Les Noces de Figaro, K. 492: "Esci omai, garzon malnato !" (Le comte)

~ Recording by Wiener Philharmoniker, Herbert von Karajan

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
271.2Le nozze di Figaro, K 492: Atto secondo. N. 16 Finale: "Esci, omai, garzon, malnato" (conte, contessa) / "Signore! Cos'è quel stupore?" (Susanna, conte, contessa) / "Susanna, son morta" (contessa, Susanna, conte)7:35Wolfgang Amadeus MozartHerbert von Karajan Complete Recordings on Deutsche Grammophon and DeccaHerbert von KarajanOther + Compilation
  • XW2017-11-03
Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only), Deutsche Grammophon479 8160

Relationships

producer:Richard Beswick
Christopher Raeburn (producer)
harpsichord:Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass-baritone vocals:Tom Krause (bass-baritone) (from 1978-04 until 1978-05)
choir vocals:Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
soprano vocals:Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05)
Anna Tomowa‐Sintow (soprano) (from 1978-04 until 1978-05)
orchestra:Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:John Dunkerley (engineer)
Jack Law (engineer)
James Lock (James Locke, engineer)
recorded at:Sofiensaal in Landstraße (from 1978-04 until 1978-05)
recording of:Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Esci, ormai, garzon malnato” (Il Conte, La Contessa, Susanna)

Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Esci, ormai, garzon malnato” (Il Conte, La Contessa, Susanna)

composer:Wolfgang Amadeus Mozart (classical composer)
part of:Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II) (order: 14)