The Art of Fugue, BWV 1080: Canon per Augmentationem in Contrario Motu

~ Recording by Pierre‐Laurent Aimard

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
1.19The Art of Fugue, BWV 1080: Canon per Augmentationem in Contrario Motu8:03Johann Sebastian Bach111: The Piano: Legendary RecordingsVarious ArtistsAlbum + Compilation
Deutsche Grammophon00289 479 4351

Relationships

producer:Christoph Classen (producer/engineer)
editor:Christoph Wolff (liner notes)
piano:Pierre‐Laurent Aimard (pianist) (in 2007-09)
balance engineer:Tobias Lehmann (in 2007-09)
recorded at:Konzerthaus: Mozart‐Saal in Landstraße (in 2007-09)
recording of:Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu (in 2007-09)

Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu

composer:Johann Sebastian Bach (German Baroque period composer & musician)
version of:Die Kunst der Fuge, BWV 1080.1: Canon al roverscio et per augmentationem (1742 autograph, early version)
Die Kunst der Fuge, BWV 1080.1: Canon in Hypodiateßeron al roverscio e per augmentationem, perpetuus (1742 autograph, early version)
part of:Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) (order: 16)
revision of:Canon in Hypodiatesseron, al roversio [sic] e per augmentationem (supplementation to 1742 autograph)
orchestrations:Die Kunst der Fuge, BWV 1080: V. Canon per augmentationem in contrariu motu (orch. Barshai, early version)
arrangements:Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu (catch-all for arrangements)