Dietrich Schwanitz: Musik: Alles, was man hören muss

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Gregorianik, Renaissance
2▶CD: Barock
3▼CD: Barock
#TitleArtistRatingLength
1Brandenburgisches Konzert No. 2 F-dur, BWV 1047: I. Allegro
recording engineer:
Uwe Walter (classical engineer)
producer:
Ludwig Rink
double bass [basso continuo]:
Thomas Falke
harpsichord [basso continuo]:
Harald Hoeren (harpsichordist)
oboe:
Christian Hommel (oboist)
recorder:
Nadja Schubert (flutist)
trumpet:
Jürgen Schuster (trumpet player)
violin:
Winfried Rademacher (violinist)
orchestra:
Cologne Chamber Orchestra (from 1999-03 until 1999-04)
conductor:
Helmut Müller‐Brühl (conductor) (from 1999-03 until 1999-04)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1999)
recorded at:
Deutschlandradio Studios in Köln (Cologne) (from 1999-03 until 1999-04)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (from 1999-03 until 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach4:29
2Brandenburgisches Konzert No. 2 F-dur, BWV 1047: II. Andante
recording engineer:
Uwe Walter (classical engineer)
producer:
Ludwig Rink
double bass [basso continuo]:
Thomas Falke
harpsichord [basso continuo]:
Harald Hoeren (harpsichordist)
oboe:
Christian Hommel (oboist)
recorder:
Nadja Schubert (flutist)
trumpet:
Jürgen Schuster (trumpet player)
violin:
Winfried Rademacher (violinist)
orchestra:
Cologne Chamber Orchestra (from 1999-03 until 1999-04)
conductor:
Helmut Müller‐Brühl (conductor) (from 1999-03 until 1999-04)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1999)
recorded at:
Deutschlandradio Studios in Köln (Cologne) (from 1999-03 until 1999-04)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (from 1999-03 until 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:13
3Brandenburgisches Konzert No. 2 F-dur, BWV 1047: III. Allegro assai
recording engineer:
Uwe Walter (classical engineer)
producer:
Ludwig Rink
double bass [basso continuo]:
Thomas Falke
harpsichord [basso continuo]:
Harald Hoeren (harpsichordist)
oboe:
Christian Hommel (oboist)
recorder:
Nadja Schubert (flutist)
trumpet:
Jürgen Schuster (trumpet player)
violin:
Winfried Rademacher (violinist)
orchestra:
Cologne Chamber Orchestra (from 1999-03 until 1999-04)
conductor:
Helmut Müller‐Brühl (conductor) (from 1999-03 until 1999-04)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1999)
recorded at:
Deutschlandradio Studios in Köln (Cologne) (from 1999-03 until 1999-04)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 1999-03 until 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:43
4Weihnachtsoratorium, BWV 248: Chor "Jauchzet, frohlocket!"
engineer:
Gábor Mocsáry (from 1992-06-15 until 1992-06-30)
producer:
Tamás Benedek (from 1992-06-15 until 1992-06-30)
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus) (from 1992-06-15 until 1992-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1992-06-15 until 1992-06-30)
conductor:
Géza Oberfrank (conductor) (from 1992-06-15 until 1992-06-30)
recorded at:
Festetich Castle (Budapest) in Budapest (from 1992-06-15 until 1992-06-30)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (from 1992-06-15 until 1992-06-30)
premiered in:
Leipzig (on 1734-12-25)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:13
5Weihnachtsoratorium, BWV 248: Arie "Bereite dich, Zion"
engineer:
Gábor Mocsáry (from 1992-06-15 until 1992-06-30)
producer:
Tamás Benedek (from 1992-06-15 until 1992-06-30)
alto vocals:
Németh Judit (Hungarian mezzosoprano) (from 1992-06-15 until 1992-06-30)
soprano vocals:
Ingrid Kertesi (soprano) (from 1992-06-15 until 1992-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1992-06-15 until 1992-06-30)
conductor:
Géza Oberfrank (conductor) (from 1992-06-15 until 1992-06-30)
recorded at:
Festetich Castle (Budapest) in Budapest (from 1992-06-15 until 1992-06-30)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 1992-06-15 until 1992-06-30)
premiered in:
Leipzig (on 1734-12-25)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:14
6Weihnachtsoratorium, BWV 248: Chor "Wie soll ich dich empfangen"
engineer:
Gábor Mocsáry (from 1992-06-15 until 1992-06-30)
producer:
Tamás Benedek (from 1992-06-15 until 1992-06-30)
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus) (from 1992-06-15 until 1992-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1992-06-15 until 1992-06-30)
conductor:
Géza Oberfrank (conductor) (from 1992-06-15 until 1992-06-30)
recorded at:
Festetich Castle (Budapest) in Budapest (from 1992-06-15 until 1992-06-30)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (from 1992-06-15 until 1992-06-30)
premiered in:
Leipzig (on 1734-12-25)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:20
7Weihnachtsoratorium, BWV 248: Chor "Ach, mein herzliebes Jesulein!"
engineer:
Gábor Mocsáry (from 1992-06-15 until 1992-06-30)
producer:
Tamás Benedek (from 1992-06-15 until 1992-06-30)
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus) (from 1992-06-15 until 1992-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1992-06-15 until 1992-06-30)
