Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
35.8Il barbiere di Siviglia: Act I, no. 5 Cavatina: “Una voce poco fa” - “Io sono docile”5:40Gioachino RossiniPhilips Original Jackets CollectionVarious ArtistsAlbum + Compilation
  • XW2012-10-15
Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only)478 4614

Relationships

producer:Erik Smith (British producer, pianist and harpsichordist)
mezzo-soprano vocals [Rosina]:Agnes Baltsa (mezzo-soprano) (in 1982-06)
orchestra:Academy of St Martin in the Fields (in 1982-06)
conductor:Neville Marriner (conductor) (in 1982-06)
recorded at:Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (in 1982-06)
recording of:Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (in 1982-06)

Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina)

composer:Gioachino Rossini (composer)
librettist:Cesare Sterbini
referred to in medleys:Barcelona Games Medley (order: 10)
later translated versions:Der Barbier von Sevilla: Akt I. „Frag ich mein beklommenes Herz” (Rosina)
Le Barbier de Séville : Acte I. « Rien ne peut changer mon âme » (Rosine)
part of:Il barbiere di Siviglia: Atto I (order: 13)
is the basis for:3 Arias sur “Le Barbier de Séville” de Giocchino Rossini : Una voce poco fa
Fantasia on “Una voce poco fa”