Fidelio: Act II, No. 16. Finale "Heil sei dem Tag" (Chor der Gefangenen und des Volkes, Fernando, Rocco, Pizarro, Leonore, Marzeline, Jaquino)

~ Recording by Staatskapelle Dresden, Karl Böhm

Appears on releases

No releases found which feature this recording.

Relationships

executive producer:Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:Dieter-Gerhardt Worm
baritone vocals [Don Pizarro]:Theo Adam (German classical bass-baritone) (in 1969-03)
bass vocals [Don Fernando]:Martti Talvela (operatic bass) (in 1969-03)
bass vocals [Rocco]:Franz Crass (operatic bass) (in 1969-03)
choir vocals:Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 1969-03)
solo tenor vocals [Florestan]:James King (tenor) (in 1969-03)
soprano vocals [Leonore]:Gwyneth Jones (soprano) (in 1969-03)
soprano vocals [Marzelline]:Edith Mathis (soprano) (in 1969-03)
tenor vocals [Jaquino]:Peter Schreier (German tenor and conductor) (in 1969-03)
orchestra:Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1969-03)
conductor:Karl Böhm (Austrian conductor) (in 1969-03)
balance engineer:Günter Hermanns (producer/engineer)
Claus Strüben (german sound engineer)
recorded at:Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (in 1969-03)
recording of:Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale) (in 1969-03)

Related works

Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)

composer:Ludwig van Beethoven (German composer)
part of:Fidelio, op. 72: Akt II (order: 12)
parts:14. Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor)
15. Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline)
16. Fidelio, op. 72: Act II, Scene II, no. 16c. "Bestrafet sei der Bösewicht" (Chorus & Don Fernando)
17. Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando)
18. Fidelio, op. 72: Act II, Scene II, no. 16e. "O Gott! O welch ein Augenblick!" (Chor, Leonore, Marzelline, Florestan, Don Fernando, Rocco)
19. Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino)