Concierto de Aranjuez: II. Adagio

~ Recording by Christine Pendrill, John Williams, Philharmonia Orchestra, Louis Frémaux

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Relationships

engineer:Peter Brown (sound engineer, last name often misprinted as “Brown”) (from 1983-03-06 until 1983-03-07)
producer:John Williams (classical guitarist) (in 1983-03)
David Mottley (producer) (from 1983-03-06 until 1983-03-07)
classical guitar:John Williams (classical guitarist) (from 1983-03-06 until 1983-03-07)
cor anglais:Christine Pendrill (from 1983-03-06 until 1983-03-07)
orchestra:Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1983-03-06 until 1983-03-07)
conductor:Louis Frémaux (conductor) (from 1983-03-06 until 1983-03-07)
engineered at:Abbey Road Studios: Studio 1 in St John's Wood (from 1983-03-06 until 1983-03-07)
recording of:Concierto de Aranjuez: II. Adagio (from 1983-03-06 until 1983-03-07)

Concierto de Aranjuez: II. Adagio

composer:Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
referred to in medleys:Spain (order: 1)
Spain (I Can Recall) (order: 1)
later versions:Aranjuez (Kahmi lyrics)
part of:Concierto de Aranjuez (movement) (order: 2)
is the basis for:Aranjuez Concerto BWV 1056
Aranjuez, mon amour (french lyrics)
En Aranjuez con tu amor (spanish lyrics)
Follow Me (based on Adagio of the Concierto de Aranjuez, english lyrics)
Spain
Spain Intro
True Love Never Dies
Wind of Change
لبيروت
arrangements:Concerto D'Aranjuez
Concerto de Aranjuez: Adagio (Tomita arrangement)
Concierto de Aranjuez: II. Adagio (for harp and orchestra, Rodrigo 1974)
Concierto de Aranjuez: II. Adagio (catch-all for arrangements)
music quoted in:Alma vieja