Don Giovanni, K. 527, Act 1: "Batti, batti, o bel Masetto" (Zerlina)

~ Recording by Mirella Freni, New Philharmonia Orchestra, Otto Klemperer

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Relationships

recording of:Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina)
1. Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina)
2. Don Giovanni: Atto I. Recitativo “Guarda un po’ come seppe” (Masetto, Don Giovanni, Zerlina)

Related works

Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina)

composer:Wolfgang Amadeus Mozart (classical composer)
librettist:Lorenzo Da Ponte (in 1787)
part of:Don Giovanni: Atto I (number) (order: 28)
is the basis for:Variations on “Batti batti” from Mozart’s “Don Giovanni”, WoO 10
arrangements:Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (for 12 winds and double bass, Bernardini)
Don Giovanni: X. "Batti, batti o bel Masetto" (for wind ensemble, arr. Triebensee)
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (catch-all for arrangements)
Three Arias from Don Giovanni: No. 1. “Batti, batti, oh bel Masetto” (for voice and guitar, arr. Sor)

Don Giovanni: Atto I. Recitativo “Guarda un po’ come seppe” (Masetto, Don Giovanni, Zerlina)

composer:Wolfgang Amadeus Mozart (classical composer)
librettist:Lorenzo Da Ponte (in 1787)
part of:Don Giovanni: Atto I (number) (order: 29)