Oper für Dummies

~ Release by Various Artists (see all versions of this release, 4 available)

Annotation

Copyright: 2011 EMI Music Germany GmbH & Co. KG This label copy information is the subject of copyright protection. All rights reserved. © EMI Music Germany GmbH & Co. KG
℗ 2011 EMI Music France

Annotation last modified on 2024-08-08 11:08 UTC.

Tracklist

1▶Digital Media
2▶Digital Media
3▶Digital Media
4▶Digital Media
5▼Digital Media
#TitleArtistRatingLength
1Orphée et Eurydice, Wq. 41, Act 2 Scene 2: Ballet des ombres heureuses, 1. Lent, très doux - Même mouvement - Tempo primo
producer:
Alain Duchemin
orchestra:
Orchestre de l’Opéra de Lyon (from 1989-01-29 until 1989-02-02)
conductor:
John Eliot Gardiner (from 1989-01-29 until 1989-02-02)
balance engineer:
Michel Lepage (engineer)
phonographic copyright (℗) by:
Warner Music France (in 1989)
recorded at:
Auditorium Maurice‐Ravel in Lyon (from 1989-01-29 until 1989-02-02)
recording of:
Orphée et Eurydice, Wq. 41 : Acte II, N° 29. Ballet des ombres heureuses, I. Lent, très doux – Même mouvement (from 1989-01-29 until 1989-02-02)
composer:
Christoph Willibald Gluck (composer)
part of:
Orphée et Eurydice, Wq. 41 : Acte II
Christoph Willibald Gluck5:29
2Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: No. 22, Aria, "Che farò senza Euridice?" (Orfeo)
harpsichord:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger)
mezzo-soprano vocals [Orfeo]:
Agnes Baltsa (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck5:30
3Fidelio, Op. 72, Act 1 Scene 4: No. 3, Quartett, "Mir ist so wunderbar" (Marzelline, Leonore, Jaquino, Rocco)
producer:
Michel Glotz
bass vocals:
Karl Riddersbusch (operatic bass)
bass vocals [Rocco]:
José van Dam (Belgian operatic bass-baritone) (from 1970-10 until 1970-12)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals [Leonore]:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (from 1970-10 until 1970-12)
soprano vocals [Marzelline]:
Helen Donath (soprano) (from 1970-10 until 1970-12)
tenor vocals [Jaquino]:
Horst Laubenthal (tenor) (from 1970-10 until 1970-12)
vocals:
Helga Dernesch (Austrian soprano and mezzo‐soprano), Helen Donath (soprano), Horst Laubenthal (tenor) and Karl Ridderbusch (operatic bass)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-10 until 1970-12)
conductor:
Herbert von Karajan (conductor) (from 1970-10 until 1970-12)
balance engineer:
Wolfgang Gülich (engineer) (from 1970-10 until 1970-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1970-10 until 1970-12)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 1970-10 until 1970-12)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:41
4Der Freischütz, Op. 77, J. 277, Act 3 Scene 6: No. 15, Chor, "Was gleicht wohl auf Erden dem Jägervergnügen" (Die Jäger)
recording of:
Der Freischütz: Akt III. Nr. 15. Jägerchor „Was gleicht wohl auf Erden dem Jägervergnügen?“ (Chor) (Der Freischütz: The Huntsmen's Chorus)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Ludwig van Beethoven2:37
5Zar und Zimmermannn, LoWV 38, Act 2: No. 9, Lied mit Chor, "Lebe wohl, mein fland'risch Mädchen" (Marquis, Marie, Chorus)
recording of:
Zar und Zimmermann: Akt II. Nr. 9 Lied „Lebe wohl, mein flandrisch’ Mädchen“ (Marquis, Marie, Chor)
composer and librettist:
Albert Lortzing (German composer) (in 1837)
part of:
Zar und Zimmermann, LoWV 38: Akt II
Albert Lortzing4:50
6Martha oder der Markt zu Richmond, Act 3: No. 13, Arie, "Ach, so fromm, ach, so traut" (Lyonel)
tenor vocals:
Rolando Villazón (tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Michel Plasson (conductor)
recording of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
composer:
Friedrich von Flotow (composer)
librettist:
Friedrich Wilhelm Riese
part of:
Martha: Akt III
Friedrich von Flotow2:59
7Lohengrin, WWV 75: Prelude (Langsam)
producer:
John Willan (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1982-12-15 until 1983-04-17)
conductor:
Klaus Tennstedt (conductor) (from 1982-12-15 until 1983-04-17)
balance engineer:
Neville Boyling (engineer) and Michael Sheady (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983)
recorded at:
Berliner Philharmonie in Mitte (from 1982-12-15 until 1983-04-17)
recording of:
Lohengrin, WWV 75: Vorspiel (prelude to Act I) (from 1982-12-15 until 1983-04-17)
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75
Richard Wagner10:24
8Lohengrin, WWV 75, Act 3 Scene 1: "Treulich geführt ziehet dahin" (Chorus)
recording of:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Act III, Scene I. Bridal Chorus (Choir))
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner5:00
9Die Walküre, WWV 86B, Act 3: Walkürenritt
producer:
John Fraser (UK producer)
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic) (from 1991-08-14 until 1991-08-24)
conductor:
Mariss Jansons (Latvian conductor) (from 1991-08-14 until 1991-08-24)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1992)
recorded at:
Oslo Konserthus (The Oslo Concert Hall) in Oslo (from 1991-08-14 until 1991-08-24)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (from 1991-08-14 until 1991-08-24)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner4:47
10Siegfried, WWV 86C, Act 1 Scene 3: "Was am besten er kann … Ho-ho! Ho-hei! Schmiede, mein Hammer" (Siegfried, Mime)
partial recording of:
Siegfried, WWV 86C: Akt I, Scene III "Verfluchtes Licht!"
composer:
Richard Wagner (composer) (from 1856-09 until 1869-02-23)
librettist:
Richard Wagner (composer)
part of:
Siegfried, WWV 86C: Akt I
Richard Wagner3:58
11Tristan und Isolde, WWV 90, Act 3, Final Scene: "Mild und leise wie er lächelt" (Isolde)
recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt”
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner6:41
12Der fliegende Holländer, WWV 63, Act 2 Scene 1: Ballade, "Johohoe! Traft ihr das Schiff im Meere an" (Senta, Die Mädchen)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
solo soprano vocals:
Jessye Norman (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Klaus Tennstedt (conductor)
recording of:
Der fliegende Holländer, WWV 63: Akt II, Nr. 4. Lied, Scene, Ballade und Chor "Summ und brumm, du gutes Rädchen" … "Jo ho hoe, traft ihr das Schiff" (Chor der Spinnerinnen & Sentas Ballade)
composer:
Richard Wagner (composer) (from 1840 until 1841)
librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63: Akt II
part of:
Der fliegende Holländer, WWV 63: Akt II
Richard Wagner8:35
13Tannhäuser (Dresden Version), WWV 70, Act 3 Scene 1: "Beglückt darf nun dich, o Heimat" (Die Pilger)
recording of:
Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. Pilgerchor: “Beglückt darf nun dich”
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. “Wohl wusst’ ich hier sie im Gebet zu finden”
Richard Wagner4:23
14Die Fledermaus: Overture (Allegro vivace - Allegretto - Tempo di Valse - Allegro)
orchestra:
Munich Radio Orchestra (The Munich Radio Orchestra)
conductor:
Plácido Domingo (tenor)
recording of:
Die Fledermaus: Ouvertüre (Die Fledermaus: Overture)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus (english; unknown version)
Johann Strauss II6:43
6▶Digital Media