Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
16.4La Cenerentola: Act II: Nacqui all’affanno7:35Gioachino Rossini111 Years of Deutsche Grammophon: The Collectors’ Edition 2Various ArtistsAlbum + Compilation
Deutsche Grammophon00289 477 9142 GB 56

Relationships

executive producer:Christian Leins
producer:Sid McLauchlan (engineer/producer)
baritone vocals [Dandini]:Dominik Licht (operatic baritone) (in 2006-07)
bass vocals [Don Magnifico]:Mirko Tuma (in 2006-07)
choir vocals:Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 2006-07)
mezzo-soprano vocals:Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2006-07)
mezzo-soprano vocals [Tisbe]:Heike Liebmann (mezzo-soprano) (in 2006-07)
soprano vocals [Clorinda]:Katharina Flade (soprano) (in 2006-07)
orchestra:Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-07)
conductor:Fabio Luisi (conductor) (in 2006-07)
balance engineer:Hans‐Ulrich Bastin
Andrew Wedman (producer and engineer)
recorded at:Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (in 2006-07)
recording of:La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) (in 2006-07)

La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico)

composer:Gioachino Rossini (composer)
librettist:Jacopo Ferretti
part of:La Cenerentola: Atto II (order: 15)
is the basis for:Introduzione e variazioni su "Non più mesta accanto al fuoco", op. 12, MS 22
Variations for Flute and Piano in E major on the Theme “Non più mesta”, B. 9
Variations on “Non più mesta accanto al fuoco” from Rossini’s “La Cenerentola”, op. 30
Variazioni su Non più mesta di Rossini, op. 5
arrangements:Non più mesta, op. 12 (arr. F. Kreisler)