Christ lag in Todesbanden, BWV 4: VI. Versus 5. Hier ist das rechte Osterlamm

~ Recording by Sebastian Myrus, Ensemble Correspondances, Sébastien Daucé

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recording engineer:Alexandra Evrard (engineer) (from 2024-08-27 until 2024-08-29)
Alban Moraud (engineer) (from 2024-08-27 until 2024-08-29)
producer:Alexandra Evrard (engineer) (task: direction artistique)
Alban Moraud (engineer) (task: direction artistique)
bass vocals:Sebastian Myrus (German baritone)
orchestra:Ensemble Correspondances (from 2024-08-27 until 2024-08-29)
conductor:Sébastien Daucé (chef d'orchestre et musicologue français) (from 2024-08-27 until 2024-08-29)
phonographic copyright (℗) by:harmonia mundi musique s.a.s. (not for release label use!) (in 2025)
recorded at:Chapelle Corneille in Rouen (from 2024-08-27 until 2024-08-29)
recording of:Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“

Related works

Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“

composed in:Mühlhausen (from 1707 until 1708)
revised in:Leipzig (from 1724 until 1725)
composer:Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:Martin Luther (German theologian of the Reformation) (in 1524)
part of:Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded) (movement) (order: 6)