100 Violin Masterworks

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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2▶CD
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#TitleArtistRatingLength
1Carmen Fantasy, op. 25: Introduction. Allegro moderato
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
violin:
Itzhak Perlman (violinist and conductor) (in 1986-09)
orchestra:
New York Philharmonic (in 1986-09)
conductor:
Zubin Mehta (conductor) (in 1986-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1986-09)
recorded at:
Manhattan Center Studios in Midtown Manhattan (in 1986-09)
recording of:
Carmen Fantasy, op. 25: Introduction. Allegro moderato (in 1986-09)
composer:
Pablo de Sarasate (violinist and composer) (in 1883)
part of:
Carmen Fantasy, op. 25 (for violin and orchestra)
Pablo Martin de Sarasate2:46
212 Danzas españolas, op. 37 (arr. for violin and piano): V. Andaluza
piano:
Clifford Benson (piano accompanist)
violin:
Shlomo Mintz (violinist, violist and conductor)
recording of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (for violin and piano, Kreisler)
composer:
Enrique Granados (composer)
arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera)
Enrique Granados3:23
3Violin Concerto in A minor, op. 82: III. Allegro
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
violin:
Erica Morini (violinist) (from 1958-10-14 until 1958-10-17)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-10-14 until 1958-10-17)
conductor:
Ferenc Fricsay (conductor) (from 1958-10-14 until 1958-10-17)
balance engineer:
Werner Wolf (engineer/producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1958-10-14 until 1958-10-17)
partial recording of:
Violin Concerto in A minor, op. 82 (from 1958-10-14 until 1958-10-17)
composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1904)
dedicated to:
Leopold Auer (Hungarian violinist and composer)
premiered at:
Russian Musical Society: [concert] (1905-02-15)
part of:
Works of Alexander Glazunov by opus number (number: op. 82)
Alexander Glazunov6:25
4Chanson russe (arr. Dushkin From “Mavra”)
producer:
Werner Mayer (classical producer)
piano:
Georges Pludermacher (pianist) (from 1975-11-15 until 1975-11-18)
violin:
Nathan Milstein (violinist) (from 1975-11-15 until 1975-11-18)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-11-15 until 1975-11-18)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich) (from 1975-11-15 until 1975-11-18) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich) (from 1975-11-15 until 1975-11-18)
recording of:
Parasha's Aria from Mavra (for violin and piano, Dushkin) (from 1975-11-15 until 1975-11-18)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
arranger:
Samuel Dushkin (American violinist and transcriber)
arrangement of:
Mavra: Parasha's Song (original aria)
Igor Stravinsky3:25
5Vocalise, op. 34: no. 14
producer:
Sid McLauchlan (engineer/producer)
piano:
Hélène Grimaud (French pianist) (in 2010-11)
violin:
Lisa Batiashvili (violinist) (in 2010-11)
recorded at:
Herkulessaal in München (Munich) (in 2010-11)
recording of:
Vocalise, op. 34 no. 14 (for violin and piano, unspecified arranger) (in 2010-11)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
arrangement of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Sergey Vasil’yevich Rachmaninov5:35
6Variations D 802 on “Trockne Blumen” for Violin and Piano from “Die schöne Müllerin”: Introduktion. Andante
producer:
Jürgen Bulgrin (sound engineer) and Wolfgang Stengel
piano:
Oleg Maisenberg (pianist) (in 1993-11)
violin:
Gidon Kremer (violinist) (in 1993-11)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich) (in 1993-11)
recording of:
Variations in E minor on the song "Trockne Blumen", D. 802: I. Introduction. Andante (in 1993-11)
composer:
Franz Schubert (composer) (in 1824)
part of:
Variations in E minor on the song "Trockne Blumen", D. 802 (for flute and piano)
Franz Schubert2:50
7La Gitana: Allegro moderato, quasi recitativo – Allegro giusto e ritmico: più lento, quasi andantino – Allegretto grazioso
piano:
Clifford Benson (piano accompanist) (in 1980-06)
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1980-06)
recorded at:
Jerusalem Music Centre in Jerusalem (in 1980-06)
recording of:
La Gitana (for violin and piano) (in 1980-06)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
Fritz Kreisler3:06
8Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro ma non tanto
