Carmina Burana: III. Cour d’amours: 22. Tempus est iocundum

~ Recording by Brighton Festival Chorus, Norma Burrowes, John Shirley‐Quirk, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
8.22Carmina Burana: III. Cour d’amours: Tempus est iocundum2:36Carl OrffPhase 4 Stereo: Stereo Concert SeriesVarious ArtistsAlbum + Compilation
  • GB2014-09-15
Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only)478 6769

Relationships

engineer:Arthur Lilley (engineer)
Kenneth Wilkinson (engineer)
producer:Tony D’Amato
baritone vocals:John Shirley‐Quirk (bass-baritone)
choir vocals:Brighton Festival Chorus
Southend Boys’ Choir
soprano vocals:Norma Burrowes (soprano)
orchestra:Royal Philharmonic Orchestra
conductor:Antal Doráti (conductor)
chorus master:Michael Crabb (organist, conductor, chorus master)
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:Kingsway Hall in London (Greater London) (in 1976-02)
recording of:Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum

Related works

Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum

composer:Carl Orff (composer) (in 1936)
publisher:B. Schott’s Söhne (publisher; do not use as label)
part of:Carmina Burana: III. Cour d’amours (order: 8)