Dido and Aeneas: Act I. "Ah! Belinda" (Dido, Belinda, Chorus)

~ Recording by Erwin Ortner, Arnold Schönberg Chor, Elisabeth von Magnus, Ann Murray, Rachel Yakar, Concentus Musicus Wien, Nikolaus Harnoncourt

Appears on releases

No releases found which feature this recording.

Relationships

recording of:Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) (in 1983-03)
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman) (in 1983-03)
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus) (in 1983-03)
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) (in 1983-03)
Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus) (in 1983-03)

Related works

Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido)

composer:Henry Purcell (Baroque composer) (in 1689)
librettist:Nahum Tate
part of:Dido and Aeneas, Z. 626: Act I (number) (order: 2)
is the basis for:Peace and I Are Strangers Grown

Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman)

composer:Henry Purcell (Baroque composer)
librettist:Nahum Tate
part of:Dido and Aeneas, Z. 626: Act I (number) (order: 3)

Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus)

composer:Henry Purcell (Baroque composer)
librettist:Nahum Tate
part of:Dido and Aeneas, Z. 626: Act I (number) (order: 4)

Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman)

composer:Henry Purcell (Baroque composer) (in 1689)
librettist:Nahum Tate
part of:Dido and Aeneas, Z. 626: Act I (number) (order: 5)

Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus)

composer:Henry Purcell (Baroque composer) (in 1689)
librettist:Nahum Tate
part of:Dido and Aeneas, Z. 626: Act I (number) (order: 6)