Carmina Burana: III. Cour d’amours: Dies, nox et omnia
~ Recording by Mark Oswald, Orchestre symphonique de Montréal, Charles Dutoit
Appears on releases
| # | Title | Length | Track artist | Release title | Release artist | Release group type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 32.16 | Dies, nox et omnia | 2:20 | Carl Orff | The Decca Sound: Dutoit / Montréal | Dutoit, Montréal | Album + Compilation |
| Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only) | 478 9466 |
Relationships
| producer: | Chris Hazell |
|---|---|
| editor: | Simon Bertram |
| baritone vocals: | Mark Oswald (baritone) (in 1996-05) |
| orchestra: | Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1996-05) |
| conductor: | Charles Dutoit (conductor) (in 1996-05) |
| balance engineer: | John Dunkerley (engineer) Jonathan Stokes (engineer) |
| recorded at: | Église de Saint-Eustache in Saint-Eustache (in 1996-05) |
|---|
| recording of: | Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (in 1996-05) |
|---|
Related works
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia
| composer: | Carl Orff (composer) (in 1936) |
|---|
| publisher: | B. Schott’s Söhne (publisher; do not use as label) |
|---|
| part of: | Carmina Burana: III. Cour d’amours (order: 2) |
|---|---|
| is the basis for: | Dies, Nox et Omnia (OC ReMix) |
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