Annotation

Conductors and artists possibly wrong. Seems to be one of Alfred Scholz recordings. In many cases the names are simply appropriated.

Annotation last modified on 2018-02-22 08:48 UTC.

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
1.5La Mer - From Dawn Until Noon on the Sea8:59Claude DebussyClassics for LoversVarious ArtistsAlbum + Compilation
Classical Heritage (may be a series by Intersound Records rather than an actual label)CH 1210-D, CH 1210D

Relationships

orchestra:London Festival Orchestra (Alfred Scholz pseudonym)
Orchestre philharmonique de l’ORTF
ORF-Symphonic Orchestra (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester)
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym)
Milan Horvat (Croatian conductor, 1919-2014)
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
Alexander von Pitamic (Alfred Scholz pseudonym)
Alfred Scholz
recording of:La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer”

La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer”

composer:Claude Debussy (French composer) (from 1903 until 1905)
part of:La Mer, trois esquisses symphoniques pour orchestre, L. 109 (movement) (order: 1)
arrangements:La Mer, L. 109: I. "De l'aube à midi sur la mer" (arr. Caplet for two pianos)
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. "De l'aube à midi sur la mer" (arr. Beamish for piano trio)
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. "De l'aube à midi sur la mer" (catch-all for arrangements)
La Mer: I. De l'aube à midi sur la mer (Transcribed for solo piano)
La Mer: I. De l'aube à midi sur la mer (for piano four hands)