Appears on releases
| # | Title | Length | Track artist | Release title | Release artist | Release group type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 1.7 | Hungarian | 3:00 | bond | Classified | bond | Album |
| Decca Records | B0002332-02 |
Relationships
| assistant recording engineer: | Phil Rose (UK engineer) |
|---|---|
| recording engineer: | Adam Brown (UK engineer) Clive Goddard (engineer) |
| programming: | Ed Leal Pete Lazonby Adam Pickard |
| engineer and editor: | Gareth Jones (UK producer/engineer) |
| producer: | Ed Leal Pete Lazonby Orion (alias of Martin Glover) |
| mixer: | Clive Goddard (engineer) |
| cello: | Gay-Yee Westerhoff |
| keyboard [keyboards]: | Tim Bran |
| viola: | Tania Davis |
| violin: | Haylie Ecker Eos Charter |
| orchestra: | Royal Philharmonic Orchestra |
| conductor: | Matt Dunkley |
| arranger and orchestrator: | Matt Dunkley |
| recorded at: | Air Lyndhurst (Lyndhurst Hall 1991–present) in Hampstead Olympic Studios (1966–2009) in Barnes |
|---|---|
| mixed at: | Sphere Studios in London (Greater London) |
| recording of: | Hungarian |
|---|
Related works
Hungarian
| composer: | bond (female neo-classical quartet) Martin Glover Pete Lazonby |
|---|
| is based on: | Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace |
|---|
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