Conclusion

Name: Conclusion
Duration: 32 min 16 s

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producer:	Jay David Saks (producer of classical and musical theatre recordings)
baritone vocals:	Håkan Hagegård (baritone) (from 1980-12-15 until 1980-12-17)
choir vocals:	London Symphony Chorus (from 1980-12-15 until 1980-12-17) St. Paul’s Cathedral Choir (London) (from 1980-12-15 until 1980-12-17)
soprano vocals:	Barbara Hendricks (soprano) (from 1980-12-15 until 1980-12-17)
tenor vocals:	John Aler (tenor) (from 1980-12-15 until 1980-12-17)
orchestra:	London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:	Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)

recorded at:	Kingsway Hall in London (Greater London) (from 1980-12-15 until 1980-12-17)

recording of:	Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana) (from 1980-12-15 until 1980-12-17: partial)

composer:	Carl Orff (composer) (in 1936)

premiered at:	Alte Oper in Frankfurt am Main (Frankfurt) (on 1937-06-08)

part of:	Trionfi (part of collection)
parts:	1. Carmina Burana: Fortuna Imperatrix Mundi 2. Carmina Burana: I. Primo Vere 3. Carmina Burana: Uf dem Anger 4. Carmina Burana: II. In Taberna 5. Carmina Burana: III. Cour d’amours 6. Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima 7. Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise)
is based on:	Carmina Burana (original manuscript of poetry, ca. 1230)
is the basis for:	Carmina Burana (Trans-Siberian Orchestra arrangement) Carmina Celtica
arrangements:	Carmina Burana (piano reduction) Carmina Burana (for winds, percussion and choruses, Mas Quiles) Carmina Burana (Cantiones Profanae) (Suite, arranged for concert band)