Todtentanz

~ Recording by Alexander Brailowsky, The Philadelphia Orchestra, Eugene Ormandy

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recording of:Totentanz, S. 126/2 (for piano and orchestra, published version) (from 1961-02-12 until 1961-02-23)

Related works

Totentanz, S. 126/2 (for piano and orchestra, published version)

composer:Franz Liszt (Hungarian composer, pianist and conductor)
dedicated to:Hans von Bülow (German conductor and composer)
premiered by:Hans von Bülow (German conductor and composer) (on 1865-04-15)
premiered at:[concert] (1865-04-15)
parts:1. Totentanz, S. 126: I. Andante - Allegro - Allegro moderato (for piano and orchestra)
2. Totentanz, S. 126: II. Variation I (for piano and orchestra)
3. Totentanz, S. 126: III. Variation II (for piano and orchestra)
4. Totentanz, S. 126: IV. Variation III (for piano and orchestra)
5. Totentanz, S. 126: V. Variation IV (for piano and orchestra)
6. Totentanz, S. 126: VI. Variation V (for piano and orchestra)
7. Totentanz, S. 126: VII. Cadenza (for piano and orchestra)
8. Totentanz, S. 126: VIII. Variation VI (for piano and orchestra)
9. Totentanz, S. 126: IX. Cadenza (for piano and orchestra)
10. Totentanz, S. 126: X. Allegro animato (for piano and orchestra)
is based on:Missa pro defunctis: Sequentia “Dies irae” (plainchant)
is the basis for:Dies irae (Epic Fail) Piano variations, op.15
revision of:Totentanz, S. 126/1 (early unpublished version)
arrangements:Totentanz, S. 525, R. 188 (for solo piano)
Totentanz, S. 652 (for two pianos)