Annotation

Recording: 1982-11-22 - 1982-11-24, 1982-11-29 - 1982-12-04, 1983-05-09, 1983-05-10, 1984-01-08 - 1984-01-10.

Annotation last modified on 2015-05-21 20:16 UTC.

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
199.7Der Rosenkavalier, op. 59: Erster Aufzug. "Dirigori armato il seno contro amor mi ribellai" (Tenor) / "Als Morgengabe" (Baron, Notar, Tenor)5:36Richard StraussComplete Recordings on Deutsche GrammophonHerbert von KarajanAlbum + Compilation
  • JP2008-04-05
Deutsche GrammophonUCCG-90001
296.7Der Rosenkavalier: Atto primo. "Di rigori armato il seno" (Sänger, Baron Ochs, Notar) - Richard Strauss5:36Richard StraussHerbert von Karajan Complete Recordings on Deutsche Grammophon and DeccaHerbert von KarajanOther + Compilation
  • XW2017-11-03
Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only), Deutsche Grammophon479 8160

Relationships

producer:Michel Glotz
Werner Mayer (classical producer)
bass vocals [Der Baron Ochs auf Lerchenau]:Kurt Moll (operatic bass) (from 1982-11-22 until 1984-01-10)
bass vocals [Ein Notar]:Carlos Feller (operatic bass) (from 1982-11-22 until 1984-01-10)
tenor vocals [Ein Sänger]:Vinson Cole (American tenor) (from 1982-11-22 until 1984-01-10)
orchestra:Wiener Philharmoniker (Vienna Philharmonic) (from 1982-11-22 until 1984-01-10)
conductor:Herbert von Karajan (conductor) (from 1982-11-22 until 1984-01-10)
balance engineer:Günter Hermanns (producer/engineer) (from 1982-11-22 until 1984-01-10)
recorded at:Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt (from 1982-11-22 until 1984-01-10)
recording of:Der Rosenkavalier, op. 59: Akt I. "Di rigori armato il seno" (Ein Sänger) (from 1982-11-22 until 1984-01-10)

Der Rosenkavalier, op. 59: Akt I. "Di rigori armato il seno" (Ein Sänger)

composer:Richard Strauss (German composer) (from 1909 until 1910)
librettist:Hugo von Hofmannsthal
part of:Der Rosenkavalier, op. 59: Akt I