Requiem in D minor, K. 626: Confutatis maledictis – Lacrimosa dies illa

~ Recording by Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt‐Jensen

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Relationships

compilation of:Requiem, K. 626 (completed by Süßmayr): IIIe. Sequenz: “Confutatis maledictis” by Gewandhaus‐Kammerchor, Leipziger Kammerorchester (Leipzig Chamber Orchestra), Morten Schuldt‐Jensen (choir master)
Requiem, K. 626 (completed by Süßmayr): IVa. Offertorium: “Domine Jesu Christe” by Miriam Allan (soprano), Anne Buter (mezzo-soprano), Marcus Ullmann, Martin Snell (operatic bass), Gewandhaus‐Kammerchor, Leipziger Kammerorchester (Leipzig Chamber Orchestra), Morten Schuldt‐Jensen (choir master)
recording of:Requiem in D minor, K. 626: III. Sequenz: e. Confutatis (catch-all for unknown editions) (from 2004-11-10 until 2004-11-12)
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (from 2004-11-10 until 2004-11-12)

Related works

Requiem in D minor, K. 626: III. Sequenz: e. Confutatis (catch-all for unknown editions)

composer:Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:Requiem in D minor, K. 626 (catch-all for unknown editions) (order: 7)

Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir)

orchestrator:Franz Xaver Süßmayr
additional composer:Joseph Leopold Eybler (Austrian composer)
Franz Xaver Süßmayr (from 1791 until 1792)
composer:Wolfgang Amadeus Mozart (classical composer) (in 1791)
later translated versions:Ağıt
part of:Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition) (movement) (order: 6)
is the basis for:L’art du chant appliqué au piano, op. 70: No. 5a, Lacrimosa, tiré du Requiem de Mozart, op. 70 no. 5.
Lacrimosa (Mozart: Requiem In D Minor, K.626 - 3.) (Soundtrack of Path to Nowhere)
has revision:Requiem in D Minor, K. 626: II. Sequentia: 8. Lacrimosa (Michael Ostrzyga Edition)
arrangements:Zwei Transcriptionen aus Mozarts Requiem, S. 550: 2. Lacrimosa (for solo piano, Liszt)