Cold Spring Harbor

~ Release by Billy Joel (see all versions of this release, 17 available)

Tracklist

1▼CD
#TitleRatingLength
1She's Got a Way
recording engineer:
Bob Hughes (engineer) (in 1971-07)
assistant engineer:
Gordon Watanabe
engineer:
Larry Elliott, Michael Stone and Artie Ripp
producer:
Artie Ripp
mixer and editor:
Larry Elliott and Artie Ripp
piano:
Billy Joel (American singer‐songwriter and pianist) (in 1971)
vocals:
Billy Joel (American singer‐songwriter and pianist) (in 1971)
arranger:
Jimmie Haskell and Artie Ripp
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1981) and CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
produced for:
Family Productions, Inc. and Just Sunshine, Inc.
recorded at:
The Record Plant West (aka “Record Plant” Los Angeles) in Hollywood (in 1971-07)
mixed at and edited at:
Fidelity Studios in North Hollywood (from 1983-07 until 1983-09)
recording of:
She’s Got a Way (in 1971-07)
lyricist and composer:
Billy Joel (American singer‐songwriter and pianist) (in 1970)
publisher:
April Music Inc. and Impulsive Music (in 1971)
3.82:52
2You Can Make Me Free
recording engineer:
Bob Hughes (engineer) (in 1971-07)
assistant engineer:
Gordon Watanabe
engineer:
Larry Elliott, Michael Stone and Artie Ripp
producer:
Artie Ripp
mixer and editor:
Larry Elliott and Artie Ripp
arranger:
Jimmie Haskell and Artie Ripp
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
recorded at:
The Record Plant West (aka “Record Plant” Los Angeles) in Hollywood (in 1971-07)
mixed at and edited at:
Fidelity Studios in North Hollywood (from 1983-07 until 1983-09)
recording of:
You Can Make Me Free (in 1971-07)
writer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc. and Impulsive Music
32:58
3Everybody Loves You Now
recording engineer:
Bob Hughes (engineer) (in 1971-07), Larry Elliott (from 1983-07 until 1983-09) and Artie Ripp (from 1983-07 until 1983-09)
assistant engineer:
Gordon Watanabe
engineer:
Larry Elliott, Michael Stone and Artie Ripp
producer:
Artie Ripp
mixer and editor:
Larry Elliott and Artie Ripp
drums (drum set):
Mike McGee (from 1983-07 until 1983-09)
arranger:
Jimmie Haskell and Artie Ripp
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
recorded at:
The Record Plant West (aka “Record Plant” Los Angeles) in Hollywood (in 1971-07) and Fidelity Studios in North Hollywood (from 1983-07 until 1983-09)
mixed at and edited at:
Fidelity Studios in North Hollywood (from 1983-07 until 1983-09)
recording of:
Everybody Loves You Now (from 1971-07 until 1983-09)
lyricist and composer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc., Joelsongs and Impulsive Music (in 1971)
3.752:50
4Why Judy Why
recording engineer:
Bob Hughes (engineer) (in 1971-07)
assistant engineer:
Gordon Watanabe
engineer:
Larry Elliott, Michael Stone and Artie Ripp
producer:
Artie Ripp
mixer and editor:
Larry Elliott and Artie Ripp
arranger:
Jimmie Haskell and Artie Ripp
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
recorded at:
Ultrasonic Recording Studios in Hempstead (in 1971-07)
mixed at and edited at:
Fidelity Studios in North Hollywood (from 1983-07 until 1983-09)
recording of:
Why Judy Why (in 1971-07)
writer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc.
3.652:57
5Falling of the Rain
recording engineer:
Bob Hughes (engineer) (in 1971-07)
assistant engineer:
Gordon Watanabe
engineer:
Larry Elliott, Michael Stone and Artie Ripp
producer:
Artie Ripp
mixer and editor:
Larry Elliott and Artie Ripp
arranger:
Jimmie Haskell and Artie Ripp
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
recorded at:
The Record Plant West (aka “Record Plant” Los Angeles) in Hollywood (in 1971-07)
mixed at and edited at:
