Carmina Burana: III. Cour d'amours: Dies, nox et omnia

~ Recording by Thomas Hampson, Berliner Philharmoniker, Seiji Ozawa

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
40.16Carmina Burana: III. Cour d’amours, “Dies, nox et omnia”2:30Carl OrffPhilips Original Jackets CollectionVarious ArtistsAlbum + Compilation
  • XW2012-10-15
Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only)478 4614
69.16III. Cour d'amours: Dies, nox et omnia2:30Carl OrffSeiji Ozawa EditionSeiji OzawaAlbum + Compilation
  • JP2025-12-17
Universal Classics & Jazz (Japanese label division - read the annotation before using!)UCCS-9068

Relationships

recording engineer:Roger de Schot
Stan Taal
producer:Michael Bremner (producer/engineer)
editor:Erdo Groot (sound engineer for recordings of classical music)
Albert Kos (engineer/editor)
baritone vocals:Thomas Hampson (baritone) (in 1988-06)
orchestra:Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-06-25 until 1988-06-26)
conductor:Seiji Ozawa (conductor and composer) (from 1988-06-25 until 1988-06-26)
balance engineer:Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:Berliner Philharmonie in Mitte (in 1988-06)
recording of:Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (in 1988-06)

Related works

Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia

composer:Carl Orff (composer) (in 1936)
publisher:B. Schott’s Söhne (publisher; do not use as label)
part of:Carmina Burana: III. Cour d’amours (order: 2)
is the basis for:Dies, Nox et Omnia (OC ReMix)