Totentanz

~ Recording by Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
12.8Totentans, S. 12615:34Franz LisztPhilips Classics: The Stereo YearsVarious ArtistsAlbum + Compilation
Philips Classics (See annotation to check it's really this label.)478 8977
16.8Totentanz, S. 12615:34Franz LisztComplete Recordings on Decca & PhilipsLondon Philharmonic Orchestra, Bernard HaitinkAlbum + Compilation
  • -2026
Decca Records

Relationships

producer:Volker Straus (producer/engineer)
piano:Alfred Brendel (Austrian pianist) (from 1972-05-03 until 1972-05-08)
orchestra:London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-05-03 until 1972-05-08)
conductor:Bernard Haitink (conductor) (from 1972-05-03 until 1972-05-08)
recorded at:Walthamstow Assembly Hall in London (Greater London) (from 1972-05-03 until 1972-05-08)
recording of:Totentanz, S. 126/2 (for piano and orchestra, published version) (from 1972-05-03 until 1972-05-08)

Totentanz, S. 126/2 (for piano and orchestra, published version)

composer:Franz Liszt (Hungarian composer, pianist and conductor)
dedicated to:Hans von Bülow (German conductor and composer)
premiered by:Hans von Bülow (German conductor and composer) (on 1865-04-15)
premiered at:[concert] (1865-04-15)
parts:1. Totentanz, S. 126: I. Andante - Allegro - Allegro moderato (for piano and orchestra)
2. Totentanz, S. 126: II. Variation I (for piano and orchestra)
3. Totentanz, S. 126: III. Variation II (for piano and orchestra)
4. Totentanz, S. 126: IV. Variation III (for piano and orchestra)
5. Totentanz, S. 126: V. Variation IV (for piano and orchestra)
6. Totentanz, S. 126: VI. Variation V (for piano and orchestra)
7. Totentanz, S. 126: VII. Cadenza (for piano and orchestra)
8. Totentanz, S. 126: VIII. Variation VI (for piano and orchestra)
9. Totentanz, S. 126: IX. Cadenza (for piano and orchestra)
10. Totentanz, S. 126: X. Allegro animato (for piano and orchestra)
is based on:Missa pro defunctis: Sequentia “Dies irae” (plainchant)
is the basis for:Dies irae (Epic Fail) Piano variations, op.15
revision of:Totentanz, S. 126/1 (early unpublished version)
arrangements:Totentanz, S. 525, R. 188 (for solo piano)
Totentanz, S. 652 (for two pianos)