef Nebois
bass vocals:
Walter Berry (bass‐baritone) (from 1966-02-21 until 1966-02-28)
contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1966-02-21 until 1966-02-28)
soprano vocals:
Gundula Janowitz (soprano) (from 1966-02-21 until 1966-02-28)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1966-02-21 until 1966-02-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-21 until 1966-02-28)
conductor:
Herbert von Karajan (conductor) (from 1966-02-21 until 1966-02-28)
chorus master:
Reinhold Schmidt (chorusmaster, composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-21 until 1966-02-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-21 until 1966-02-28)
recording of:
Missa solemnis D-Dur, op. 123: IVa. Sanctus: Adagio: Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth (from 1966-02-21 until 1966-02-28)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: IV. Sanctus
Ludwig van Beethoven2:37
2Missa solemnis D-dur, op. 123: IV. Sanctus - Benedictus. Pleni sunt coeliet terra
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
editor:
Volker Martin (engineer) and Rolf Peter Schröder
organ:
Josef Nebois
bass vocals:
Walter Berry (bass‐baritone) (from 1966-02-21 until 1966-02-28)
contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1966-02-21 until 1966-02-28)
soprano vocals:
Gundula Janowitz (soprano) (from 1966-02-21 until 1966-02-28)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1966-02-21 until 1966-02-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-21 until 1966-02-28)
conductor:
Herbert von Karajan (conductor) (from 1966-02-21 until 1966-02-28)
chorus master:
Reinhold Schmidt (chorusmaster, composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-21 until 1966-02-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-21 until 1966-02-28)
recording of:
Missa solemnis D-Dur, op. 123: IVb. Sanctus: Adagio: Pleni sunt coeli et terra (from 1966-02-21 until 1966-02-28)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer)
part of:
Missa Solemnis D‐Dur, op. 123: IV. Sanctus
Ludwig van Beethoven1:15
3Missa solemnis D-dur, op. 123: IV. Sanctus - Benedictus. Praeludium
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
editor:
Volker Martin (engineer) and Rolf Peter Schröder
organ:
Josef Nebois
bass vocals:
Walter Berry (bass‐baritone) (from 1966-02-21 until 1966-02-28)
choir vocals:
Wiener Singverein
contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1966-02-21 until 1966-02-28)
soprano vocals:
Gundula Janowitz (soprano) (from 1966-02-21 until 1966-02-28)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1966-02-21 until 1966-02-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-21 until 1966-02-28)
conductor:
Herbert von Karajan (conductor) (from 1966-02-21 until 1966-02-28)
chorus master:
Reinhold Schmidt (chorusmaster, composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-21 until 1966-02-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-21 until 1966-02-28)
recording of:
Missa solemnis D-Dur, op. 123: IVc. Sanctus: Adagio: Praeludium (from 1966-02-21 until 1966-02-28)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: IV. Sanctus
Ludwig van Beethoven1:39
4Missa solemnis D-dur, op. 123: IV. Sanctus - Benedictus. Benedictus qui venit
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
editor:
Volker Martin (engineer) and Rolf Peter Schröder
organ:
Josef Nebois
solo violin:
Michel Schwalbé (Polish violinist)
bass vocals:
Walter Berry (bass‐baritone) (from 1966-02-21 until 1966-02-28)
choir vocals:
Wiener Singverein
contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1966-02-21 until 1966-02-28)
soprano vocals:
Gundula Janowitz (soprano) (from 1966-02-21 until 1966-02-28)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1966-02-21 until 1966-02-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-21 until 1966-02-28)
conductor:
Herbert von Karajan (conductor) (from 1966-02-21 until 1966-02-28)
chorus master:
Reinhold Schmidt (chorusmaster, composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-21 until 1966-02-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-21 until 1966-02-28)
recording of:
Missa solemnis D-Dur, op. 123: IVd. Sanctus: Adagio: Benedictus, qui venit in nomine Domini (from 1966-02-21 until 1966-02-28)
