Symphony no. 7 in A major, op. 92: II. Allegretto

Name: Symphony no. 7 in A major, op. 92: II. Allegretto
Duration: 7 min 45 s

Annotation

First Release: 1985
Live / Studio: Studio
Recording Location: Philharmonie, Berlin, Germany
Format: DDD Stereo 44 kHz 16 Bi

Annotation last modified on 2011-06-22 14:47 UTC.

#	Title	Length	Track artist	Release title	Release artist	Release group type	Country/Date	Label	Catalog#
Official
207.6	Symphonie Nr. 7 A-dur, op. 92: 2. Allegretto	7:45	Ludwig van Beethoven	Complete Recordings on Deutsche Grammophon	Herbert von Karajan	Album + Compilation	JP2008-04-05	Deutsche Grammophon	UCCG-90001
208.6	Symphony no. 7 in A major, op. 92: 2. Allegretto	7:45	Ludwig van Beethoven	Herbert von Karajan Complete Recordings on Deutsche Grammophon and Decca	Herbert von Karajan	Other + Compilation	XW2017-11-03	Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only), Deutsche Grammophon	479 8160

executive producer:	Günther Breest (producer for classical music)
producer:	Michel Glotz
editor:	Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
orchestra:	Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-12-01 until 1983-12-05)
conductor:	Herbert von Karajan (conductor) (from 1983-12-01 until 1983-12-05)
balance engineer:	Günter Hermanns (producer/engineer) (from 1983-12-01 until 1983-12-05)

phonographic copyright (℗) by:	Polydor International GmbH (not for release label use!) (in 1985)

recorded at:	Berliner Philharmonie in Mitte (from 1983-12-01 until 1983-12-05)

recording of:	Symphony no. 7 in A major, op. 92: II. Allegretto (from 1983-12-01 until 1983-12-05)

composer:	Ludwig van Beethoven (German composer) (from 1811 until 1812)

referred to in medleys:	Quodlibet for Small Orchestra: Allegro (3rd movement) (order: 7)
part of:	Symphony no. 7 in A major, op. 92 (movement) (order: 2)
is the basis for:	Acid Serum (Electronic derivative of Beethoven’s 7th) Allegrettango Dieron las doce Etüden in Form freier Variationen über ein Thema von Beethoven, WoO 31 (Etudes in Variation Form on a Theme by Beethoven, WoO 31) Exposition Fantasia on Beethoven's 7th Symphony, op. 39 Figlio perduto It’ll Be Like I’m Wearing a Wig in A minor La Sainte Ligue (La nuit est sombre): I. La nuit est sombre
arrangements:	Symphony no. 7 in A major, op. 92, S. 464 no. 7: II. Allegretto (for piano solo, Liszt) Symphony no. 7 in A major, op. 92: II. Allegretto (arr. Hugo Ulrich, for piano four hands) Symphony no. 7 in A major, op. 92: II. Allegretto (catch‐all for arrangements) Symphony no. 7 in A major, op. 92: II. Allegretto (arr. Beethoven for 9 part harmony) Symphony no. 7 in A major, S. 463d: II. Allegretto (for piano solo, Liszt)