Messe in H-moll, BWV 232: IV. Benedictus

~ Recording by Concentus Musicus Wien, Nikolaus Harnoncourt

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Relationships

recording of:h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1986-04)
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1986-04)

Related works

h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus")

composed in:Leipzig (from 1747 until 1749)
composer:Johann Sebastian Bach (German Baroque period composer & musician)
part of:h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor) (order: 24)
arrangements:Benedictus from Mass in B minor, BWV 232 (arr. Henry Wood)

h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis")

composed in:Leipzig (from 1747 until 1749)
composer:Johann Sebastian Bach (German Baroque period composer & musician)
part of:h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor) (order: 25)
is based on:Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"