Piano Moods: The Definitive Collection

~ Pubblicazione di Oscar Peterson (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

2005 repress of the 1998 compilation Piano Moods: The Very Best of Oscar Peterson

Annotazione modificata l'ultima volta il 2019-07-21 04:03 UTC.

Elenco tracce

1▼CD
#TitoloValutazioneDurata
1Summertime
registrata a:
Los Angeles (il 1959-10-12)
produttore:
Norman Granz
batteria :
Ed Thigpen (il 1959-10-12)
contrabbasso :
Ray Brown (jazz bassist) (il 1959-10-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1959-10-12)
registrazione di:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
3:51
2I Love Paris
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
batteria :
Ed Thigpen (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-21 al 1959-08-01)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago (dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
I Love Paris (Can-Can [Pistache, Company]) (dal 1959-07-21 al 1959-08-01)
paroliere e compositore:
Cole Porter (composer) (nel 1953)
editore:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
Can‐Can
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
registrazione di:
I Love Paris (Can-Can [Pistache, Company])
paroliere e compositore:
Cole Porter (composer) (nel 1953)
editore:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
Can‐Can
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
2:13
3Georgia on My Mind
registrazione di:
Georgia on My Mind
inno di:
Georgia, Stati Uniti (dal 1979 a oggi)
paroliere:
Stuart Gorrell (nel 1930)
compositore:
Hoagy Carmichael (nel 1930)
editore:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (dal 1930 a oggi) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (dal 1930 a oggi)
sub-editore:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangiamento di:
Georgia on My Mind (Solo piano arrangement)
3:47
4It Ain’t Necessarily So
registrata a:
Los Angeles (il 1959-10-12)
produttore:
Norman Granz
batteria :
Ed Thigpen (il 1959-10-12)
contrabbasso :
Ray Brown (jazz bassist) (il 1959-10-12)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1959-10-12)
registrazione strumentale cover di:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
paroliere:
Ira Gershwin e DuBose Heyward
compositore:
George Gershwin (composer) (dal 1934 al 1935)
parte di:
Porgy and Bess: Act II, Scene II
4:00
5Girl Talk
registrata a:
Villingen-Schwenningen (nel 1967-11)
batteria :
Bobby Durham (nel 1967-11)
contrabbasso [bass] :
Sam Jones (US jazz bassist) (nel 1967-11)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1967-11)
registrazione dal vivo strumentale di:
Girl Talk (nel 1967-11)
paroliere:
Bobby Troup
compositore:
Neal Hefti
parte di:
East Coast Music Association Song of the Year Nominees (numero: 1991 (Holly Cole))
registrazione cover di:
Girl Talk
paroliere:
Bobby Troup
compositore:
Neal Hefti
parte di:
East Coast Music Association Song of the Year Nominees (numero: 1991 (Holly Cole))
registrazione di:
Girl Talk
paroliere:
Bobby Troup
compositore:
Neal Hefti
parte di:
East Coast Music Association Song of the Year Nominees (numero: 1991 (Holly Cole))
5:36
6People
registrazione di:
People (Funny Girl)
paroliere:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (nel 1963)
compositore:
Jule Styne (nel 1963)
editore:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Funny Girl (Broadway musical)
3:33
7Someone to Watch Over Me
tecnico di registrazione:
Hans Georg Brunner‐Schwer
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1968-04)
registrata presso:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen (nel 1968-04)
registrazione di:
Someone to Watch Over Me (Oh, Kay!)
paroliere:
Ira Gershwin (nel 1926)
compositore:
George Gershwin (composer) (nel 1926)
editore:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28), Harms, Inc. (nel 1926) e WC Music Corp. (dal 2019-05-28 al 2022-01-01)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Crazy for You (1992 musical)
parte di:
Oh, Kay! (1926 musical)
4:17
8This Guy’s in Love With You
registrazione di:
The Lady’s in Love With You
paroliere:
Frank Loesser
compositore:
Burton Lane
3:49
9Waltz for Debby
registrata a:
Chicago (il 1962-09-25)
tecnico:
Val Valentin
produttore:
Jim Davis (jazz producer)
batteria :
Ed Thigpen (il 1962-09-25)
contrabbasso :
Ray Brown (jazz bassist) (il 1962-09-25)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1962-09-25)
registrazione di:
Waltz for Debby (instrumental) (il 1962-09-25)
compositore:
Bill Evans (pianist)
editore:
Acorn Music Corp., Folkways Music Publishers Inc. e Kensington Music Ltd.
parte di:
The Real Book (compilation of jazz standards, volume I)
5:54
10Who Can I Turn To (When Nobody Needs Me)
4:57
11Yesterday
registrazione cover di:
Yesterday (original by The Beatles)
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
EMI Blackwood Music Inc., Northern Songs, Sony/ATV, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) e Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney) (dal 1965 a oggi)
4:05
12Days of Wine and Roses
registrazione di:
Days of Wine and Roses
paroliere:
Johnny Mercer
compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
parte di:
The 35th Academy Award for Best Original Song (numero: 1), Grammy Award: Song of the Year nominees (numero: 1964 winner) e Academy Award for Best Original Song (numero: 1962 winner)
2:42
13Django
5:17
14I Loves You Porgy (I Want to Stay Here)
registrazione di:
I Loves You, Porgy (use this for non-operatic performances)
paroliere:
Ira Gershwin e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America e Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
6:21
15It’s Impossible
6:57
16It Never Entered My Mind
registrazione di:
It Never Entered My Mind
paroliere:
Lorenz Hart (nel 1940)
compositore:
Richard Rodgers (composer) (nel 1940)
editore:
Chappell & Co., Inc. (USA) e Lorenz Hart Publishing Co.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
6:01
17Every Time We Say Goodbye
produttore:
Norman Granz
basso :
Ray Brown (jazz bassist) (dal 1959-07-21 al 1959-08-01)
batteria :
Ed Thigpen (dal 1959-07-21 al 1959-08-01)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-21 al 1959-08-01)
diritti fonografici (℗) detenuti da:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago (dal 1959-07-21 al 1959-08-01)
registrazione strumentale di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (dal 1959-07-21 al 1959-08-01)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
registrazione di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:21
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Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution) (nel 2005)