Fidelity Studios in North Hollywood (from 1983-07 until 1983-09)
recording of:
Falling of the Rain (in 1971-07)
writer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc. and Impulsive Music
3.252:40
6Turn Around
recording engineer:
Bob Hughes (engineer) (in 1971-07), Larry Elliott (from 1983-07 until 1983-09) and Artie Ripp (from 1983-07 until 1983-09)
assistant engineer:
Gordon Watanabe
engineer:
Larry Elliott, Michael Stone and Artie Ripp
producer:
Artie Ripp
mixer and editor:
Larry Elliott and Artie Ripp
drums (drum set):
Mike McGee (from 1983-07 until 1983-09)
keyboard:
Al Campbell (Alphonso Campbell) (from 1983-07 until 1983-09)
Rhodes piano [Fender Rhodes Piano]:
L.D. Dixon (from 1983-07 until 1983-09)
arranger:
Jimmie Haskell and Artie Ripp
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
recorded at:
The Record Plant West (aka “Record Plant” Los Angeles) in Hollywood (in 1971-07) and Fidelity Studios in North Hollywood (from 1983-07 until 1983-09)
mixed at and edited at:
Fidelity Studios in North Hollywood (from 1983-07 until 1983-09)
recording of:
Turn Around (from 1971-07 until 1983-09)
writer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc.
43:07
7You Look So Good to Me
recording engineer:
Bob Hughes (engineer) (in 1971-07)
assistant engineer:
Gordon Watanabe
engineer:
Larry Elliott, Michael Stone and Artie Ripp
producer:
Artie Ripp
mixer and editor:
Larry Elliott and Artie Ripp
arranger:
Jimmie Haskell and Artie Ripp
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
recorded at:
Ultrasonic Recording Studios in Hempstead (in 1971-07)
mixed at and edited at:
Fidelity Studios in North Hollywood (from 1983-07 until 1983-09)
recording of:
You Look So Good to Me (in 1971-07)
writer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc.
32:28
8Tomorrow Is Today
recording engineer:
Bob Hughes (engineer) (in 1971-07)
assistant engineer:
Gordon Watanabe
engineer:
Larry Elliott, Michael Stone and Artie Ripp
producer:
Artie Ripp
mixer and editor:
Larry Elliott and Artie Ripp
arranger:
Jimmie Haskell and Artie Ripp
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
recorded at:
The Record Plant West (aka “Record Plant” Los Angeles) in Hollywood (in 1971-07)
mixed at and edited at:
Fidelity Studios in North Hollywood (from 1983-07 until 1983-09)
recording of:
Tomorrow Is Today (in 1971-07)
lyricist and composer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc. and Impulsive Music
3.654:42
9Nocturne
recording engineer:
Bob Hughes (engineer) (in 1971-07)
assistant engineer:
Gordon Watanabe
engineer:
Larry Elliott, Michael Stone and Artie Ripp
producer:
Artie Ripp
mixer and editor:
Larry Elliott and Artie Ripp
arranger:
Jimmie Haskell and Artie Ripp
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
recorded at:
The Record Plant West (aka “Record Plant” Los Angeles) in Hollywood (in 1971-07)
mixed at and edited at:
Fidelity Studios in North Hollywood (from 1983-07 until 1983-09)
recording of:
Nocturne (in 1971-07)
composer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc.
42:49
10Got to Begin Again
recording engineer:
Bob Hughes (engineer) (in 1971-07)
assistant engineer:
Gordon Watanabe
engineer:
Larry Elliott, Michael Stone and Artie Ripp
producer:
Artie Ripp
mixer and editor:
Larry Elliott and Artie Ripp
arranger:
Jimmie Haskell and Artie Ripp
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
recorded at:
The Record Plant West (aka “Record Plant” Los Angeles) in Hollywood (in 1971-07)
mixed at and edited at:
Fidelity Studios in North Hollywood (from 1983-07 until 1983-09)
recording of:
Got to Begin Again (in 1971-07)
writer:
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc. and Impulsive Music
3.352:50

Credits

Release

printed in:United States