Live at Ronnie Scott’s

~ Release by Bill Evans (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1A Sleepin’ Bee
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho (in 1968-07)
live instrumental cover recording of:
A Sleepin’ Bee (House of Flowers) (in 1968-07)
lyricist:
Harold Arlen and Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music and S.A. Music Co.
part of:
House of Flowers
4:58
2You’re Gonna Hear From Me (version 1)
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho (in 1968-07)
live instrumental cover recording of:
You’re Gonna Hear From Me (in 1968-07)
lyricist:
Dory Previn (Dory Langdon, Folk singer, songwriter, lyricist and poet)
composer:
André Previn (pianist, conductor, composer, arranger)
publisher:
Remick Music Corp., Warner Brothers Music Inc. and Warner Bros., Inc. (not for release label use!) (in 1965)
3:01
3Yesterdays
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho (in 1968-07)
live instrumental cover recording of:
Yesterdays (in 1968-07)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
4:53
4Turn Out the Stars
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho (in 1968-07)
live recording of:
Turn Out the Stars (in 1968-07)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
4:46
5My Man’s Gone Now
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho (in 1968-07)
live instrumental cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) (in 1968-07)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (1929–2019) (until 2019-05-28)
version of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
5:54
6Emily (version 1)
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho (in 1968-07)
live instrumental cover recording of:
Emily (Emily Theme from The Americanization of Emily) (in 1968-07)
lyricist:
Johnny Mercer
composer:
Johnny Mandel (American composer and arranger)
publisher:
EMI Miller Catalog, Inc., Primary Wave Songs and SBK Miller Catalog, Inc.
4:47
7Spring Is Here
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho (in 1968-07)
live instrumental cover recording of:
Spring Is Here (in 1968-07)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
4:59
8Embraceable You
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho (in 1968-07)
live instrumental cover recording of:
Embraceable You (in 1968-07)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
5:59
9For Heaven’s Sake
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho (in 1968-07)
live cover recording of:
For Heaven’s Sake (in 1968-07)
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
4:25
10Someday My Prince Will Come
recording engineer:
Jack DeJohnette (in 1968-07)
bass:
Eddie Gomez (jazz double bassist) (in 1968-07)
drums (drum set):
Jack DeJohnette (in 1968-07)
piano:
Bill Evans (pianist) (in 1968-07)
recorded at:
Ronnie Scott’s in Soho (in 1968-07)
live instrumental cover recording of:
Someday My Prince Will Come (in 1968-07)
lyricist:
Larry Morey (American lyricist, 1905–1971)
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
6:27
2▶Digital Media

Credits

Release

manufactured in:United States