premiered in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer)
part of:
Missa Solemnis D‐Dur, op. 123: IV. Sanctus
Ludwig van Beethoven12:15
5Missa solemnis D-dur, op. 123: V. Agnus dei. Agnus Dei, qui tollis peccata mundi
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
editor:
Volker Martin (engineer) and Rolf Peter Schröder
organ:
Josef Nebois
bass vocals:
Walter Berry (bass‐baritone) (from 1966-02-21 until 1966-02-28)
choir vocals:
Wiener Singverein
contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1966-02-21 until 1966-02-28)
soprano vocals:
Gundula Janowitz (soprano) (from 1966-02-21 until 1966-02-28)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1966-02-21 until 1966-02-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-21 until 1966-02-28)
conductor:
Herbert von Karajan (conductor) (from 1966-02-21 until 1966-02-28)
chorus master:
Reinhold Schmidt (chorusmaster, composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-21 until 1966-02-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-21 until 1966-02-28)
recording of:
Missa solemnis D-Dur, op. 123: Va. Agnus Dei: Adagio: Agnus Dei, qui tollis peccata mundi (from 1966-02-21 until 1966-02-28)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: V. Agnus Dei
Ludwig van Beethoven7:04
6Missa solemnis D-dur, op. 123: V. Agnus dei. Dona nobis pacem
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
editor:
Volker Martin (engineer) and Rolf Peter Schröder
organ:
Josef Nebois
bass vocals:
Walter Berry (bass‐baritone) (from 1966-02-21 until 1966-02-28)
choir vocals:
Wiener Singverein
contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1966-02-21 until 1966-02-28)
soprano vocals:
Gundula Janowitz (soprano) (from 1966-02-21 until 1966-02-28)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1966-02-21 until 1966-02-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-21 until 1966-02-28)
conductor:
Herbert von Karajan (conductor) (from 1966-02-21 until 1966-02-28)
chorus master:
Reinhold Schmidt (chorusmaster, composer)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-21 until 1966-02-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-21 until 1966-02-28)
recording of:
Missa solemnis D-Dur, op. 123: Vb. Agnus Dei: Allegretto vivace: Dona nobis pacem (from 1966-02-21 until 1966-02-28)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
is based on:
Dona nobis pacem
part of:
Missa Solemnis D‐Dur, op. 123: V. Agnus Dei
Ludwig van Beethoven2:19
7Missa solemnis D-dur, op. 123: V. Agnus dei. Agnus dei, qui tollis peccata mundi
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-21 until 1966-02-28)
conductor:
Herbert von Karajan (conductor) (from 1966-02-21 until 1966-02-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-21 until 1966-02-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-21 until 1966-02-28)
recording of:
Missa solemnis D-Dur, op. 123: Vc. Agnus Dei: Allegro assai – Recit. – Tempo I – Presto – Tempo I: Agnus Dei, miserere (from 1966-02-21 until 1966-02-28)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: V. Agnus Dei
Ludwig van Beethoven2:50
8Missa solemnis D-dur, op. 123: V. Agnus dei. Presto
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-21 until 1966-02-28)
conductor:
Herbert von Karajan (conductor) (from 1966-02-21 until 1966-02-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-21 until 1966-02-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-21 until 1966-02-28)
recording of:
Missa solemnis D-Dur, op. 123: Vd. Agnus Dei: Adagio: Agnus Dei - Dona nobis pacem (from 1966-02-21 until 1966-02-28)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: V. Agnus Dei
Ludwig van Beethoven4:23
9Die Schöpfung: Erster Teil. Der Erste Tag. 1. Einleitung. Die Vorstellung des Chaos (Largo)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 1. Orchestervorspiel Die Vorstellung der Chaos (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn7:06
10Die Schöpfung: Erster Teil. Der Erste Tag. Rezitativ mit Chor "Im Anfange schuf Gott Himmel und Erde" (Raphael, Chor)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 2. Rezitativ und Chor "Im Anfange schuf Gott Himmel und Erde" (Raphael, Chor, Uriel) (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn2:58
