Messiah, HWV 56: Part II. “How beautiful are the feet”

~ Recording by Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
21.10Messiah, HWV 56: Part II. "How beautiful are the feet"2:05George Frideric HandelMagnificat (500 Ans De Musique Sacre) = Magnificat (Grosse Chorwerke Aus 5 Jahrhunderten) = Magnificat (500 Years Of Choral Masterworks)Various ArtistsAlbum + Compilation
Decca Records, Deutsche Grammophon478 3640

Relationships

engineer:Martin Atkinson (engineer)
John Dunkerley (engineer)
choir vocals:Christ Church Cathedral Choir, Oxford (in 1979)
soprano vocals:Judith Nelson (soprano) (in 1979)
orchestra:Academy of Ancient Music (in 1979)
conductor:Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:St Jude‐on‐the‐Hill in Hampstead (in 1979)
recording of:Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (in 1979)

Related works

Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus)

composer:George Frideric Handel (German‐British baroque composer) (in 1741)
later versions:Der Messias, K. 572: Teil II, Nr. 27. Aria: “Wie lieblich ist der Boten Schritt” (soprano I)
part of:Messiah, HWV 56: Part II (order: 17)
is based on:Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
arrangements:Messiah, HWV 56: Part II. Aria: How Beautiful Are the Feet (soprano) (Wilberg Edition)