20th Century

~ Release by Pierre Boulez (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Cantata Profana "The Enchanted Stags", Sz. 94: I. There Was Once an Old Man
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
baritone vocals:
John Tomlinson (English operatic bass) (in 1991-12)
choir vocals:
Chicago Symphony Chorus (in 1991-12)
tenor vocals:
John Aler (tenor) (in 1991-12)
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
chorus master:
Margaret Hillis (chorus master) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago (in 1991-12)
recording of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": I. Molto moderato. Once there was an old man (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1930)
part of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 “The Enchanted Stags” (1955 English version, translated by Robert Shaw)
Béla Bartók7:00
2Cantata Profana "The Enchanted Stags", Sz. 94: II. But Their Father Grew Impatient
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
baritone vocals:
John Tomlinson (English operatic bass) (in 1991-12)
choir vocals:
Chicago Symphony Chorus (in 1991-12)
tenor vocals:
John Aler (tenor) (in 1991-12)
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
chorus master:
Margaret Hillis (chorus master) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago (in 1991-12)
recording of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": II. Andante. Through forest aroving, hey-yah! (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1930)
part of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 “The Enchanted Stags” (1955 English version, translated by Robert Shaw)
Béla Bartók8:00
3Cantata Profana "The Enchanted Stags", Sz. 94: III. There Was Once an Old Man
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
baritone vocals:
John Tomlinson (English operatic bass) (in 1991-12)
choir vocals:
Chicago Symphony Chorus (in 1991-12)
tenor vocals:
John Aler (tenor) (in 1991-12)
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
chorus master:
Margaret Hillis (chorus master) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago (in 1991-12)
recording of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": III. Moderato. Once there was an old man (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1930)
part of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 “The Enchanted Stags” (1955 English version, translated by Robert Shaw)
Béla Bartók3:17
4The Wooden Prince: Introduction
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: I. Prelude (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók5:14
5The Wooden Prince: First Dance: Dance of The Princess in The Forest
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: II. Dance 1: Dance of the Princess in the Forest (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók5:05
6The Wooden Prince: Second Dance: Dance of The Trees
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: III. Dance 2: Dance of the Trees (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók5:27
7The Wooden Prince: Third Dance: Dance of The Waves
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: IV. Dance 3: Dance of the Waves (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók11:36
8The Wooden Prince: Fourth Dance: Dance of The Princess With The Wooden Prince
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: V. Dance 4: Dance of the Princess With the Wooden Doll (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók15:21
9The Wooden Prince: Fifth Dance: The Princess Pulls And Tugs at The Wooden Prince
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: VI. Dance 5: The Princess Pulls and Pushes Him and Tries to Make Him Dance (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók1:55
10The Wooden Prince: Sixth Dance: She Tries to Attract The Real Prince With Her Seductive Dancing
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: VII. Dance 6: She Tries to Attract Him With a Seductive Dance (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók1:38
11The Wooden Prince: Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: IX. Postlude (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
recording of:
The Wooden Prince, Sz. 60: VIII. Dance 7: Alarmed, the Princess Rushes After Him, but the Forest Stops Her (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók8:43
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