11Die Schöpfung: Erster Teil. Der Erste Tag. 2. Arie mit Chor "Nun schwanden vor dem heiligen Strahle" (Uriel, Chor)
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" (Uriel, Chor) (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:01
12Die Schöpfung: Erster Teil. Der Zweite Tag. 3. Rezitativ "Und Gott machte das Firmament" (Raphael)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 4. Rezitativ "Und Gott machte das Firmament" (Raphael) (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn1:51
13Die Schöpfung: Erster Teil. Der Zweite Tag. 4. Sopran-Solomit Chor "Mit Staunen sieht das Wunderwerk" (Gabriel, Chor)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
chorus master:
Helmuth Froschauer (conductor and chorus master) and Reinhold Schmid (chorusmaster, composer)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 5. Sopransolo mit Chor "Mit Staunen sieht das Wunderwerk" (Gabriel, Chor) (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn2:01
14Die Schöpfung: Erster Teil. Der Dritte Tag. 5. Rezitativ "Und Gott sprach; Es sammle sich das Wasser" (Raphael)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 6. Rezitativ "Und Gott sprach: Es sammle sich das Wasser" (Raphael) (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn0:45
15Die Schöpfung: Erster Teil. Der Dritte Tag. 6. Arie "Rollend in schäumenden Wellen" (Raphael)
producer:
Hans Weber (producer/engineer)
bass vocals [Raphael]:
Walter Berry (bass‐baritone)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 7. Arie "Rollend in schäumenden Wellen" (Raphael) (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:13
16Die Schöpfung: Erster Teil. Der Dritte Tag. 7. Rezitativ "Und Gott sprach; Es bringe die Erde Gras hervor" (Gabriel)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: VIII. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn0:37
17Die Schöpfung: Erster Teil. Der Dritte Tag. 8. Arie "Nun beut die Flur das frische Grün" (Gabriel)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: IX. Arie: Nun beut die Flur das frische Grün (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn5:35
18Die Schöpfung: Erster Teil. Der Dritte Tag. 9. Rezitativ "Und die himmlischen Heerscharen verkündigten" (Uriel)
producer:
Hans Weber (producer/engineer)
tenor vocals:
Werner Krenn (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: X. Rezitativ: Und die himmlischen Heerscharen verkündigten (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn0:14
19Die Schöpfung: Erster Teil. Der Dritte Tag. 10. Chor "Stimmt an die Saiten" (Chor)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XI. Chor: Stimmt an die Saiten (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn1:59
20Die Schöpfung: Erster Teil. Der Vierte Tag. 11. Rezitativ "Und Gott sprach: Es sei'n Lichter an der Feste des Himmels" (Uriel)
producer:
Hans Weber (producer/engineer)
tenor vocals:
Werner Krenn (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XII. Rezitativ: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn0:42
21Die Schöpfung: Erster Teil. Der Vierte Tag. 12. Rezitativ "In vollem Glanze steiget" (Uriel)
producer:
Hans Weber (producer/engineer)
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn2:55
22Die Schöpfung: Erster Teil. Der Vierte Tag. 13. Chor mit Soli "Die Himmel erzählen die Ehre Gottes" (Chor, Gabriel, Uriel, Raphael)
producer:
Hans Weber (producer/engineer)
bass vocals [Raphael]:
Walter Berry (bass‐baritone) (from 1966-02-22 until 1969-04-29)
choir vocals:
Wiener Singverein and Singverein der Gesellschaft der Musikfreunde in Wien (from 1966-02-22 until 1969-04-29)
soprano vocals [Gabriel]:
Gundula Janowitz (soprano) (from 1966-02-22 until 1969-04-29)
tenor vocals [Uriel]:
Fritz Wunderlich (operatic tenor) (from 1966-02-22 until 1969-04-29)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (, from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Herrmanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1966-02, in 1968-09, in 1968-11, in 1969-04) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:05
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Credits

Release

ASIN:JP: B00118YMAE [info]