Come Sunday (live, 1963-07-15: Sankei Hall, Tokyo, Japan)
~ Recording by Cannonball Adderley
Appears on releases
| # | Title | Length | Track artist | Release title | Release artist | Release group type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 1.5 | Come Sunday | 7:01 | Cannonball Adderley | Nippon Soul: Recorded in Concert in Tokyo | Cannonball Adderley | Album + Live |
| Original Jazz Classics, Riverside (50s jazz label, now controlled by the Concord Music Group) | OJC20 435-2, RLP 9477 |
Relationships
| alto saxophone: | Cannonball Adderley (on 1963-07-15) |
|---|---|
| cornet: | Nat Adderley (on 1963-07-15) |
| double bass: | Sam Jones (US jazz bassist) (on 1963-07-15) |
| drums (drum set): | Louis Hayes (on 1963-07-15) |
| flute, oboe and tenor saxophone: | Yusef Lateef (on 1963-07-15) |
| piano: | Joe Zawinul (jazz and fusion keyboard player) (on 1963-07-15) |
| recorded at: | Sankei Hall in Kōjimachi (on 1963-07-15) |
|---|
| recording of: | Come Sunday (1958 revision with lyrics) (on 1963-07-15: instrumental) |
|---|
Related works
Come Sunday (1958 revision with lyrics)
| lyricist and composer: | Duke Ellington (US composer, pianist & jazz bandleader) |
|---|
| version of: | Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite) |
|---|---|
| part of: | Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite) (order: 4) |
| arrangements: | Come Sunday (Hamiet Bluiett/World Saxophone Quartet arrangement) |
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