conductor:
Géza Oberfrank (conductor) (from 1992-06-15 until 1992-06-30)
recorded at:
Festetich Castle (Budapest) in Budapest (from 1992-06-15 until 1992-06-30)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (from 1992-06-15 until 1992-06-30)
premiered in:
Leipzig (on 1734-12-25)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:56
8Weihnachtsoratorium, BWV 248: Arie "Flößt, mein Heiland"
engineer:
Gábor Mocsáry (from 1992-06-15 until 1992-06-30)
producer:
Tamás Benedek (from 1992-06-15 until 1992-06-30)
alto vocals:
Németh Judit (Hungarian mezzosoprano) (from 1992-06-15 until 1992-06-30)
soprano vocals:
Ingrid Kertesi (soprano) (from 1992-06-15 until 1992-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1992-06-15 until 1992-06-30)
conductor:
Géza Oberfrank (conductor) (from 1992-06-15 until 1992-06-30)
recorded at:
Festetich Castle (Budapest) in Budapest (from 1992-06-15 until 1992-06-30)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (from 1992-06-15 until 1992-06-30)
composed in:
Leipzig (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:18
9Weihnachtsoratorium, BWV 248: Chor "Ich steh' an deiner Krippen hier"
engineer:
Gábor Mocsáry (from 1992-06-15 until 1992-06-30)
producer:
Tamás Benedek (from 1992-06-15 until 1992-06-30)
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus) (from 1992-06-15 until 1992-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1992-06-15 until 1992-06-30)
conductor:
Géza Oberfrank (conductor) (from 1992-06-15 until 1992-06-30)
recorded at:
Festetich Castle (Budapest) in Budapest (from 1992-06-15 until 1992-06-30)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (from 1992-06-15 until 1992-06-30)
composed in:
Leipzig (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:19
10Das Wohltemperierte Klavier, Buch 1 No. 1 C-dur, BWV 846: Prelude
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach1:24
11Das Wohltemperierte Klavier, Buch 1 No. 1 C-Dur, BWV 846: Fugue
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Fugue
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
Johann Sebastian Bach1:48
12Das Musikalische Opfer, BWV 1079: Ricercar a 3
orchestra:
Capella Istropolitana
conductor:
Christian Benda (conductor, cellist)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava (from 1995-11-13 until 1995-11-19)
recording of:
Musikalisches Opfer, BWV 1079: I. Ricercare a 3 (from 1995-11-13 until 1995-11-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach5:33
13Das Musikalische Opfer, BWV 1079: Largo
orchestra:
Capella Istropolitana
conductor:
Christian Benda (conductor, cellist)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava (from 1995-11-13 until 1995-11-19)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: a. Largo (from 1995-11-13 until 1995-11-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach7:25
14Das Musikalische Opfer, BWV 1079: Allegro
orchestra:
Capella Istropolitana
conductor:
Christian Benda (conductor, cellist)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava (from 1995-11-13 until 1995-11-19)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: d. Allegro (from 1995-11-13 until 1995-11-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach3:04
15Die Kunst der Fuge, BWV 1080: I. Contrapunctus
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach4:25
16Die Kunst der Fuge, BWV 1080: IX. Contrapunctus
recording of:
Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/9)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:46
17Partita No. 3, BWV 1006: Präludium
recording of:
Suite from Partita for Violin in E major, TN iii/1: I. Preludio (for piano, Rachmaninoff)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Sergei Rachmaninoff (Russian composer) (in 1933)
is based on:
Suite E-Dur, BWV 1006.2: I. Prélude (former BWV 1006a)
part of:
Suite from Partita for Violin in E major, TN iii/1 (for piano, Rachmaninoff)
Сергей Васильевич Рахманинов3:15
18Konzert f-moll, BWV 1056: Largo
piano:
Alfred Cortot (French pianist)
recording of:
Arioso from Keyboard Concerto no. 5 in F minor, BWV 1056 (for solo piano, Cortot)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Alfred Cortot (French pianist)
arrangement of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo
Alfred Cortot3:04
19Cantata No. 147 "Jesu bleibet meine Freude"
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Myra Hess3:11
20Toccata C-dur, BWV 564: Intermezzo
piano:
Arthur Rubinstein (pianist)
recording of:
Toccata, Adagio and Fugue in C major, BWV 564, BV B 29 no. 1: II. Intermezzo (Adagio) (for piano, Busoni)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Ferruccio Busoni (Italian composer, pianist, conductor, editor, writer, and teacher)
arrangement of:
Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio
part of:
Toccata, Adagio and Fugue in C major, BWV 564, BV B 29 no. 1 (for piano, Busoni)
Ferruccio Busoni4:36
4▶CD: Klassik
5▶CD: Klassik
6▶CD: Romantik
7▶CD: Romantik
8▶CD: Romantik
9▶CD: Moderne
10▶CD: USA

Credits

Release

compiler:Dietrich Schwanitz
ASIN:DE: 3821854324 [info]