Christ lag in Todes Banden, BWV 4: VI. Aria. Hie ist das rechte Osterlamm
~ Recording by Edward Grint, Les Arts Florissants, Benjamin Alard
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No releases found which feature this recording.
Relationships
| assistant recording engineer: | Jérémy Chevillard (engineer) (in 2022-05) |
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| recording engineer: | Florent Ollivier (engineer) (in 2022-05) |
| producer: | Arnaud Moral (French audio) (task: direction artistique) |
| mixer: | Florent Ollivier (engineer) |
| bass vocals: | Edward Grint (in 2022-05) |
| orchestra: | Les Arts Florissants (French baroque ensemble) (in 2022-05) |
| conductor: | Benjamin Alard (French harpsichordist & organist) (in 2022-05) |
| recorded at: | Philharmonie de Paris in Paris (in 2022-05) |
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| recording of: | Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (in 2022-05) |
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Related works
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“
| composed in: | Mühlhausen (from 1707 until 1708) |
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| revised in: | Leipzig (from 1724 until 1725) |
| composer: | Johann Sebastian Bach (German Baroque period composer & musician) (in 1707) |
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| librettist: | Martin Luther (German theologian of the Reformation) (in 1524) |
| part of: | Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded) (movement) (order: 6) |
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