Autumn Leaves

~ Release by Tal Farlow (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1You Stepped Out of a Dream
recording engineer:
Jim Mooney (in 1984-09)
producer:
Frank Dorritie
bass:
Bob Maize (in 1984-09)
drums (drum set):
Al “Tootie” Heath (in 1984-09)
guitar:
Tal Farlow (jazz guitarist) (in 1984-09)
piano:
Frank Strazzeri (in 1984-09)
woodwind:
Sam Most (in 1984-09)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1985)
recorded at:
Sage and Sound Recording in Hollywood (in 1984-09)
remixed at:
PER in San Francisco
instrumental recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film) (in 1984-09)
lyricist:
Gus Kahn
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI Feist Catalog Inc.
part of:
Ziegfeld Girl (1941)
4:45
2When Your Lover Has Gone
recording engineer:
Jim Mooney (in 1984-09)
producer:
Frank Dorritie
bass:
Bob Maize (in 1984-09)
drums (drum set):
Al “Tootie” Heath (in 1984-09)
guitar:
Tal Farlow (jazz guitarist) (in 1984-09)
piano:
Frank Strazzeri (in 1984-09)
woodwind:
Sam Most (in 1984-09)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1985)
recorded at:
Sage and Sound Recording in Hollywood (in 1984-09)
remixed at:
PER in San Francisco
instrumental recording of:
When Your Lover Has Gone (in 1984-09)
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
5:02
3I Got It Bad and That Ain’t Good
recording engineer:
Jim Mooney (in 1984-09)
producer:
Frank Dorritie
bass:
Bob Maize (in 1984-09)
drums (drum set):
Al “Tootie” Heath (in 1984-09)
guitar:
Tal Farlow (jazz guitarist) (in 1984-09)
piano:
Frank Strazzeri (in 1984-09)
woodwind:
Sam Most (in 1984-09)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1985)
recorded at:
Sage and Sound Recording in Hollywood (in 1984-09)
remixed at:
PER in San Francisco
instrumental recording of:
I Got It Bad (and That Ain’t Good) (in 1984-09)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, volume I)
5:18
4When Lights Are Low
recording engineer:
Jim Mooney (in 1984-09)
producer:
Frank Dorritie
bass:
Bob Maize (in 1984-09)
drums (drum set):
Al “Tootie” Heath (in 1984-09)
guitar:
Tal Farlow (jazz guitarist) (in 1984-09)
piano:
Frank Strazzeri (in 1984-09)
woodwind:
Sam Most (in 1984-09)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1985)
recorded at:
Sage and Sound Recording in Hollywood (in 1984-09)
remixed at:
PER in San Francisco
instrumental recording of:
When Lights Are Low (in 1984-09)
lyricist:
Spencer Williams (US jazz composer, pianist & singer)
composer:
Benny Carter
publisher:
Bee Cee Music Co. and Mills Music
6:50
5Who Cares
recording engineer:
Jim Mooney (in 1984-09)
producer:
Frank Dorritie
bass:
Bob Maize (in 1984-09)
drums (drum set):
Al “Tootie” Heath (in 1984-09)
guitar:
Tal Farlow (jazz guitarist) (in 1984-09)
piano:
Frank Strazzeri (in 1984-09)
woodwind:
Sam Most (in 1984-09)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1985)
recorded at:
Sage and Sound Recording in Hollywood (in 1984-09)
remixed at:
PER in San Francisco
instrumental recording of:
Who Cares? (Of Thee I Sing) (in 1984-09)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Of Thee I Sing: Act II
4:21
6I Can’t Get Started
recording engineer:
Jim Mooney (in 1984-09)
producer:
Frank Dorritie
bass:
Bob Maize (in 1984-09)
drums (drum set):
Al “Tootie” Heath (in 1984-09)
guitar:
Tal Farlow (jazz guitarist) (in 1984-09)
piano:
Frank Strazzeri (in 1984-09)
woodwind:
Sam Most (in 1984-09)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1985)
recorded at:
Sage and Sound Recording in Hollywood (in 1984-09)
remixed at:
PER in San Francisco
instrumental recording of:
I Can’t Get Started (in 1984-09)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
6:22
7Prelude to a Kiss
recording engineer:
Jim Mooney (in 1984-09)
producer:
Frank Dorritie
bass:
Bob Maize (in 1984-09)
drums (drum set):
Al “Tootie” Heath (in 1984-09)
guitar:
Tal Farlow (jazz guitarist) (in 1984-09)
piano:
Frank Strazzeri (in 1984-09)
woodwind:
Sam Most (in 1984-09)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1985)
recorded at:
Sage and Sound Recording in Hollywood (in 1984-09)
remixed at:
PER in San Francisco
instrumental recording of:
Prelude to a Kiss (in 1984-09)
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
5:19
8Everything Happens to Me
recording engineer:
Jim Mooney (in 1984-09)
producer:
Frank Dorritie
bass:
Bob Maize (in 1984-09)
drums (drum set):
Al “Tootie” Heath (in 1984-09)
guitar:
Tal Farlow (jazz guitarist) (in 1984-09)
piano:
Frank Strazzeri (in 1984-09)
woodwind:
Sam Most (in 1984-09)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Records, Inc. (not for release label use!) (in 1985)
recorded at:
Sage and Sound Recording in Hollywood (in 1984-09)
remixed at:
PER in San Francisco
instrumental recording of:
Everything Happens to Me (in 1984-09)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:51

Credits

Release

printed in:U.S.A.