La Cenerentola: Atto I. Finale I “Ah! Se velata ancor” … “Sprezzo quei don” (coro, Cenerentola, Ramiro, Dandini, Clorinda, Tisbe, Alidoro)
~ Recording by Luigi Alva, Teresa Berganza, Renato Capecchi, Margherita Guglielmi, Scottish Opera Chorus, Ugo Trama, Laura Zannini, London Symphony Orchestra, Claudio Abbado
Appears on releases
| # | Title | Length | Track artist | Release title | Release artist | Release group type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 35.2 | La Cenerentola: Finale I. "Ah! Se velata ancor" (Coro) - "Sprezzo quei don" (Cenerentola, Ramiro, Dandini, Clorinda, Tisbe, Alidoro) | 6:59 | Gioachino Rossini | Claudio Abbado & London Symphony Orchestra: Complete Deutsche Grammophon and Decca Recordings | Claudio Abbado & London Symphony Orchestra | Album + Compilation |
| Deutsche Grammophon | 00289 483 9589 |
| 180.2 | La Cenerentola: Atto Primo. Finale I “Ah! Se velata ancor” … “Sprezzo quei don” (coro, Cenerentola, Ramiro, Dandini, Clorinda, Tisbe, Alidoro) | 6:59 | Gioachino Rossini | The Complete Recordings on Deutsche Grammophon & Decca | Claudio Abbado | Album + Compilation |
| Deutsche Grammophon | 4862510 |
Relationships
| miscellaneous support: | Theodor Guschlbauer (conductor) (task: musical assistant) |
|---|---|
| executive producer: | Karl Faust (producer) |
| producer: | Rainer Brock (producer and recording supervisor for Deutsche Grammophon) |
| harpsichord: | Theodor Guschlbauer (conductor) (from 1971-08-24 until 1971-09-05) |
| baritone vocals [Dandini, suo cameriere]: | Renato Capecchi (baritone) (from 1971-08-24 until 1971-09-05) |
| bass vocals [Alidoro, filosofo, maestro di Don Ramiro]: | Ugo Trama (operatic bass) (from 1971-08-24 until 1971-09-05) |
| choir vocals: | Scottish Opera Chorus (from 1971-08-24 until 1971-09-05) |
| mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]: | Teresa Berganza (mezzo-soprano) (from 1971-08-24 until 1971-09-05) |
| mezzo-soprano vocals [Tisbe]: | Laura Zannini (soprano) (from 1971-08-24 until 1971-09-05) |
| soprano vocals [Clorinda]: | Margherita Guglielmi (soprano) (from 1971-08-24 until 1971-09-05) |
| tenor vocals [Don Ramiro, principe di Salerno]: | Luigi Alva (tenor) (from 1971-08-24 until 1971-09-05) |
| orchestra: | London Symphony Orchestra (from 1971-08-24 until 1971-09-05) |
| conductor: | Claudio Abbado (conductor) (from 1971-08-24 until 1971-09-05) |
| chorus master: | Arthur Oldham (chorus master) (from 1971-08-24 until 1971-09-05) |
| balance engineer: | Hans‐Peter Schweigmann (engineer) (from 1971-08-24 until 1971-09-05) |
| phonographic copyright (℗) by: | Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) |
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| recorded at: | George Watson’s College in Edinburgh (from 1971-08-24 until 1971-09-05) |
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| recording of: | La Cenerentola: Atto I, scena 3. Chorus “Venga, inoltri” … “Ah! Se velata ancor” … “Parlar – pensar – vorrei” (Coro, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Cenerentola) (from 1971-08-24 until 1971-09-05: partial) |
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Related works
La Cenerentola: Atto I, scena 3. Chorus “Venga, inoltri” … “Ah! Se velata ancor” … “Parlar – pensar – vorrei” (Coro, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Cenerentola)
| composer: | Gioachino Rossini (composer) |
|---|---|
| librettist: | Jacopo Ferretti |
| part of: | La Cenerentola: Atto I (order: 16) |
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