engineer:
Julian Schwenkner (engineer) (in 2016-07)
producer:
Friedemann Engelbrecht
violin:
Lisa Batiashvili (violinist) (in 2016-07)
orchestra:
Staatskapelle Berlin (in 2016-07)
conductor:
Daniel Barenboim (pianist and conductor) (in 2016-07)
recorded at:
Funkhaus Nalepastraße in Berlin (in 2016-07)
recording of:
Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto (in 2016-07)
composer:
Jean Sibelius (Finnish composer) (from 1903 until 1905)
part of:
Violin Concerto in D minor, op. 47
Jean Sibelius7:32
9Sonatensatz “FAE sonate”: Scherzo
executive producer:
Günther Breest (producer for classical music)
producer:
Wolfgang Stengel
piano:
Daniel Barenboim (pianist and conductor) (in 1974-11)
violin:
Pinchas Zukerman (violinist/conductor) (in 1974-11)
balance engineer:
Hans‐Rudolf Müller (engineer) and Klaus Scheibe (editor/engineer) (in 1974-11)
recorded at:
Manhattan Center in Midtown Manhattan (in 1974-11)
recording of:
F-A-E Sonata: III. Scherzo c-moll (Sonata for Violin and Piano, WoO post 2, "F-A-E": III. Scherzo in C minor) (in 1974-11)
composer:
Johannes Brahms (German composer) (in 1853)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: WoO 2)
part of:
F-A-E Sonata
Johannes Brahms5:35
10St. Matthew Passion, BWV 244, Part Two: no. 39 Aria (alto): “Erbarme dich”
oboe d'amore:
François Leleux (oboist and conductor) (in 2013-12)
violin:
Lisa Batiashvili (violinist) (in 2013-12)
orchestra:
Kammerorchester des Symphonieorchesters des Bayerischen Rundfunks (Chamber orchestra of the Bavarian Radio Symphony Orchestra) (in 2013-12)
conductor:
Radoslaw Szulc (violinist and conductor) (in 2013-12)
recorded at:
August Everding Saal in Grünwald (in 2013-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria "Erbarme dich, mein Gott" (catch-all for arrangements) (in 2013-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
Johann Sebastian Bach6:46
11Violin Concerto in D major, op. 35, TH 59: II. Canzonetta. Andante
recording engineer:
Andrew Halifax (in 2008-11) and Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (in 2008-11)
producer:
Andreas K. Meyer (US sound engineer)
violin:
Hilary Hahn (violinist) (in 2008-11)
orchestra:
Royal Liverpool Philharmonic Orchestra (in 2008-11)
conductor:
Vasily Petrenko (conductor) (in 2008-11)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool (in 2008-11)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante (in 2008-11)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Pyotr Ilyich Tchaikovsky6:24
12Sonata in G minor for Violin & Piano, L 140: I. Allegro vivo
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
violin:
Augustin Dumay (violinist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich) (from 1993-09 until 1993-10)
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : I. Allegro vivo (from 1993-09 until 1993-10)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
Claude Debussy4:53
13Sonata in G minor for Violin & Piano, L 140: II. Intermède. Fantasque et léger
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
violin:
Augustin Dumay (violinist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich) (from 1993-09 until 1993-10)
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : II. Intermède: fantasque et léger (from 1993-09 until 1993-10)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
Claude Debussy4:16
14Sonata in G minor for Violin & Piano, L 140: III. Finale. Très animé
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
violin:
Augustin Dumay (violinist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich) (from 1993-09 until 1993-10)
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : III. Finale: très animé (from 1993-09 until 1993-10)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
Claude Debussy4:10
15Concerto for Violin and Orchestra: II. ♩ = ca. 108
recording engineer:
Rainer Maillard
producer:
Wolfgang Stengel
violin:
Gidon Kremer (violinist) (in 1992-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-02)
conductor:
Christoph von Dohnányi (German conductor) (in 1992-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt (in 1992-02)
recording of:
Violin Concerto no. 1: II. ♩ = ca. 108 (in 1992-02)
composer:
Philip Glass (US composer & pianist) (in 1987)
part of:
Violin Concerto no. 1
Philip Glass8:45
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Release group

part of:100 Masterworks (Deutsche Grammophon) (order: 2)