Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
1.14Part One, Recitative: There were shepherds/Recitative: And lo, the angel of the Lord came upon them0:33Georg Friedrich HändelMessiahGeorg Friedrich Händel; Boston Baroque, Martin Pearlman, Karen Clift, Catherine Robbin, Bruce Fowler, Victor LedbetterAlbum
Telarc DigitalCD-80322

Relationships

miscellaneous support:John Newton (editor, engineer mixer) (in 1992-05)
engineer:Jack Renner (engineer for Telarc) (in 1992-05)
assistant producer:Elaine Martone (engineer) (in 1992-05)
producer:James Mallinson (producer) (in 1992-05)
editor:Tony Bridge (mastering engineer)
soprano vocals:Karen Clift (soprano)
orchestra:Boston Baroque (in 1992-05)
conductor:Martin Pearlman (US conductor, harpsichordist, composer)
recorded at:Campion Center in Weston (from 1992-05-18 until 1992-05-22)
recording of:Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)

Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)

composer:George Frideric Handel (German‐British baroque composer) (in 1741)
later parody versions:We Love Sheep
later versions:Der Messias, K. 572: Teil I, Nr. 9b. Recitativo: “Es waren Hirten beisammen auf dem Felde” (soprano II)
part of:Messiah, HWV 56: Part I (order: 14)
parts:Messiah, HWV 56: Part I, no. 14a. Recitative “There were shepherds, abiding in the field” (Soprano)
Messiah, HWV 56: Part I, no. 14b. Recitative “And lo! the angel of the Lord come upon them” (Soprano)
arrangements:Messiah, HWV 56: Part I, no. 14. There were shepherds abiding in the field. And lo, the angel of the Lord came upon them (Goossens-Beecham Edition)